Helpful Score: 1
Includes:
· "Arrangement for Invisible Voices"
· "The Neglected Garden"
· "Bird Superior"
· "Illusions in Belief"
· "Reckoning"
· "The Company of Storms"
· "Teratisms"
· Angels in Love"
· "Waking the Prince"
· "Ballad of the Spanish Civil Guard"
· "Lady Lazarus"
· "The Disquieting Muse"
· "Queen of Angels"
· "Jubilee"
· "Pas de Deux"
· "Bondage"
Published in 1997, this is the only collection of Kojas short fiction (many other short pieces remain un'collected'), and the last book she published as an adult-oriented horror writer. (Since then she has written five young-adult/childrens books).
Ive said before, I find her decision to write childrens books especially under the same name mysterious, as her fiction in general, the stories in this book not excepted, is decidedly Not For Children and not anything youd want a kid to pick up accidentally, unless you want to seriously scar their psyche!
However Koja is definitely my favorite horror writer of all time. Her writing style is both casual and lyrically evocative, her images bizarre and surreal but simultaneously gritty and firmly grounded in reality. Koja loves (or loved?) to deal, thematically, with the angst of art her characters tend to be artists, writers, performers, usually of the struggling sort financially, in their relationships with others, and with the traumas of the creative process itself. Whether psychologically tortured or interacting with the supernatural, they always seem like people I might have known real people, but in these stories, as the title indicates, brought to the extremities
· "Arrangement for Invisible Voices"
· "The Neglected Garden"
· "Bird Superior"
· "Illusions in Belief"
· "Reckoning"
· "The Company of Storms"
· "Teratisms"
· Angels in Love"
· "Waking the Prince"
· "Ballad of the Spanish Civil Guard"
· "Lady Lazarus"
· "The Disquieting Muse"
· "Queen of Angels"
· "Jubilee"
· "Pas de Deux"
· "Bondage"
Published in 1997, this is the only collection of Kojas short fiction (many other short pieces remain un'collected'), and the last book she published as an adult-oriented horror writer. (Since then she has written five young-adult/childrens books).
Ive said before, I find her decision to write childrens books especially under the same name mysterious, as her fiction in general, the stories in this book not excepted, is decidedly Not For Children and not anything youd want a kid to pick up accidentally, unless you want to seriously scar their psyche!
However Koja is definitely my favorite horror writer of all time. Her writing style is both casual and lyrically evocative, her images bizarre and surreal but simultaneously gritty and firmly grounded in reality. Koja loves (or loved?) to deal, thematically, with the angst of art her characters tend to be artists, writers, performers, usually of the struggling sort financially, in their relationships with others, and with the traumas of the creative process itself. Whether psychologically tortured or interacting with the supernatural, they always seem like people I might have known real people, but in these stories, as the title indicates, brought to the extremities
