"Action, so to speak, is the genius of nature.""Affectation is certain deformity; by forming themselves on fantastic models, the young begin with being ridiculous, and often end in being vicious.""Friendship! Mysterious cement of the soul, Sweet'ner of life, and solder of society.""How blunt are all the arrows of thy quiver in comparison with those of guilt.""Its visits, like those of angels, short, and far between.""Of joys departed, not to return, how painful the remembrance.""Throughout the whole vegetable, sensible, and rational world, whatever makes progress towards maturity, as soon as it has passed that point, begins to verge towards decay.""When it draws near to witching time of night."
He was the eldest son of the Rev. Robert Blair, one of the king's chaplains, and was born at Edinburgh. He was educated at the University of Edinburgh and in the Netherlands, and in 1731 was appointed to the living of Athelstaneford in East Lothian. In 1738, he married Isabella, daughter of Professor William Law, with whom he had six children. His family's wealth gave him leisure for his favourite pursuits: gardening and the study of English poets.
Blair published only three poems. One was a commemoration of his father-in-law and another was a translation. His reputation rests entirely on his third work, The Grave (1743), which is a poem written in blank verse on the subject of death and the graveyard. It is much less conventional than its gloomy title might lead one to expect. Its religious subject no doubt contributed to its great popularity, especially in Scotland, where it gave rise to the so-called "graveyard school" of poetry. The poem extends to 767 lines of very various merit, in some passages rising to great sublimity, and in others sinking to commonplace.
The poem is now best known for the illustrations created by William Blake following a commission from Robert Cromek. Blake's designs were engraved by Luigi Schiavonetti, and published in 1808.