Helpful Score: 5
Eschbach is apparently very well-regarded in his native Germany, and has won awards in multiple European countries - but this is his first book to be translated into English and published here. If 'The Carpet Makers' is any indication of the quality of his other works, I hope that English editions of his other books are on the way!
The novel is formed in a series of vignettes or separate short stories - which can sometimes, I feel, be an awkward, clunky way of doing things - I've read 'novels' like that before and felt that they were very 'cobbled together.' I didn't feel that way about this one at all. The 'flow' between scenes was very smooth, and each new vignette gave the reader one more piece of the big picture, forming an extreme tension as the revelation of just how terribly dire the scene being revealed truly is...
The book starts small... with just one family, a family of traditional hair carpet makers, the patriarch spending his entire life to make just one carpet from the hair of his wives and daughters, allowed to have only one son to train to take on his craft...
The scene seems harsh, the society repressive... (and that first 'story' packs a punch and a half!) but as the book goes on, the focus widens, until a galactic scenario is shown, and the book talks not only about one restrictive society, but the horrific pettiness of tyranny...
Knowing the author is German, it is hard not to draw parallels with the sci-fi criticism in this book with condemnations of the third reich, but I'm not sure I would have made that connection if I had not already been thinking about Germany...
Either way, really a wonderful book - emotional, well-written, structurally near-perfectly crafted, thoughtful. Highly recommended.
The novel is formed in a series of vignettes or separate short stories - which can sometimes, I feel, be an awkward, clunky way of doing things - I've read 'novels' like that before and felt that they were very 'cobbled together.' I didn't feel that way about this one at all. The 'flow' between scenes was very smooth, and each new vignette gave the reader one more piece of the big picture, forming an extreme tension as the revelation of just how terribly dire the scene being revealed truly is...
The book starts small... with just one family, a family of traditional hair carpet makers, the patriarch spending his entire life to make just one carpet from the hair of his wives and daughters, allowed to have only one son to train to take on his craft...
The scene seems harsh, the society repressive... (and that first 'story' packs a punch and a half!) but as the book goes on, the focus widens, until a galactic scenario is shown, and the book talks not only about one restrictive society, but the horrific pettiness of tyranny...
Knowing the author is German, it is hard not to draw parallels with the sci-fi criticism in this book with condemnations of the third reich, but I'm not sure I would have made that connection if I had not already been thinking about Germany...
Either way, really a wonderful book - emotional, well-written, structurally near-perfectly crafted, thoughtful. Highly recommended.
Helpful Score: 2
This is the sort of science fiction that's perfect to hand to someone who says they never read science fiction -- sure, it's set in the future, and there are space ships, and we visit a couple of different planets in a vast interstellar empire, but that's ultimately just a slightly-more-exotic-than-usual setting for a story about some very human people whose lives touch because they each in some way illuminate the central mystery.
Each chapter is told from a different character's perspective, and within the 10-15 pages devoted to that character Eschbach is able to give the reader a strong sense of who that character is and what his/her life is like -- and most of those lives are hard, and filled with tragedies large and small. Whether it is Eschbach's doing or the translator's, the prose is imbued with a sense of distance that makes those tragedies bearable -- and were it not for that sense of distance I would have had to put the book down several times to cry. But the book isn't about those tragedies; each one is presented not for pathos but because it gives the reader (and soon, some of the characters) clues about the purpose behind the hair carpets.
As we delve deeper into the mystery the plotting becomes more complex and the scope widens -- we begin to sense the vast sweeps of history and the passions behind them. The book does lose a little of its focus in a couple chapters -- three of the perspectives ended up almost totally extraneous to the final resolution. But the resolution itself is horrifying, and all the more potent because of the dryness of the narration. This is a book that lingers long past the final page, and one which feels far richer than 300 pages has a right to be. I am immensely glad that it was translated into English.
Each chapter is told from a different character's perspective, and within the 10-15 pages devoted to that character Eschbach is able to give the reader a strong sense of who that character is and what his/her life is like -- and most of those lives are hard, and filled with tragedies large and small. Whether it is Eschbach's doing or the translator's, the prose is imbued with a sense of distance that makes those tragedies bearable -- and were it not for that sense of distance I would have had to put the book down several times to cry. But the book isn't about those tragedies; each one is presented not for pathos but because it gives the reader (and soon, some of the characters) clues about the purpose behind the hair carpets.
As we delve deeper into the mystery the plotting becomes more complex and the scope widens -- we begin to sense the vast sweeps of history and the passions behind them. The book does lose a little of its focus in a couple chapters -- three of the perspectives ended up almost totally extraneous to the final resolution. But the resolution itself is horrifying, and all the more potent because of the dryness of the narration. This is a book that lingers long past the final page, and one which feels far richer than 300 pages has a right to be. I am immensely glad that it was translated into English.
Helpful Score: 1
Eschbach is apparently very well-regarded in his native Germany, and has won awards in multiple European countries - but this is his first book to be translated into English and published here. If 'The Carpet Makers' is any indication of the quality of his other works, I hope that English editions of his other books are on the way!
The novel is formed in a series of vignettes or separate short stories - which can sometimes, I feel, be an awkward, clunky way of doing things - I've read 'novels' like that before and felt that they were very 'cobbled together.' I didn't feel that way about this one at all. The 'flow' between scenes was very smooth, and each new vignette gave the reader one more piece of the big picture, forming an extreme tension as the revelation of just how terribly dire the scene being revealed truly is...
The book starts small... with just one family, a family of traditional hair carpet makers, the patriarch spending his entire life to make just one carpet from the hair of his wives and daughters, allowed to have only one son to train to take on his craft...
The scene seems harsh, the society repressive... (and that first 'story' packs a punch and a half!) but as the book goes on, the focus widens, until a galactic scenario is shown, and the book talks not only about one restrictive society, but the horrific pettiness of tyranny...
Knowing the author is German, it is hard not to draw parallels with the sci-fi criticism in this book with condemnations of the third reich, but I'm not sure I would have made that connection if I had not already been thinking about Germany...
Either way, really a wonderful book - emotional, well-written, structurally near-perfectly crafted, thoughtful. Highly recommended.
The novel is formed in a series of vignettes or separate short stories - which can sometimes, I feel, be an awkward, clunky way of doing things - I've read 'novels' like that before and felt that they were very 'cobbled together.' I didn't feel that way about this one at all. The 'flow' between scenes was very smooth, and each new vignette gave the reader one more piece of the big picture, forming an extreme tension as the revelation of just how terribly dire the scene being revealed truly is...
The book starts small... with just one family, a family of traditional hair carpet makers, the patriarch spending his entire life to make just one carpet from the hair of his wives and daughters, allowed to have only one son to train to take on his craft...
The scene seems harsh, the society repressive... (and that first 'story' packs a punch and a half!) but as the book goes on, the focus widens, until a galactic scenario is shown, and the book talks not only about one restrictive society, but the horrific pettiness of tyranny...
Knowing the author is German, it is hard not to draw parallels with the sci-fi criticism in this book with condemnations of the third reich, but I'm not sure I would have made that connection if I had not already been thinking about Germany...
Either way, really a wonderful book - emotional, well-written, structurally near-perfectly crafted, thoughtful. Highly recommended.
Helpful Score: 1
Very interesting,sad,and powerful story. I just finished reading it, and I feel like there is truths there that I have to think about for a while in order to find them. More pure sci-fi than fantasy. Each chapter is like a seperate short story, but they all link together into a whole picture. The story starts at a small local level, then expands out to give the complete, complex picture.
Even though this is a translation, I agree that it doesn't feel like it at all. Powerful messages, words and themes in any language.
Even though this is a translation, I agree that it doesn't feel like it at all. Powerful messages, words and themes in any language.
Helpful Score: 1
This is the sort of science fiction that's perfect to hand to someone who says they never read science fiction -- sure, it's set in the future, and there are space ships, and we visit a couple of different planets in a vast interstellar empire, but that's ultimately just a slightly-more-exotic-than-usual setting for a story about some very human people whose lives touch because they each in some way illuminate the central mystery.
Each chapter is told from a different character's perspective, and within the 10-15 pages devoted to that character Eschbach is able to give the reader a strong sense of who that character is and what his/her life is like -- and most of those lives are hard, and filled with tragedies large and small. Whether it is Eschbach's doing or the translator's, the prose is imbued with a sense of distance that makes those tragedies bearable -- and were it not for that sense of distance I would have had to put the book down several times to cry. But the book isn't about those tragedies; each one is presented not for pathos but because it gives the reader (and soon, some of the characters) clues about the purpose behind the hair carpets.
As we delve deeper into the mystery the plotting becomes more complex and the scope widens -- we begin to sense the vast sweeps of history and the passions behind them. The book does lose a little of its focus in a couple chapters -- three of the perspectives ended up almost totally extraneous to the final resolution. But the resolution itself is horrifying, and all the more potent because of the dryness of the narration. This is a book that lingers long past the final page, and one which feels far richer than 300 pages has a right to be. I am immensely glad that it was translated into English.
Each chapter is told from a different character's perspective, and within the 10-15 pages devoted to that character Eschbach is able to give the reader a strong sense of who that character is and what his/her life is like -- and most of those lives are hard, and filled with tragedies large and small. Whether it is Eschbach's doing or the translator's, the prose is imbued with a sense of distance that makes those tragedies bearable -- and were it not for that sense of distance I would have had to put the book down several times to cry. But the book isn't about those tragedies; each one is presented not for pathos but because it gives the reader (and soon, some of the characters) clues about the purpose behind the hair carpets.
As we delve deeper into the mystery the plotting becomes more complex and the scope widens -- we begin to sense the vast sweeps of history and the passions behind them. The book does lose a little of its focus in a couple chapters -- three of the perspectives ended up almost totally extraneous to the final resolution. But the resolution itself is horrifying, and all the more potent because of the dryness of the narration. This is a book that lingers long past the final page, and one which feels far richer than 300 pages has a right to be. I am immensely glad that it was translated into English.
