Jorie Graham is the author of numerous collections of poetry, including her most recent,Sea Change (Ecco, 2008). She has also edited two anthologies, Earth Took of Earth: 100 Great Poems of the English Language (1996) and The Best American Poetry 1990. She is widely anthologized and her poetry is the subject of many essays, including Jorie Graham: Essays on the Poetry; Edited by Thomas Gardner (2005). Graham's many honors include a John D. and Catherine T. MacArthur Fellowship and The Morton Dauwen Zabel Award from The American Academy and Institute of Arts and Letters. The Dream of the Unified Field: Selected Poems 1974-1994 won the 1996 Pulitzer Prize for Poetry. She served as a Chancellor of The Academy of American Poets from 1997 to 2003, and she currently sits on the contributing editorial board to the literary journal Conjunctions.

Jorie Graham was born in New York City in 1950 to Curtis Bill Pepper, a war correspondent and the head of the Rome bureau for Newsweek magazine, and the sculptor Beverly Stoll Pepper (born December 20, 1924, Brooklyn, New York). She was raised in Rome, Italy. She studied philosophy at the Sorbonne, but was expelled for participating in student protests. She completed her undergraduate work as a film major at New York University, and became interested in poetry during that time. (She claims that her interest was sparked while walking past M.L. Rosenthal's classroom and overhearing the last couplet of "The Love Song of J. Alfred Prufrock" ). After working as a secretary, she later went on to receive her Master of Fine Arts from the famed Iowa Writers' Workshop at the University of Iowa.

Graham has held a longtime faculty position at the Iowa Writers' Workshop, and has held an appointment at Harvard University since 1999. Graham replaced Nobel Laureate and poet Seamus Heaney as Boylston professor in Harvard's Department of English and American Literature and Language. She became the first woman to be awarded this position. .

Graham was married to and divorced from publishing heir William Graham, brother of Donald E. Graham, now publisher of the Washington Post. She then married the poet James Galvin in 1983 and they divorced in 1999. She married poet Peter M. Sacks, a colleague at Harvard, in 2000.

Her relationship to Sacks was briefly a source of controversy. In January 1999, she judged the University of Georgia Contemporary Poetry series contest, which selected the manuscript "O Wheel" from Peter Sacks as the first place winner. Graham noted that, at the time she and Ramke awarded the prize, she had not yet married Sacks, and that while she had "felt awkward" about the award, she had first cleared it with the series editor, Bin Ramke, who made the actual award. As a result of the critical coverage from Foetry.com and elsewhere, Ramke resigned from the editorship of the series. Graham subsequently announced that she would no longer serve as a judge in contests, although as of 2008 she continues to do so. Throughout the course of the contest, Ramke had insisted that judges of the contest be kept secret, and until Foetry.com obtained the names of judges via The Open Records Act, the conflict of interest had been undisclosed. The University of Georgia Press now discloses the names of its poetry judges, who "are instructed to avoid conflicts of interest of all kinds.". A statement now adopted in the rules of many competitions (including the University of Georgia Contest) to prevent judges from selecting students is often referred to as the "Jorie Graham rule".

The Foetry site also contended that Graham, as a judge at Georgia and other contests, had awarded prizes to at least five of her former students from the Iowa Writers' Workshop. Graham's reply to this was that over years of teaching she has had over 1400 students, many of whom went on to continue writing poetry, that no rules had prohibited her from awarding prizes to former students, and that in each case she claims to have selected the strongest work.

Poetry collections

Edited anthologies

Selected scholarship

• Jorie Graham: Essays on the Poetry; Edited by Thomas Gardner (2005)
• No Image There and the Gaze Remains: The Visual in the Work of Jorie Graham; by Catherine Karaguezian (2005)
• Regions of Unlikeness: Explaining Contemporary Poetry; by Thomas Gardner (1999)
• The Breaking of Style: Hopkins, Heaney, Graham; by Helen Vender (1995)