"No matter what we call it, poison is still poison, death is still death, and industrial civilization is still causing the greatest mass extinction in the history of the planet." -- Derrick Jensen
Derrick Jensen (born December 19, 1960) is an American author and environmental activist living in Crescent City, California. Jensen has published several books questioning and critiquing contemporary society and its values, including A Language Older Than Words, The Culture of Make Believe, and Endgame. He holds a B.S. in Mineral Engineering Physics from the Colorado School of Mines and an M.F.A. in Creative Writing from Eastern Washington University. Derrick Jensen He has also taught creative writing at Pelican Bay State Prison and Eastern Washington University.
"For us to maintain our way of living, we must tell lies to each other and especially to ourselves. The lies are necessary because, without them, many deplorable acts would become impossibilities.""Writing is really very easy. Tap a vein and bleed onto the page. Everything else is just technical."
Jensen is sometimes labeled an anarcho-primitivist. Jensen says that he sees civilization to be inherently unsustainable and based on violence. He argues that the modern industrial economy is fundamentally at odds with healthy relationships, the natural environment, and indigenous peoples. He concludes that the very pervasiveness of these behaviors indicates that they are diagnostic symptoms of the greater problem of civilization itself. Accordingly, he exhorts readers and audiences to help bring an end to industrial civilization.
In A Language Older Than Words and also in an article entitled "Actions Speak Louder Than Words", Jensen states "Every morning when I awake I ask myself whether I should write or blow up a dam. I tell myself I should keep writing, though I'm not sure that's right".
Jensen proposes that a different, harmonious way of life is possible, and that it can be seen in many societies including many Native American or other indigenous cultures. He claims that many indigenous peoples perceive a primary difference between Western and indigenous perspectives: even the most progressive Westerners generally view listening to the natural world as a metaphor, as opposed to the way the world works. Furthermore, these indigenous peoples understand the world as consisting of other beings with whom we can enter into relationship; this stands opposed to the more Western belief that the world consists of objects or resources to be exploited or used.
A Language Older Than Words uses the lens of domestic violence to look at the larger violence of western culture. The Culture of Make Believe begins by exploring racism and misogyny and moves to examine how this culture’s economic system leads inevitably to hatred and atrocity. Strangely Like War is about deforestation. Walking on Water is about education (It begins: "As is true for most people I know, I’ve always loved learning. As is also true for most people I know, I always hated school. Why is that?"). Welcome to the Machine is about surveillance, and more broadly about science and what he perceives to be a Western obsession with control.
Endgame is about what he describes as the inherent unsustainability of civilization. In this book he asks: "Do you believe that this culture will undergo a voluntary transformation to a sane and sustainable way of living?" Nearly everyone he talks to says no. His next question is: "How would this understanding ... that this culture will not voluntarily stop destroying the natural world, eliminating indigenous cultures, exploiting the poor, and killing those who resist ... shift our strategy and tactics? The answer? Nobody knows, because we never talk about it: we’re too busy pretending the culture will undergo a magical transformation." Endgame, he says, is "about that shift in strategy, and in tactics."
Jensen's writing uses the first-person and interweaves personal experiences with cited facts to construct arguments. His books are written like narratives, lacking a linear, hierarchical structure. They are not divided into distinct sections devoted to an individual argument. Instead, his writing is conversational, leaving one line of thought incomplete to move on to another, returning to the first again at some later point. Jensen uses this creative non-fiction style to combine his artistic voice with logical argument. Jensen often uses quotations as reference points for ideas explored in a chapter. (For example, he introduces the first chapter of Walking on Water with a quote from Jules Henry's book Culture Against Man.)
Jensen wrote and Stephanie McMillan illustrated the graphic novels As the World Burns (2007) and Mischief in the Forest (2010).
Resistance Against Empire consists of interviews with J. W. Smith (on poverty), Kevin Bales (on slavery), Anuradha Mittal (on hunger), Juliet Schor ('globalization' and environmental degradation), Ramsey Clark (on US 'defense'), Stephen Schwartz (editor of The Nonproliferation Review, on nukes), Alfred McCoy (politics and heroin), Christian Parenti (the US prison system), Katherine Albrecht (on RFID), and Robert McChesney (on (freedom of) the media) conducted between 1999 and 2004.
Jensen was featured in the documentaries Life at the End of Empire (2007), First Earth: Uncompromising Ecological Architecture (2009) and Call of Life (2010).
2008: Named a “visionary” as one of Utne Reader magazine’s “50 Visionaries Who Are Changing the World.” Visionaries Who Are Changing the World
2008: Grand Prize winner, Eric Hoffer Book Award for Thought to Exist in the Wild, Derrick Jensen, Photographs by Karen Tweedy-Holmes.
2006: Named "Person of the Year" by Press Action for the publication of Endgame. Press Action ::: Press Action Awards 2006
2003: The Culture of Make Believe was one of two finalists for the J. Anthony Lukas Book Prize. Derrick Jensen
2000: Hackensack, NJ, Record declared A Language Older Than Words its best book of the year.
2000: Language was nominated for Quality Paperback Book Club's New Vision Award.
1998: Second Prize in the category of small budget non-profit advertisements, as determined by the Inland Northwest Ad Federation, for the first ad in the "National Forests: Your land, your choice" series.
1995: Critics' Choice for one of America's ten best nature books of 1995, for Listening to the Land: Conversations About Nature, Culture, and Eros.
---- Now This War Has Two Sides (live CD), PM Press, 2008
Books
Derrick Jensen, 1995, Listening to the Land: Conversations about Nature, Culture, and Eros, Sierra Club Books, ISBN 0-87156-417-3 Republished 2004 by Chelsea Green Publishing Company, ISBN 978-1931498562
----, George Draffan and John Osborn, 1995, Railroads and Clearcuts: Legacy of Congress's 1864 Northern Pacific Railroad Land Grant, Keokee Company Publishing, ISBN 1-879628-08-2
---- 2000, A Language Older Than Words, Context Books, ISBN 1-893956-03-2 Republished 2004 by Chelsea Green Publishing Company, ISBN 978-1931498555
---- The Culture of Make Believe, New York: Context Books, 2002, ISBN 1-893956-28-8 Republished 2004 by Chelsea Green Publishing Company, ISBN 978-1931498579
---- and George Draffan, 2003, Strangely Like War: The Global Assault on Forests, Chelsea Green, ISBN 978-1931498456
---- and George Draffan, 2004, Welcome to the Machine: Science, Surveillance, and the Culture of Control, Chelsea Green Publishing Company, ISBN 1-931498-52-0
---- 2005, Walking on Water: Reading, Writing, and Revolution, Chelsea Green, ISBN 978-1931498784
---- 2006, Endgame, Volume 1: The Problem of Civilization, Seven Stories Press, ISBN 1-58322-730-X
Related authors include John Zerzan (Against Civilization and Elements of Refusal), George Draffan, Ward Churchill, Chellis Glendinning, Christopher Manes (Green Rage), Inga Muscio, Terry Tempest Williams, Frederick W. Turner (Beyond Geography: The Western Spirit Against the Wilderness), Jack Forbes (Columbus and Other Cannibals), Dave Edwards, Daniel Quinn (Ishmael, Beyond Civilization, The Man Who Grew Young), Neil Evernden (The Natural Alien), David Watson ( "Against the Megamachine"), Stanley Diamond (In Search of the Primitive: A Critique of Civilization), Jacques Ellul (The Technological Society), Thom Hartmann (Last Hours of Ancient Sunlight), and Lewis Mumford (Technics and Human Development and The Pentagon of Power).
