Helpful Score: 1
First Line: "No, you listen to me: if my six-year-old son isn't back here in ten minutes I'm going to come round there and rip you a new arsehole, are we clear?"
When the newest Stuart MacBride mystery arrives here at Casa Kittling, I feel as though Fort Knox has just delivered another gold bar. Yes, I love these books, but if a blend of (often) black humor and very gruesome scenes aren't your thing, save yourself some time and skip this review.
Detective Sergeant Logan McRae works the mean streets of Aberdeen, Scotland, and he'd probably tell you that police headquarters is often more dire than the streets. He has a strong sense of right and wrong, a strong sense of duty, and he often has brilliant flashes of intuition. He is also a piece of taffy pulled between two of the most obnoxious detective inspectors you'll ever find in crime fiction-- and they both have death grips on him. If I were McRae, sooner or later I'd snap and wear my "Some Mornings It's Not Worth Chewing Through the Restraints" t-shirt to work where I'd tell both inspectors exactly what I thought of them as I turned in my warrant card.
Twenty years ago "The Flesher" was butchering people all over the UK until the Grampian Police put him in prison. It's eleven years later, he's out on appeal, and now he's missing and people are being turned into oven-ready joints again. When members of the original investigation team begin disappearing, McRae realizes that the case might not be as clear cut as everyone else seems to think.
Flesh House begins slowly and continues to build-- typical MacBride. Most of the humor is in the first half of the book. I've begun to think of this as a diversionary tactic. MacBride wants you to keep laughing while he moves his chess pieces into position all over the board. Hopefully by the time you wipe the tears from your eyes and calm down, his trap is set and you don't have a prayer of escape. Me? I'm a sheep to the slaughter when it comes to this particular crime fiction writer. He can be hilarious. I'll give you a few examples. You'll either agree that he's brilliant, or you'll look at both of us as if we forgot to don our strait jackets this morning...
"Logan had met their state-of-the-art security system-- it was a sixty-eight-year-old man called Harold. Logan had sneezed more alert things than him."
"Which sounded incredibly unlikely to Logan: Insch wouldn't ask for help if his crotch was on fire. From the look on her face, Isobel didn't believe it either."
"As Logan watched, Detective Constable Simon Rennie boogied his way past them, doing a pretty good impersonation of an octopus being electrocuted."
This is MacBride's most complex mystery yet, and since cannibalism is one of the strong themes running throughout the book, I'm wondering how many fans he lost with Flesh House . He definitely doesn't sugar coat the theme. (I have a very high tolerance of such things, and it even bothered me a time or two.) But I kept reading because I love his writing and I love the character of Logan McRae. The slapstick, the underlying seriousness, the gruesome scenes are all woven into stories that I can't resist. A carrot was dangled in front of McRae in this book, and it seems to have changed his way of thinking a bit. All the threads weren't tied off neatly at the end, so I'm just going to have to see what happens in the next book.
I can't wait.
When the newest Stuart MacBride mystery arrives here at Casa Kittling, I feel as though Fort Knox has just delivered another gold bar. Yes, I love these books, but if a blend of (often) black humor and very gruesome scenes aren't your thing, save yourself some time and skip this review.
Detective Sergeant Logan McRae works the mean streets of Aberdeen, Scotland, and he'd probably tell you that police headquarters is often more dire than the streets. He has a strong sense of right and wrong, a strong sense of duty, and he often has brilliant flashes of intuition. He is also a piece of taffy pulled between two of the most obnoxious detective inspectors you'll ever find in crime fiction-- and they both have death grips on him. If I were McRae, sooner or later I'd snap and wear my "Some Mornings It's Not Worth Chewing Through the Restraints" t-shirt to work where I'd tell both inspectors exactly what I thought of them as I turned in my warrant card.
Twenty years ago "The Flesher" was butchering people all over the UK until the Grampian Police put him in prison. It's eleven years later, he's out on appeal, and now he's missing and people are being turned into oven-ready joints again. When members of the original investigation team begin disappearing, McRae realizes that the case might not be as clear cut as everyone else seems to think.
Flesh House begins slowly and continues to build-- typical MacBride. Most of the humor is in the first half of the book. I've begun to think of this as a diversionary tactic. MacBride wants you to keep laughing while he moves his chess pieces into position all over the board. Hopefully by the time you wipe the tears from your eyes and calm down, his trap is set and you don't have a prayer of escape. Me? I'm a sheep to the slaughter when it comes to this particular crime fiction writer. He can be hilarious. I'll give you a few examples. You'll either agree that he's brilliant, or you'll look at both of us as if we forgot to don our strait jackets this morning...
"Logan had met their state-of-the-art security system-- it was a sixty-eight-year-old man called Harold. Logan had sneezed more alert things than him."
"Which sounded incredibly unlikely to Logan: Insch wouldn't ask for help if his crotch was on fire. From the look on her face, Isobel didn't believe it either."
"As Logan watched, Detective Constable Simon Rennie boogied his way past them, doing a pretty good impersonation of an octopus being electrocuted."
This is MacBride's most complex mystery yet, and since cannibalism is one of the strong themes running throughout the book, I'm wondering how many fans he lost with Flesh House . He definitely doesn't sugar coat the theme. (I have a very high tolerance of such things, and it even bothered me a time or two.) But I kept reading because I love his writing and I love the character of Logan McRae. The slapstick, the underlying seriousness, the gruesome scenes are all woven into stories that I can't resist. A carrot was dangled in front of McRae in this book, and it seems to have changed his way of thinking a bit. All the threads weren't tied off neatly at the end, so I'm just going to have to see what happens in the next book.
I can't wait.
