Frank Herbert was born on October 8, 1920, in Tacoma, Washington, to Frank Patrick Herbert Sr. and Eileen McCarthy Herbert. He graduated from high school in 1938, and in 1939 he lied about his age in order to get his first newspaper job at the
Glendale Star.
A temporary hiatus occurred during his career when he served in the U.S. Navy's Seabees for six months as a photographer during World War II until he was given a medical discharge. He married Flora Parkinson in San Pedro, California in 1941. They had a daughter, Penny (b. February 16, 1942), but divorced in 1945.
After the war he attended the University of Washington, where he met Beverly Ann Stuart at a creative writing class in 1946. They were the only students in the class who had sold any work for publication; Herbert had sold two pulp adventure stories to magazines, the first to
Esquire in 1945, and Stuart had sold a story to
Modern Romance magazine. They married in Seattle, Washington on June 20, 1946. They had two sons, Brian Patrick Herbert (b. June 29, 1947, Seattle, Washington), a best-selling novelist, and Bruce Calvin Herbert (b. June 26, 1951, Santa Rosa, California).
In 1952 Frank Herbert's first science fiction story, "Looking for Something," appeared in
Startling Stories.
Frank Herbert did not graduate from college, according to his son Brian, because he wanted to study only what interested him and so did not complete the required courses. After leaving college he returned to journalism and worked at the
Seattle Star and the
Oregon Statesman; he was a writer and editor for the
San Francisco Examiner's California Living magazine for a decade.
His career as a novelist began with the publication of
The Dragon in the Sea in 1955, where he used the environment of a 21st century submarine as a means to explore sanity and madness. The book predicted worldwide conflicts over oil consumption and production. It was a critical success but not a major commercial one.Herbert began researching
Dune in 1959 and was able to devote himself wholeheartedly to his writing career because his wife returned to work full time as an advertising writer for department stores, becoming the main breadwinner during the 1960s. Herbert later related in an interview with Willis E. McNeilly that the novel originated when he was supposed to do a magazine article on sand dunes in the Oregon Dunes near Florence, Oregon, but he became too involved in it and ended up with far more raw material than needed for a single article. The article, entitled "They Stopped the Moving Sands," was never written, but it did serve as the seed for the ideas that led to
Dune.
Dune took six years of research and writing to complete. Far longer than commercial science fiction of the time was supposed to run, it was serialized in
Analog magazine in two separate parts ("Dune World" and "Prophet of Dune"), in 1963 and 1965. It was then rejected by nearly twenty book publishers before finally being accepted. One editor prophetically wrote back "I might be making the mistake of the decade, but..." before rejecting the manuscript.
Chilton, a minor publishing house in Philadelphia known mainly for its auto-repair manuals, gave Herbert a $7,500 advance, and
Dune was soon a critical success. It won the Nebula Award for Best Novel in 1965 and shared the Hugo Award in 1966 with
...And Call Me Conrad by Roger Zelazny.
Dune was the first major ecological science fiction novel, embracing a multitude of sweeping, inter-related themes and multiple character viewpoints, a method that ran through all Herbert's mature work.
The book was not an instant bestseller. By 1968 Herbert had made $20,000 from it, far more than most science fiction novels of the time were generating, but not enough to let him take up full-time writing. However, the publication of
Dune did open doors for him. He was the
Seattle Post-Intelligencer's education writer from 1969 to 1972 and lecturer in general studies and interdisciplinary studies at the University of Washington (1970 – 1972). He worked in Vietnam and Pakistan as social and ecological consultant in 1972. In 1973 he was director-photographer of the television show
The Tillers.
By 1972, Herbert retired from newspaper writing and became a full-time fiction writer. During the 1970s and 1980s, Herbert enjoyed considerable commercial success as an author. He divided his time between homes in Hawaii and Washington's Olympic Peninsula; his home on the peninsula was intended to be an "ecological demonstration project". - Chronology various manners and with an intensity of discourse seldom encountered in the sf field.
Dune Messiah (1969) elaborates the intrigue at the cost of other elements, but
Children of Dune (1976) recaptures much of the strength of the original work and addresses another recurrent theme in FH's work - the evolution of Man, in this case into SUPERMAN;..." "Frank Herbert,"
The Encyclopedia of Science Fiction. ideas involving philosophy, religion, psychology, politics and ecology, which have caused many of his readers to take an interest in these areas. The underlying thrust of his work was a fascination with the question of human survival and evolution. Herbert has attracted a sometimes fanatical fan base, many of whom have tried to read everything he wrote, fiction or non-fiction, and see Herbert as something of an authority on the subject matters of his books. Indeed such was the devotion of some of his readers that Herbert was at times asked if he was founding a cult, something he was very much against.
There are a number of key themes in Herbert's work:
- A concern with leadership. He keenly explored the human tendency to slavishly follow charismatic leaders. He delved deeply into both the flaws and potentials of bureaucracy and government.
- Herbert was probably the first science fiction author to popularize ideas about ecology and systems thinking. He stressed the need for humans to think both systematically and long term.
- The relationship between religion, politics and power.
- Human survival and evolution: Herbert writes of the Fremen, the Sardaukar, and the Dosadi, who are molded by their terrible living conditions into dangerous super races.
- Human possibilities and potential: Herbert offered Mentats, the Bene Gesserit and the Bene Tleilax as different visions of human potential.
- The nature of sanity and madness. Frank Herbert was interested in the work of Thomas Szasz and the anti-psychiatry movement. Often, Herbert poses the question, "What is sane?", and while there are clearly insane behaviors and psychopathies as evinced by characters (Piter De Vries for instance), it is often suggested that "normal" and "abnormal" are relative terms which humans are sometimes ill-equipped to apply to one another, especially on the basis of statistical regularity.
- The possible effects and consequences of consciousness-altering chemicals, such as the spice in the Dune saga.
- How language shapes thought. More specifically, Frank Herbert was influenced by Alfred Korzybski's General Semantics.
- Sociobiology. How our instincts unconsciously influence our behavior and society.
- Learning, teaching and thinking.
Frank Herbert carefully refrained from offering his readers formulaic answers to many of the questions he explored.
