It was Emily Carr (18711945)like Georgia OKeeffe and Frida Kahlowho first blazed a path for modern women artists. Overcoming the confines of late Victorian culture, Carr became a major force in modern art. Her boldly original landscapes are praised today for capturing an untamed British Columbiaand its indigenous peoples just before industrialization would change it forever. In her latest novel, Susan Vreeland brings to life this fiercely independent and underappreciated figure. From illegal potlatches in tribal communities to prewar Paris, where her art was exhibited in the famed Salon dAutomne, Carrs story is as arresting as it is vibrant. Vreeland tells it with gusto and suspense, giving vivid portraits of Carr and the unconventional people to whom she was inevitably drawn: Sophie, a native basket maker; Harold, the son of missionaries, who embraces indigenous cultures; Fanny, a New Zealand artist who spends a summer with Carr painting in the French countryside; and Claude, a French fur trader who steals her heart. The result is a glorious novel that will appeal to lovers of art, native cultures, and lush historical fiction.
When I bought this book I really had no idea what it was about. The title and cover were what intrigued me. It turned out to be a truly excellent book, based on the life of Canadian artist Emily Carr who lived during the Victorian era. Truly magnificent.
Mercedes C. (merc3069) from GUM SPRING, VA wrote on 5/14/2006...
3 member(s) found this review helpful.
Although I liked Vreeland's other books ("Girl in Hyacinth Blue" was wonderful), I just couldn't get into this one. It seemed too strident, too preachy, too SOMETHING>
Janice F. (tani) from CHULA VISTA, CA wrote on 7/11/2007...
2 member(s) found this review helpful.
I read this book through to the end, thinking it was a true story of the life of an unusual artist, and I suppose much of it is true. However, I felt outraged to learn--was it in the foreword, or at the end of the book?--that the whole story of the love affair with the French fur trader had been made up. That, and something in the tone of the writing, spoiled it for me, though I will admit that I enjoyed reading some of the parts that discussed the artist's technique.
JoAnn G. (bookwoman28) from PHOENIX, AZ wrote on 3/20/2007...
2 member(s) found this review helpful.
By the author of "Girl in Hyacinth Blue," this is a fictionalized story of Emily Carr, a young Canadian artist in early 20th century British Columbia, whose love for the art forms of the native tribes - particularly totem poles - becomes a source of strength and delight, as well as public rejection and, ultimately, redemption.