A native of Valparaiso, Indiana, Frederick Newton Arvin–he never used his original first name–studied English Literature at Harvard, graduating summa cum laude in 1921. His writing career began when Van Wyck Brooks, the Harvard teacher he most admired, invited him to write for The Freeman while he was still an undergraduate. After a short period teaching at the high school level, Arvin joined the English faculty at Smith College in Northampton, Massachusetts and, though he never earned a doctorate, won a tenured position. Among his students was Sylvia Plath, poet and novelist.
He taught at Smith for 38 years and was Mary Augusta Jordan Professor of English during the year before his retirement in 1961. He rarely left Northampton for long nor travelled far. He visited Europe only once in the summer of 1929 or 1930. He spent a year's leave of absence in the mid-1920s as the editor of
Living Age, a weekly compendium of articles from British and American periodicals.
Arvin often wrote about political issues and took public political positions. For example, in 1936, on the day when Harvard celebrated its 300th anniversary, he joined a group of 28 Harvard graduates in an attack on retired Harvard president Abbott Lawrence Lowell for his role years earlier on an advisory Committee to Massachusetts Governor Alvan T. Fuller that found that Sacco and Vanzetti had received a fair trial. Among his co-signors were editor Malcolm Cowley and author John Dos Passos.
His first book-length publication,
Hawthorne, appeared in 1929. A Guggenheim Foundation Fellowship in 1935 provided him a respite from teaching during which time he completed a biography of Walt Whitman.
In 1939, he became a trustee of Yaddo, the artist's colony in Saratoga Springs, New York, where he was also a frequent writer in residence. There one summer he met and began a two-year affair with the young Truman Capote. Newton addressed him as "Precious Spooky" in amorous letters that went on to discuss literary matters.In 1948 Capote dedicated his novel
Other Voices, Other Rooms to Arvin, and he later described how much he learned from Arvin saying: "Newton was my Harvard."
Arvin came to national attention with the publication in 1950 of
Herman Melville, a critical biography of the novelist. It won the second annual National Book Award for non-fiction in 1951. Alfred Kazin thought it:
- the wisest and most balanced single piece of writing on Melville I have seen. It is marked not only by a thoroughly convincing analysis of his creative power and its limitations, but, what is most sharply felt in the book, a wonderfully right feeling for the burning human values involved at every point in Melville's struggle with his own nature....He is concerned with the man's evolution in a way that leaves an extraordinary impression of concentrated sympathetic awareness.
He particularly valued how Arvin's integration of the details of Melville's biography–his Calvinist background, the mental breakdown of the father he so loved, his mother's transformation by his father's failure and early death–exposes Melville's "grandeur and weakness."
He was elected a member of the National institute of Arts and Letters in 1952. Edmund Wilson wrote that of all critics of American literature only Arvin and his teacher Van Wyck Brooks "can themselves be called first-rate writers."
Though Arvin's
Whitman reflected some of his leftist sympathies in the 1930s, he responded to the Cold War with renewed cultural patriotism. In a 1952 essay titled "Our Country and Our Culture" in
Partisan Review he wrote:
- That period, at any rate is over, and the habit of rejection, of repudiation, of mere exacerbated alienation, has ceased to seem relevant or defensible–inevitably, since the culture we profoundly cherish is now disastrously threatened from without, and the truer this becomes, the intenser becomes the awareness of our necessary identification with it.