Lincoln in the Bardo Author:George Saunders In his long-awaited first novel, American literary master George Saunders delivers his most original, transcendent, and moving work yet. Unfolding in a graveyard over the course of a single night, narrated by a dazzling chorus of voices, Lincoln in the Bardo is an experience unlike any other—for no one but Saunders could conceive ... more »it.
February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln's beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. "My poor boy, he was too good for this earth," the president says at the time. "God has called him home." Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy's body.
From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a thrilling, supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie's soul.
Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction's ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices—living and dead, historical and invented—to ask a timeless, profound question: How do we live and love when we know that everything we love must end?
Praise for George Saunders:
"No one writes more powerfully than George Saunders about the lost, the unlucky, the disenfranchised." —Michiko Kakutani, The New York Times
"Saunders makes you feel as though you are reading fiction for the first time." —Khaled Hosseini
"Few people cut as hard or deep as Saunders does." —Junot Diaz
"George Saunders is a complete original. There is no one better, no one more essential to our national sense of self and sanity." —Dave Eggers
"Not since Twain has America produced a satirist this funny." —Zadie Smith
"There is no one like him. He is an original?but everyone knows that." —Lorrie Moore
"George Saunders makes the all-but-impossible look effortless. We're lucky to have him." —Jonathan Franzen
"An astoundingly tuned voice—graceful, dark, authentic, and funny—telling just the kinds of stories we need to get us through these times." —Thomas Pynchon« less
This was not a read that I enjoyed. The format was so disturbing that I gave up trying to determine who was who in the Bardo - the place just beyond death. The author appeared to be caught up in creating numerous characters and projecting how they would react to the death of Lincolln's son and to their existence there Some people may find the book interesting so it's my suggestion that anyone so inclined read the book for themselves and make their own decision about its value.