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Regeneration / The Eye in the Door / Ghost Road (Regeneration, Bks 1, 2, & 3)
Regeneration / The Eye in the Door / Ghost Road - Regeneration, Bks 1, 2, & 3 Author:Pat Barker Regeneration (Regeneration, Bk 1) — In 1917, decorated British officer and poet Siegfried Sassoon wrote a declaration condemning the war. Instead of a court-martial, he was sent to a hospital for other "shell-shocked" officers where he was treated by Dr. William Rivers, noted anthropologist and psychiatrist. Author Bark... more »er turns these true occurrences into a compelling and brilliant antiwar novel. Sassoon's complete sanity disturbs Dr. Rivers to such a point that he questions his own role in "curing" his patients only to send them back to the slaughter of the war in France. World War I decimated an entire generation of European men, and the horrifying loss of life and the callousness of the government led to the obliteration of the Victorian ideal. This is an important and impressive novel about war, soldiers, and humanity.
The Eye in the Door (Regeneration, Bk 2)
This quietly powerful story begins in 1917, where Regeneration left off; the epigraph from The Strange Case of Dr Jekyll and Mr Hyde hints at what is to come, referring to "the two natures that contended in . . . my consciousness." Though not as flamboyant as Stevenson's protagonist(s), all the main characters here are leading double lives, some consciously, others as a result of traumatic experiences. Having been released from Craiglockhart War Hospital (where shell-shock victims are sent to convalesce), Lt. Billy Prior is still concealing his working-class origins. Assigned to the Intelligence Unit, he must betray the very people who sheltered him when he was young, and soon his conscious mind succumbs to the pressure. If Prior has "a foot on both sides of the fence," so has patrician Charles Manning, who must conceal his homosexuality. Even the director of Craiglockhart, W.H.R. Rivers (an eminent neurologist and social anthropologist in real life) suffers from a mysterious loss of visual memory, stemming from a buried incident in his youth. And poet Siegfried Sasson again struggles to reconcile his pacifist beliefs with his need to stand by his men in battle. As in the earlier book, Barker uses their interaction to illuminate the terrible effects of conflict, but here she broadens her canvas to include the conscientious objectors, socialists and homosexuals who were accused of treasonous behavior during WW I. The multi-suggestive title applies to the hysterial outcry against "outsiders"; the observation hole in the prison door, behind which pacifists are jailed; the "eye in the door of the mind" that triggers dissociated states; and the particulars of a notorious court case of 1917 in which a demented bigot, supported by a prominent MP, accused 47,000 Englishmen and women of homosexuality, which ostensibly made them vulnerable to German blackmail. Writing with cool understatement, Barker conveys with equal skill the desperation of men suffering from battlefield trauma, the subtle ramifications of class distinctions in a period of rapid social change and the quality of life in Britain's poverty-stricken industrial areas. As haunting as its predecessor, this moving antiwar novel is also a cautionary tale about the price of cultural conformity.
The Ghost Road (Regeneration, Bk 3)
The latest winner of Britain's prestigious Booker Prize, this final volume completes a trilogy that includes Regeneration (1992) and The Eye in the Door (1994). Displaying the remarkable virtuosity that has won her a good deal of praise, Barker further embellishes upon history, shepherding readers even more deeply into the psyches of her vividly rendered characters. Poet Wilfred Owen reappears, as does psychologist William Rivers and his invalid sister, Katherine, who as a child was befriended by Lewis Carroll. Here, Rivers becomes ill and is haunted by memories of the headhunters he lived with and studied in Melanesia. But it is Barker's riveting and complex portrait of Billy Prior that delivers the message of the pathos and horrors of war. When Prior returns to the trenches after recovering from shell shock, he describes in diary form the final battles of World War I. Restrained yet powerfully expressive, Barker writes at full tilt, with compelling humanity.« less