PBS lists this book as Hanne Wilhelmsen 1, which it isn't; some references make it obvious there are previous books with this character. Not really a problem just a curiosity.
Hanne Wilhelmsen is a paralyzed lesbian ex-police officer who just wants to be left alone. A train wreck in the middle of a blizzard leaves her trapped in a hotel with a hundred or so others - and then there's a murder.
It's a nice "locked-room" mystery with plenty of suspects. Told in the first person, but you don't get told everything the narrator knows. A lot of small "had I but known" moments. I don't feel I got to know Hanne very well in this book - probably deliberate given the character, but it could be due to the translation, or maybe starting in the middle of a series isn't the best. But she's interesting to be sure.
Anyway good plot, interesting characters, worth reading even if not emotionally involving.
I have to admit I have only read one other James Patterson book, it was one of the Alex Cross ones, although Patterson seems to dominate book racks everywhere, especially in airports and grocery stores. This is part of the very popular Women's Murder Club series. I found it on the freebie shelf at the campground and figured I'd give it a try. I did finish it, but it didn't do a lot for me either positive or negative. It moves along smartly, and there's some mildly interesting villains, but I didn't care much what happened to any of the characters - and there's one place where the reader really needed to be emotionally involved. I won't seek out any of the rest of these books when I have so many others I want on my reading list, but a lot of people really enjoy them - vive la difference! Patterson is so popular he won't miss me.
I really enjoyed this first in a series. It's so lightweight it's almost frothy, it's cute, it's got all the right cliches in all the right places. Abby Cooper is a real psychic and makes her living at providing advice to clients based on her psychic abilities. One of Abby's clients is found murdered and her gift gets her into trouble with the police, since she's describing things she ought not to know about. Abby doesn't seem to be very good at predicting her own fortune, which made for some funny moments. You're not going to have any profound insights or get sucked into the drama in this book, but I liked it. I thought it was sweet escapist reading and just what I wanted at the time.
The mood of this series has changed remarkably, from the light-hearted cozies at the beginning to the more serious, family-related issues of the day. School bullying, child abuse, extra-indulgent parenting and teen suicide make this one kind of bleak. I guessed the villain as soon as he/she/it was mentioned, but I'm sure this book wasn't intended as a classic whodunit. Still have the cozy mystery hallmarks of what Roe's wearing, what she's cooking, what her hair looks like. I could have done with fewer descriptions of Roe throwing up, actually. Still, it kept me reading straight through, and even if there is a happy ending for Roe there were left a lot of unhappy families in the town.
I can't figure out what to say about this book. It's a nice character study of the teen-aged girl; there's a tiny bit of "magic" happening (enough to get it classified as fantasy). The big antagonist of the story is left to the last couple pages and then just evaporates (was that the point?) The main thrust of this story seems to be how great it is for nerdy youngsters to read and discuss science fiction and fantasy, which is why I'm guessing it won awards. Lovely writing, but the fantasy elements don't seem critical to the story (it reminds me of Pamela Dean's Tam Lin, which is a rapturous paean to college life with a folk tale tacked on to the last 20 pages).
So...meh. But if you'd like a list of excellent SF from the 70s and earlier, jot down all the titles in this book.
Gemma James, now Inspector James, is in charge when the young wife of a wealthy antiques dealer is found murdered. She was pregnant with her lover's child, so Gemma focuses on the husband who is not exactly pure as driven snow - but Duncan Kincaid finds it's too similar to the murder of another dealer. Gemma is dealing with her pregnancy, new job, new house, and having her SO butt into her case, so tensions are high. Nicely complicated plot with plenty of suspects, and interesting flashbacks that slowly start to make sense in the present day. There's a lot of sadness in this episode. I like how Crombie gives all the characters some background; and there's enough backstory for the main characters that a new reader could start here.
Johnson brings a lot of thoughtfulness into what is a pretty dark story, interleaving modern day murders and human trafficking with Longmire's experiences in Vietnam. It's still got snappy dialogue and some wryly humorous scenes. The friendship between Longmire and Henry Standing Bear is so well done; just in the little snippets of dialogue you can see how well all the sheriff's team gets along. This is my second time around with this series and I'm liking it more than the first time.
Tenth in the Longmire series, and it's another excellent entry. Lucian asks Walt to accompany him to Campbell County to give help to an old friend of Lucien's. Her husband, a cop, has committed suicide but she can't really accept that, he just wasn't the type to do it. Lucien sums up Walt perfectly when he says "I want to warn you that if you put Walter on this you're going to find out what it's all about, one way or the other...You sure you want that? Because he's like a gun; once you point him and pull the trigger, it's too late to change your mind." Walt quickly determines it was in fact suicide and now the question is, what could drive this reputedly inflexible lawman to kill himself? Henry Standing Bear and Vic Moretti show up as well, having received desperate phone calls from Walt's daughter Cady, who expects her dad to be at her side in Philadelphia while she gives birth...in 24 hours. There are tension-filled chase scenes, and the self-deprecating humor of Walt; some spiritual moments as well. I do feel bad for Cady who seems to go through the same crazy scene with her dad over and over again. But once again Walt finds the answer, even if it's one that doesn't give much consolation, and makes it to Cady in time. These are really fast reads for me, I usually manage to finish them in about 3 or 4 hours as they are so compelling.
No one writes intricate twisting plots like Pears. In Arcadia, we start off with 3 different worlds which will start intersecting in fantastic ways. You need to pay attention to everything going on in this book; Pears doesn't put any scenes in just for the fun of it. Like all his more literary works this has multiple levels - you can read it as is, but there are a lot of allusions as well. It's definitely lighter in tone, and easier to get into, than most of his others (excepting the mystery novels). I really liked that it has both a terribly tragic ending, and a happy ending at the same time.
Arsenic with Austen definitely falls into the romantic cozy mystery category. Emily Cavanaugh inherits a fortune from an aunt she hasn't seen in years. The small beach town she remembers fondly for its peace and quiet is still much the same thanks to her aunt, who owned most of the place. There are those who are looking forward to developing, though, and wasn't it odd that Aunt Beatrice died after eating dinner with two of the most zealous promoters? Add in Emily's old flame from her teenage years who is now the sheriff, and a semi-cousin who is also a legatee.
It's a very cozy book and while I tend to want a bit more conflict, I enjoyed it. Emily is a thoroughly nice person who wants only the best for all her new tenants and the town in general. There's no impediment to the reuniting of Emily and her old flame, the villains are mustache-twirling obvious types, and it ends pretty much the way you expect it too. Pretty much, because right at the end there is a sudden burst of Christian piety and forgiveness that really isn't shown before. I did think it odd - forgiveness is blessed I'm sure but offering to pay for a great lawyer for someone who killed two people and tried to kill you...well, that's special. What if they get off?
Anyway. Emily is appealing - the way she deciphers clues and motives based on comparing living people to Jane Austen's characters is cute. There are cats. If you like cozies, worth a look.
Fun SF romp with Weir's meticulous attention to the science of living in space. Details, 10; Plot, 4. I found some tension between the far-fetched caper plot and the very detailed explanations of the habitats, EVA practices, and chemical reactions. Because the science is so detailed, my mind wanted the same attention paid to the society aspects and it just wasn't. No country claimed the colony? One doctor, one cop, one administrator for what seemed like a couple thousand people? I don't think that would work out. At 26 I would expect Jazz to have grown up enough not to fall into such an incredibly stupid caper...although, okay, she lives in a very limited society, maybe she's not grown up. At any rate, Jazz is very fun and her voice, explaining all the aspects of life on the Moon, is charming.
For an unknown reason I expected a harder edge to this book; I've never read Jane Lindskold before. But from the first paragraph I realized I needed to readjust my expectations to more of a YA experience. And that's fine, I like a lot of YA fiction. Since it is the first in a series, it has to introduce the characters and set up the story arc; in this case it's pretty leisurely. Lindskold has a great world-building premise here with the "lost paradise" planet; there's so many ways she could go with it. By the end of the book you'll know which way she's going, and for me it was a bit of an eye-rolling moment. I don't buy into that premise and there was little forward momentum on other plot elements I liked, so I'm not going on with the series. But, she's set up some interesting characters with a lot of questions on their backstory, and hopefully it pays off for other readers.
I found this one to need a greater suspension of disbelief than the others; the idea of a super-secret spy agency recruiting a 12-year-old, however bright, is just getting too far out there. And it seems she's not the only young girl as part of it. In fact almost everyone seems to be part of some secret society or another. And what's with the whole Harriet thing, it feels like everyone and their brother knows about Harriet, she has this godlike stature, but no one ever told Flavia stories about her mom? I did like that Flavia is out of her element although she doesn't let it slow her down much, but I also missed the familiar characters at Buckshaw. I also liked her detecting skills, it seemed in the last one she was just an observer, but there were some oddities I couldn't get around. A body in the chimney and no one notices? If the body mummified because of the heat of the fire, the chimney would have been blocked enough so that smoke wouldn't rise. And surely, it would have stunk to high heaven for at least a week or two, someone would have noticed.
Well...I did enjoy another Flavia adventure even if I had issues with this one. I'm glad she'll be back at Buckshaw next episode.
This is the sixth entry in this series about archaeologist Emma Fielding. I bet it's been three years since I read the last one, so I didn't remember many of the plots from before. Cameron gives enough back story so you don't feel too lost, but unfortunately not quite enough to really understand the motives of the bad guy in this story.
In this outing, Emma is very uneasy because of a series of increasingly malicious pranks. She's sure this is the work of a former colleague, presumed dead after some dramatic events in previous books, who is out to get her for exposing his criminal actions. Much is made of Emma's growing paranoia and her sense that others think she's simply being silly, but the pranks escalate quickly enough that this tension can't be maintained for long. Cameron spends quite a lot of time in this book having Emma describe her fighting classes (Krav Maga), which was a little dull to me.
I am not sure that if I'd started with this one I would search out the rest. There is very little archaeology going on, which is what attracted me to the series at first. Emma is upset that no one believes her theory of events, but after a wild car chase in which she barely escapes, she then objects to her husband putting up security cameras around their house. It didn't feel rational to me, and I didn't get the sense that Emma is supposed to be irrational even under all the stress. We do get some payoff at the end for all the time spent on the fighting lessons. And I wondered how it was that a tenured university professor could skip so many classes or figure in so many odd events without attracting attention from the university president (or dean, whatever you call âem).
Still it's very readable, nicely paced with a lot of tension and a clear denouement, just not one of her best. I liked how we never really see the bad guy until the very end. I don't see a seventh in the series listed anywhere, but if and when one is published, I'll read it. Someone who hasn't read Cameron before should start with Site Unseen, the first in the series.
The Russians have decided to interfere in the US Presidential election, by getting elected an ultra-right wing, racist Republican with ties to the KKK. This will ensure maximum chaos in the US, with riots tearing the country apart. Oh yeah, this was written in 1970. A lonely, naive rich girl agrees to accompany a man from Beirut to the US, even though she knows he's traveling on a false passport, because a friend of her billionaire uncle says the uncle needs the guy. But she can't tell anyone she's doing it especially not the uncle. Then young Liz falls in love with the assassin after he assaults, oops, I mean grabs and kisses her against her will. Will the assassin succeed? If you can find a copy, you'll know. I'm being snarky but as you get into it, it is very suspenseful with the KGB, the CIA, and Liz all rushing together. Evelyn Anthony wrote a lot of good spy thrillers and this book is definitely set in a particular time - there's many scenes where 2017 sensibilities are saying, oh no you don't. And then there's parts where you just sigh and think nothing ever changes.
Fifth in the series about NYPD detective Lt. Sigrid Harald. Lt Harald is called when a children's dance performance turns deadly - the lead in the dance troupe is thrown to her death literally during the performance, but due to the costuming no one can say for sure who did it. Nice procedural with Harald slowly ferreting out all the unspoken tensions within the company. Maron gives the reader a lot of clues so we can work it out along with Harald, and to my mind the clues were fairly easy to decipher. But there's a secondary plot: a child psychologist working with a girl who's seen her mother brutally murdered - that's where the "baby doll games" reference comes in - and I have to say that ending was totally unexpected. I kept wondering where she was going with that. Harald's personal life and family figure in the book too, but a new reader could start here without difficulty.
This book is a winner of the Tony Hillerman prize, the Spur Award for Best Western Contemporary Novel, a finalist for the Edgar Award Best First Novel, and a finalist for Shamus Award Best First Novel. I really enjoy books set in the American West, but... It's a hard-boiled noir mystery featuring an ex-rodeo cowboy turned private detective. Noir isn't my favorite, but I would have read it even so, if not that the author doesn't use quotation marks for dialogue. I tried, but after 25 pages that was still driving me nuts. So I quit. Just in 25 pages I can see why this book received so much praise, but I couldn't get past the style. It isn't really fair to give it a low rating since I think it's going to be a very "love it or hate it" kind of book...but I just couldn't force myself on.
Zack Walker is paranoid about his familys safety. He moves from a nice place in the city to a shoddy tract house in the suburbs to avoid crime. He nags incessantly about his kids leaving their backpacks on the stairs - someone could fall and break their neck. He's not above trying to teach people lessons, like moving his wife's car so she'll think its stolen after she left the keys hanging in the front door. And he knows he's a jerk, but he can't stop himself. Unfortunately, one of these little tricks leads to a problem that spirals way out of control, landing him with a dead body, counterfeit cash, and some really incriminating film. This is a really funny book. Zack's paranoia coupled with his obliviousness in other areas is great, I could identify with the whole developer plot, and while it was almost slapstick it was also almost believable. The only problem for me came in the very last pages when Zach does something totally avoidable. Nonetheless, a really good book.
Definitely all that the blurb says - "raw, visceral, compelling" and yet for some reason I was underwhelmed. It has lovely language, amazing descriptions, but I cannot empathize with the protagonist Rice. It doesn't feel to me like the kind of guy he is would take on the bear poaching issue. And to me, it feels a little too "literary" for the kind of story it is. The setup of the story is good, the flashbacks are excellent, the characters well done. It certainly kept my attention. Rice's blackout moments are little weird, but I'm certain the author's intent was to have the reader be unsure along with Rice what is real and what is imagined. This is one of those times where I wish I were better at critical analysis so I could put my finger on exactly what bothered me about it. I can see why it got such great reviews, but it won't make my 10 best list this year.