American Playwrights, 1918-1938
From Flexner’s 1969 preface:
When this book was first published the world thought it had escaped a second great war by the agreement at Munich, which recognized Adolf Hitler’s conquest of Czechoslovakia. The last Spanish Republican resistance to Franco was crumbling, and the Japanese had only recently invaded China.
But the gap between that time and today is even wider and deeper than these news items might suggest. My generation spent its early adult years looking for work when there were no jobs ... quite simply no jobs at all, either for them or for their elders. Millions of people who had known ten or twenty years of security were suddenly reduced to joblessness. Nor were there any cushions against acute need, such as unemployment insurance or social security Establishing such minimal bulwarks against hunger and homelessness as trade unions and social insurance were the elemental concerns of a generation of American workers
Social concern was one of the principal yardsticks against which I measured the work of the leading playwrights of the twenties and thirties.
Plays evaluated in
American Playwrights are by dramatists Sidney Howard, S.N. Behrman, Maxwell Anderson, Eugene O’Neill, by comedy writer George S. Kaufman (variously collaborating with Marc Connelly, Edna Ferber, Moss Hart, Herman Mankiewicz, Morrie Ryskind, Howard Dietz, Katherine Dayton, and others), and by comedy writers George Kelly, Rachel Crothers, Philip Barry, and Robert E. Sherwood.
In the penultimate chapter, “The New Realism,” brief attention is given to Susan Glaspell, Arthur Richman, Elmer Rice, Sophie Treadwell, John Howard Lawson, Paul Green, Paul & Claire Sifton, George Sklar & Albert Maltz, Paul Peters & George Sklar, John Wexley, Clifford Odets, Albert Bein, Irwin Shaw, Emanuel Eisenberg, Sidney Kingsley, Marc Blitzstein, and Ben Bengal.
Flexner regrets in her 1969 preface to the book that she did not include Lorraine Hansberry, Arthur Miller, and Lillian Hellman among the playwrights singled out for special notice.
Century of Struggle: The Women’s Rights Movement in the United States
Century of Struggle became a point of departure for generations of historians who built the field of women’s history. Professor Ellen Carol DuBois (UCLA) wrote in 1991 that
Century of Struggle “has stood for thirty years as the most comprehensive history of American feminism up to the enfranchisement of women in 1920.” Ellen Fitzpatrick (University of New Hampshire), another leading scholar and co-author of the 1996 enlarged edition, wrote:
There is a timelessness about [Century of Struggle] that transcends the historical forces that shaped its construction as a work of history [I]t endures not just as a penetrating and learned study but as a work that contributed to the continued effort to enlarge the scope and deepen the foundation of history. [Century of Struggle] offers readers not only a detailed and compelling account of the women’s rights crusade but also an overview of women’s historical experience from the Colonial period onward.
Mary Wollstonecraft: A Biography
Mary Wollstonecraft Godwin (1759-1797) was an English feminist, writer, and philosopher. There are at least three sources of her continuing renown in Britain and America: She is the author of
A Vindication of the Rights of Woman (1792). She opposed the eminent Edmund Burke’s views concerning the French Revolution in her
A Vindication of the Rights of Men (1790) and was present in Paris in 1793 when England and France declared war. Finally, she is the mother of Mary Wollstonecraft Godwin Shelley, who wrote
Frankenstein, or the Modern Prometheus (1818).
In this classic biography, which has not been reprinted, Flexner recounts the glories and miseries of Wollstonecraft’s childhood and professional life. She describes Wollstonecraft’s crushing self-doubt and unstable temperament, as well as her capacity for hard work even in times of significant adversity. Drawing on contemporary letters and diaries, Flexner adds new material to earlier lives of Wollstonecraft, especially concerning Wollstonecraft’s literary friendships and her relations with her sisters and brothers.