Anna Karenina In Our Time: Seeing More Wisely. Yale University Press (December 5, 2007), ISBN 0300100701, ISBN 978-0300100709
Writing as Exorcism: The Personal Codes of Pushkin, Lermontov, and Gogol (Introduction). Northwestern University Press (February 1, 2004), ISBN 0810120518, ISBN 978-0810120518
The Gambler (Introduction). Modern Library (April 8, 2003), ISBN 0812966937, ISBN 978-0812966930
A Writer's Diary (Introduction). Northwestern University Press; (1997), ISBN 0810125218, ISBN 978-0810125216
Narrative and Freedom: The Shadows of Time. Yale University Press (September 10, 1996), ISBN 0300068751, ISBN 978-0300068757
Freedom and Responsibility in Russian Literature: Essays in Honor of Robert Louis Jackson (co-edited with Elizabeth Cheresh Allen) Northwestern University Press (March 15, 1995), ISBN 0810111462, ISBN 978-0810111462
Tell Me a Story: Narrative and Intelligence (Rethinking Theory). Northwestern University Press (1995), ISBN 0810113139, ISBN 978-0810113138
Bakhtin: Creation of a Prosaics (co-authored with Caryl Emerson). Stanford University Press (October 1, 1990), ISBN 0804718229, ISBN 978-0804718226
Bakhtin: Essays and Dialogues on His Work. University of Chicago Press Journals (March 5, 1990), ISBN 0226541339, ISBN 978-0226541334
Rethinking Bakhtin: Extensions and Challenges (co-edited with Caryl Emerson). Northwestern University Press; (March 1, 1989), ISBN 0810108100, ISBN 978-0810108103
Hidden in Plain View: Narrative and Creative Potentials in "War and Peace". Stanford University Press (December 1, 1988), ISBN 0804717184, ISBN 978-0804717182
The Boundaries of Genre: Dostoevsky's "Diary of a Writer" and the Traditions of Literary Utopia. Northwestern University Press (November 1, 1988), ISBN 0810108119, ISBN 978-0810108110
Literature and History: Theoretical Problems and Russian Case Studies (editor). Stanford University Press (June 1, 1986), ISBN 0804713022, ISBN 978-0804713023
Under the name Alicia Chudo:
And Quiet Flows the Vodka, or When Pushkin Comes to Shove: The Curmudgeon's Guide to Russian Literature and Culture. Northwestern University Press (2000), ISBN 0810117886, ISBN 978-0810117884
Articles
"The lingering stench: airing Stalin’s archives" The New Criterion, Volume 27, March, 2009, page 10.
"Thugland" The New Criterion, Volume 26, February, 2008, page 71.
"Sideshadows: The determination of free will" The New Criterion, Volume 23, May, 2005, page 17.
Narrativeness, New Literary History, Vol. 34, No. 1, Inquiries into Ethics and Narratives (Winter, 2003), pp. 59-73
The Aphorism: Fragments from the Breakdown of Reason, New Literary History, Vol. 34, No. 3, Theorizing Genres II (Summer, 2003), pp. 409-429
"The art & life of Dostoevsky" The New Criterion, Volume 20, June, 2002, page 83.
"Isaac Babel's genre of silence" The New Criterion, Volume 20, January, 2002, page 61.
"How did Dostoevsky know?" The New Criterion, Volume 17, May, 1999, page 21.
""Absolute nonsense"--Gogol's tales" The New Criterion, Volume 17 November, 1998, page 65.
Misanthropology, New Literary History, Vol. 27, No. 1, A Symposium on "Living Alone Together" (Winter, 1996), pp. 57-72
Bakhtin, Genres, and Temporality, New Literary History, Vol. 22, No. 4, Papers from the Commonwealth Center for Literary and Cultural Change (Autumn, 1991), pp. 1071-1092
Sideshadowing and Tempics, New Literary History, Vol. 29, No. 4, Critics without Schools? (Autumn, 1998), pp. 599-624
Contingency and Freedom, Prosaics and Process, New Literary History, Vol. 29, No. 4, Critics without Schools? (Autumn, 1998), pp. 673-686
Dialogue, Monologue, and the Social: A Reply to Ken Hirschkop, Critical Inquiry, Vol. 11, No. 4 (Jun., 1985), pp. 679-686
Who Speaks for Bakhtin?: A Dialogic Introduction, Critical Inquiry, Vol. 10, No. 2 (Dec., 1983), pp. 225-243
Strange Synchronies and Surplus Possibilities: Bakhtin on Time, Slavic Review, Vol. 52, No. 3 (Autumn, 1993), pp. 477-493
Socialist Realism and Literary Theory, The Journal of Aesthetics and Art Criticism, Vol. 38, No. 2 (Winter, 1979), pp. 121-133
The Baxtin Industry, The Slavic and East European Journal, Vol. 30, No. 1 (Spring, 1986), pp. 81-90
Dostoevsky's Anti-Semitism and the Critics: A Review Article, The Slavic and East European Journal, Vol. 27, No. 3 (Autumn, 1983), pp. 302-317
Prosaics Evolving, The Slavic and East European Journal, Vol. 41, No. 1 (Spring, 1997), pp. 57-73
Paradoxical Dostoevsky, The Slavic and East European Journal, Vol. 43, No. 3 (Autumn, 1999), pp. 471-494
Imputations and Amputations: Reply to Wall and Thomson, Gary Saul Morson, Caryl Emerson, Diacritics, Vol. 23, No. 4 (Winter, 1993), pp. 93-99
Bakhtin and the Politics of Criticism, Ken Hirschkop, David Shepherd, Gary Saul Morson, PMLA, Vol. 109, No. 1 (Jan., 1994), pp. 116-118
Slavists after the Soviet Union, Harsha Ram, Gary Saul Morson, PMLA, Vol. 107, No. 5 (Oct., 1992), pp. 1286-1288
Review: Literary, Theory, Psychoanalysis, and the Creative Process, Review: Unconscious Structure in The Idiot: A Study in Literature and Psychoanalysis by Elizabeth Dalton, Poetics Today, Vol. 3, No. 2 (Spring, 1982), pp. 157-172
State of the Field: A Review Article, Review: Dostoevsky and the Novel: The Wages of Biography by Michael Holquist, The Slavic and East European Journal, Vol. 22, No. 2 (Summer, 1978), pp. 203-207
Literary Theory, Psychoanalysis, and the Creative Process: A Review Article, Reviewed work(s): Unconscious Structure in "The Idiot": A Study in Literature and Psychoanalysis by Elizabeth Dalton, The Slavic and East European Journal, Vol. 25, No. 4 (Winter, 1981), pp. 62-75
Review: Dostoevsky and Gogol: Texts and Criticism by Priscilla Meyer; Stephen Rudy. Slavic Review, Vol. 40, No. 4 (Winter, 1981), pp. 676-677
Review: Dostoevsky. The Literary Artist by Erik Krag; Sven Larr, The Slavic and East European Journal, Vol. 22, No. 2 (Summer, 1978), pp. 213-214
