I fell in love with Fidelis Morgan's writing when I feasted on her Countess Ashby de la Zouche historical mysteries set in London in 1700. Not only were the mysteries first-rate, the settings superb, and the characters so well-drawn that I'd instantly recognize them if I bumped into them on the street, I also found myself howling with laughter time and again. Is it any wonder that I wanted to see what this woman could do with a contemporary mystery?
I'm happy to report that, for Fidelis Morgan, time doesn't matter. She took every convention the mystery genre has to offer and stirred them together to create an absolutely wonderful piece of entertainment. The plot is the thing in The Murder Quadrille, so scarcely anything can be said about it without giving away the game. Suffice it to say that the story twists and turns on itself so often that you may find yourself a bit dizzy from time to time. And-- unlike so many plot-heavy books-- the characters are not static, two-dimensional pieces of cardboard. Just when you think you know where the story is going, Morgan instantly changes speed, direction, and focus, and she does the same thing with her characters. Each dinner party guest has his own point of view (which is definitely not as unwieldy as it sounds), and just when you think you have a character buttonholed, Morgan shows you another facet of personality that has you guessing all over again.
The best thing of all is that, at the most unlikely times, I found myself howling with laughter. Or cheering a character on to get out of danger. Or egging another one on to do something he (or she) shouldn't. The Murder Quadrille isn't a book to be read and dissected in a grim, serious manner. No, this book is quirky and complex and sheer fun. My advice? Just hang on and enjoy the ride!
I'm happy to report that, for Fidelis Morgan, time doesn't matter. She took every convention the mystery genre has to offer and stirred them together to create an absolutely wonderful piece of entertainment. The plot is the thing in The Murder Quadrille, so scarcely anything can be said about it without giving away the game. Suffice it to say that the story twists and turns on itself so often that you may find yourself a bit dizzy from time to time. And-- unlike so many plot-heavy books-- the characters are not static, two-dimensional pieces of cardboard. Just when you think you know where the story is going, Morgan instantly changes speed, direction, and focus, and she does the same thing with her characters. Each dinner party guest has his own point of view (which is definitely not as unwieldy as it sounds), and just when you think you have a character buttonholed, Morgan shows you another facet of personality that has you guessing all over again.
The best thing of all is that, at the most unlikely times, I found myself howling with laughter. Or cheering a character on to get out of danger. Or egging another one on to do something he (or she) shouldn't. The Murder Quadrille isn't a book to be read and dissected in a grim, serious manner. No, this book is quirky and complex and sheer fun. My advice? Just hang on and enjoy the ride!
