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Mass for Mixed Voices: The Selected Short Fiction of Charles Beaumont
Mass for Mixed Voices The Selected Short Fiction of Charles Beaumont Author:Charles Beaumont The short fiction of Charles Beaumont-tackling horror, science fiction, crime, and mainstream fiction-is legendary. Now the best of this fiction, over forty stories (including some never before published), is assembled in a massive collection with a new introduction by Roger Anker, bibliography of Charles Beaumont's previous books, photograp... more »hs of Charles Beaumont (most never before published), a preface by the afyuthor's son, and other extras.
Contents:
Mass for Mixed Voices: The Selected Short Fiction of Charles Beaumont
Preface (Charles Beaumont: Selected Stories) (1988) essay by Christopher Beaumont;
Introduction (Mass for Mixed Voices: The Selected Short Fiction of Charles Beaumont) essay by Roger Anker;
Editor's Note (Mass for Mixed Voices: The Selected Short Fiction of Charles Beaumont) essay by Roger Anker;
Miss Gentilbelle (1957) [introduction to "Miss Gentilbelle", 1988 essay by Ray Bradbury];
The Vanishing American (1955) [introduction to "The Vanishing American", 1988 essay by John Tomerlin];
Place of Meeting (1953);
The Devil, You Say? (1951) [introduction to "The Devil, You Say?", 1988 essay by Howard Browne];
Free Dirt (1955) [introduction to "Free Dirt", 1988 essay by Dennis Etchison];
Song for a Lady (1960);
Last Rites (1955) [introduction to "Last Rites", 1988 essay by Richard Matheson];
The Howling Man (1959) [introduction to "The Howling Man", 1988 essay by Harlan Ellison];
The Dark Music (1956);
The Magic Man (1960) [introduction to "The Magic Man", 1988 essay by Charles E. Fritch];
Fair Lady (1957) [introduction to "Fair Lady", 1988 essay by George Clayton Johnson];
A Point of Honor (1955);
The Hunger (1955) [introduction to "The Hunger", 1988 essay by Richard Christian Matheson;
Black Country (1954) [introduction to "Black Country", 1988 essay by Ray Russell];
Gentlemen, Be Seated (1960) [introduction to "Gentlemen, Be Seated", 1988 essay by Frank M. Robinson;
The Jungle (1954);
The New People (1958) [introduction to "The New People", 1988 essay by Saul David];
Perchance to Dream (1958) ;
The Crooked Man (1955) [introduction to "The Crooked Man", 1988 essay by Robert Bloch];
Blood Brother (1961);
A Death in the Country (1957) [introduction to "A Death in the Country", 1988 essay by William F. Nolan];
The Music of the Yellow Brass (1959);
Night Ride (1957);
Mourning Song (1963) [introduction to "Mourning Song", 1988 essay by Jerry Sohl];
Appointment with Eddie (1988);
The Crime of Willie Washington (1988);
The Man with the Crooked Nose (1988);
The Carnival (1988);
The Beautiful People (1952) [preface to "The Beautiful People", essay by Chad Oliver];
The Customers (1957);
Mass for Mixed Voices (1954);
Last Night in the Rain (1956);
The Murderers (1955) [preface to "The Murderers", essay by Forrest J. Ackerman];
Tears of the Madonna (1957);
The Train (1957);
Something in the Earth (1963);
The Neighbors (1960);
Elegy (1953) [preface to "Elegy", essay by Dougles Heyes];
In His Image (1957) [variant of The Man Who Made Himself];
Preface to The Unpublished Stories, essay by Roger Anker: