2 member(s) found this review helpful.
I expected this book to be funnier than it actually was. The premise is incredible, but the delivery disappointed me in several places.
1 member(s) found this review helpful.
Continuing on with reviews of books that have been made into movies, but don't let that stop you from reading the book.
This book is an enjoyable read about the NYC magazine scene in the now halcyon days when people read magazines. Young is truly funny and yet you are amazed he could hold down a job with the significant amount of partying he described. I caught the movie the other night on cable and was truly mortified by what it was turned into because I remembered this book as being so quick and enjoyable.
I didn't recognize that they based the movie from this book. So yet again I say read the book.
1 member(s) found this review helpful.
From Publisher's Weekly: Seemingly unable to keep from offending everyone he comes in contact with, British-born Young is a misfit in the New York publishing world. He isn't attractive (he calls himself a Philip Seymour Hoffman look-alike, but with bad teeth), he's socially inept without alcohol and, most importantly, he's consumed with the desire to "be somebody." His memoir is a hilarious and scathing insider's view of the world in which Young wishes so badly to fit. Hired by editor Graydon Carter to work at Vanity Fair ("Basically I forgot to fire Toby Young every day for two years"), Young is shocked to find that his journalist colleagues are more awed by celebrity than news and are more likely to cuddle up with publicists than with a smoke and a shot at the local watering hole. The saving grace of Young's tale of his own downward spiral is his ability to lambaste himself along with the New York publishing world. Young's crisp reading of this memoir is highly entertaining and bitter, yet guileless and funny. His hilariously screechy imitations of some of the female heavy hitters of the publishing world (such as Tina Brown and Peggy Siegal) bring out his knack for hyperbole and his boyish, prankster style.