A very quick read (less than 2 hours for me), but also very compelling. The chapters are short and move the plot along quickly.
Reviewed by Marie Robinson for TeensReadToo.com
It is a rare occurrence for me to read a book all the way through in one sitting, yet that is exactly what happened with NOTHING. I could not put it down.
It is the story of a high school senior struggling with bulimia. What makes this story unique is that the bulimic student is a boy. As he struggles with his illness, his younger sister struggles with her own feelings of inadequacy. It's tough for her to be the kid sister of a shining star. Both Parker, age seventeen, and his sister, Danielle, age fourteen, narrate the story, which alternates between their voices. Parker writes in prose, while Danielle expresses herself through free verse. It sounds contrived, but it isn't. The result is a beautiful portrait of the very real pressures that teenagers face. It is a story that is human, touching, and real.
The alternating narrative provides not only perspective to Parker's situation that readers wouldn't see if he were the sole narrator, but it also deftly, carefully, almost imperceptibly shows the effects of Parker's illness on his family. This narrative device also helps provide a window into the causes of his bulimia. Lastly, the free verse in particular adds a sense of beauty and melancholy that helps the reader relate to these two souls in a way that brings them to life and depicts an authentic teenage experience.
Parker and Danielle's parents, Mr. and Mrs. Rabinowitz, are good people. They love their kids. They want what is best for them. They try very hard to be good parents. And they fall into the trap that many parents fall into with their kids - they push too hard in the name of doing what's best. These characters are on the periphery of the story, but they are still real human beings.
Friedman also creates friends for Parker and Danielle who ring true. The girlfriend/boyfriend relationships of the older kids are realistic without being risqué. The reader doesn't get too close to them, but then, neither does Parker. It is an effective way to help the reader feel how isolated Parker and Danielle both feel.
There is a countdown that accompanies each change of narrative. This device shows the passage of time within the story, but also effectively elevates a sense of suspense. As the book begins, the reader is told that Parker's narrative takes place "88 days before." The closer the story gets to that fateful day, the more that Parker and his family fall further apart. His bulimia and anxiety accelerate, Danielle's angst and identity struggle worsens, Mr. Rabinowitz struggles with his own challenging health problems, and Mrs. Rabinowitz struggles to keep it all together. Parker's girlfriend struggles, too, with his ever-increasing emotional distance from her. Yet because the story is so layered with each of these issues, it is impossible to predict just what will happen at the story's climax.
NOTHING grabs you from page one, draws you into the lives of these characters, and does not let go, culminating in a finale that is as satisfying as it is hopeful. It is a beautiful book.
It is a rare occurrence for me to read a book all the way through in one sitting, yet that is exactly what happened with NOTHING. I could not put it down.
It is the story of a high school senior struggling with bulimia. What makes this story unique is that the bulimic student is a boy. As he struggles with his illness, his younger sister struggles with her own feelings of inadequacy. It's tough for her to be the kid sister of a shining star. Both Parker, age seventeen, and his sister, Danielle, age fourteen, narrate the story, which alternates between their voices. Parker writes in prose, while Danielle expresses herself through free verse. It sounds contrived, but it isn't. The result is a beautiful portrait of the very real pressures that teenagers face. It is a story that is human, touching, and real.
The alternating narrative provides not only perspective to Parker's situation that readers wouldn't see if he were the sole narrator, but it also deftly, carefully, almost imperceptibly shows the effects of Parker's illness on his family. This narrative device also helps provide a window into the causes of his bulimia. Lastly, the free verse in particular adds a sense of beauty and melancholy that helps the reader relate to these two souls in a way that brings them to life and depicts an authentic teenage experience.
Parker and Danielle's parents, Mr. and Mrs. Rabinowitz, are good people. They love their kids. They want what is best for them. They try very hard to be good parents. And they fall into the trap that many parents fall into with their kids - they push too hard in the name of doing what's best. These characters are on the periphery of the story, but they are still real human beings.
Friedman also creates friends for Parker and Danielle who ring true. The girlfriend/boyfriend relationships of the older kids are realistic without being risqué. The reader doesn't get too close to them, but then, neither does Parker. It is an effective way to help the reader feel how isolated Parker and Danielle both feel.
There is a countdown that accompanies each change of narrative. This device shows the passage of time within the story, but also effectively elevates a sense of suspense. As the book begins, the reader is told that Parker's narrative takes place "88 days before." The closer the story gets to that fateful day, the more that Parker and his family fall further apart. His bulimia and anxiety accelerate, Danielle's angst and identity struggle worsens, Mr. Rabinowitz struggles with his own challenging health problems, and Mrs. Rabinowitz struggles to keep it all together. Parker's girlfriend struggles, too, with his ever-increasing emotional distance from her. Yet because the story is so layered with each of these issues, it is impossible to predict just what will happen at the story's climax.
NOTHING grabs you from page one, draws you into the lives of these characters, and does not let go, culminating in a finale that is as satisfying as it is hopeful. It is a beautiful book.
