Jordan was born in County Sligo, the son of Angela (née O'Brien), a painter, and Michael Jordan, a professor. He was educated at St. Paul's College, Raheny. Of his religious background, Jordan said in a 1999 Salon interview: "I was brought up a Catholic and was quite religious at one stage in my life, when I was young. But it left me with no scars whatever; it just sort of vanished." He said about his current beliefs that "God is the greatest imaginary being of all time. Along with Einstein's General Theory of Relativity, the invention of God is probably the greatest creation of human thought." Later, Jordan attended University College Dublin, where he studied Irish history and English literature.

When John Boorman was filming Excalibur in Ireland, he recruited Jordan as a script consultant, which led to his doing second unit work. His first feature Angel, a tale of a musician caught up in the Troubles, starred Stephen Rea who has subsequently appeared in almost all of Jordan's films to date.

As a writer/director, Jordan has a highly idiosyncratic body of work, ranging from mainstream hits like Interview with the Vampire to commercial failures like We're No Angels to a variety of more personal, low-budget arthouse pictures.Unconventional sexual relationships are a recurring theme in Jordan's work, and he often finds a sympathetic side to characters audiences would traditionally consider deviant or downright horrifying. His film The Miracle, for instance, followed two characters who struggled to resist a strong, incestuous attraction, while The Crying Game made complicated, likable characters out of an IRA terrorist and a transgender woman. Interview with the Vampire, like the Anne Rice book it was based on, focused on the intense, intimate interpersonal relationship of two undead men who murder humans nightly (although the pair never have sex, they are clearly lovers of a sort), accompanied by an equally lusty vampire woman who is eternally trapped in the body of a little girl. While Lestat (Tom Cruise) is depicted in an attractive but villainous manner, his partner Louis (Brad Pitt) and the child vampire Claudia (Kirsten Dunst) are meant to capture the audience's sympathy despite their predatory nature.

Themes

In addition to the unusual sexuality of Jordan's films, he frequently returns to the Troubles of Northern Ireland. The Crying Game and Breakfast on Pluto both concern a transgender character (played by Jaye Davidson and Cillian Murphy, respectively), both concern the Troubles, and both feature frequent Jordan leading man Stephen Rea. The two films, however, are very different, with Crying Game a realistic thriller/romance and Breakfast on Pluto a much more episodic, stylized, darkly comic biography. Jordan also frequently tells stories about children or young people, such The Miracle and The Butcher Boy. While his pictures are most often grounded in reality, he occasionally directs more fantastic or dreamlike films, such as The Company of Wolves, High Spirits, Interview with the Vampire and In Dreams.

Hollywood

The critical success of Jordan's early pictures led him to Hollywood, where he directed High Spirits and We're No Angels; both were critical and financial disasters. He later returned home to make the more personal The Crying Game, which was nominated for six Academy Awards. Jordan won the Academy Award for Best Original Screenplay for the film. Its unexpected success led him back to American studio filmmaking, where he directed The Vampire Chronicles.

Neil Gaiman announced during his The Today Show appearance on January 27, 2009, that Neil Jordan would be directing the film of his Newbery Medal-winning book The Graveyard Book.

Neil Jordan wrote and directed Ondine (2009), starring Colin Farrell and Alicja Bachleda. The film tells the story of an Irish fisherman named Syracuse (Farrell) who discovers a woman named Ondine (Bachleda) in his fishing net whom he believes to be a selkie or mermaid. Different theories about her origins come about as she transforms the lives of the fisherman and local townsfolk. The fisherman's daughter Annie comes to believe that the woman is a magical creature, while Syracuse falls helplessly in love. However, like all fairy tales, enchantment and darkness go hand in hand. A story of love, hope and the unwavering belief in the impossible.