Search - List of Books by Rudolf Arnheim

"Furthermore, order is a necessary condition for making a structure function. A physical mechanism, be it a team of laborers, the body of an animal, or a machine, can work only if it is in physical order." -- Rudolf Arnheim
Rudolf Arnheim (July 15, 1904 – June 9, 2007) was a German-born author, art and film theorist and perceptual psychologist. He himself said that his major books are Art and Visual Perception: A Psychology of the Creative Eye (1954), Visual Thinking (1969), and The Power of the Center: A Study of Composition in the Visual Arts (1982), but it is Art and Visual Perception for which he was most widely known. Revised, enlarged and published as a New Version in 1974, it has been translated into 14 languages, and is very likely one of the most widely read and influential art books of the twentieth century.

Formative years

Arnheim was born in Berlin, where his father owned a small piano factory. Despite the expectation that he should become a businessman, he enrolled at the University of Berlin in 1923. There, he majored in psychology and philosophy, with secondary emphases in the histories of art and music. It was there (in makeshift research facilities in the abandoned Imperial Palace) that he studied with the Gestalt psychologists, including Max Wertheimer (his ), Wolfgang Kohler, and Kurt Lewin. His doctoral dissertation, which he completed in 1928, was a study of expression in human faces and handwriting.

Early writings

While a graduate student, Arnheim wrote weekly film reviews for progressive Berlin publications. In 1928, having finished his dissertation, he became a junior editor for film and cultural affairs at Die Weltbühne, and on one assignment was sent to Dessau, where he wrote an article on the new Bauhaus building there, designed by Walter Gropius.

His preoccupation with film led to the publication in 1932 of his first book entitled Film als Kunst (Film as Art), in which he examined the various ways in which film images are (and should always aspire to be) different from literal encounters with reality. However, soon after this book was released, Adolf Hitler came to power, and because Arnheim was Jewish, the sale of his book was no longer allowed.

In 1933, he moved from Germany to Italy, where he remained for six years. He continued to write about film, and, in particular, contributed to an encyclopedia of the history and theory of film for the League of Nations (forerunner to the United Nations). While living in Rome, he also wrote a second book, titled Radio: The Art of Sound (1936), in which he discussed the characteristics of radio with more or less the same approach with which he had looked at film.

Arnheim grew very fond of Italy (he felt as if it were his home, his casa propria). Unfortunately, in 1938, Italian dictator Benito Mussolini withdrew from the League of Nations, and adopted racial policies that were consistent with those of Nazi Germany. As a result, Arnheim moved to England in 1939, where he took on a position as a radio translator with BBC Radio, in which, as a person was speaking, he translated simultaneously from German to English and vice versa.

Immigration to the U.S.

In the fall of 1940, he left England for the U.S., arriving at New York harbor at night, with all the buildings filled with lights, in sharp contrast to the blackout policies of London and the ship on which he sailed. Arriving with only ten dollars in his pocket, he received assistance from other Gestalt psychologists, including Max Wertheimer, who arranged for his appointment to the psychology faculty at the New School for Social Research. He was also prompted to apply (given his expertise in radio) for a fellowship from the Rockefeller Foundation, by which he became an associate of the Office of Radio Research at Columbia University. He was given a fellowship, with which he conducted a study about the extent to which American radio listeners were influenced by the content of radio soap operas.

Only two years after arriving in the U.S., he also received a Guggenheim Fellowship, with which he proposed to research perceptual psychology in relation to the visual arts. In 1943, he was hired to teach psychology at Sarah Lawrence College, in Yonkers, New York, where he remained on the faculty for 26 years, and where he produced most of his work.

Later years

About ten years later, having received a second Rockefeller Fellowship, he took leave for fifteen months and wrote his pioneering book titled Art and Visual Perception: A Psychology of the Creative Eye (1954). In 1959, he was awarded a Fulbright Fellowship, with which he studied in Japan for a year. Ten years later, in 1969, he accepted an appointment at Harvard University as a Professor of the Psychology of Art. And then, in 1974, he retired from Harvard University and moved to Ann Arbor, Michigan, where (formally and informally) he was connected with the University of Michigan for many years. In 1981 Arnheim received a Litt.D. from Bates College. He died in Ann Arbor, Michigan in 2007.

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This author page uses material from the Wikipedia article "Rudolf Arnheim", which is released under the Creative Commons Attribution-Share-Alike License 3.0
Total Books: 77
Toward a Psychology of Art Collected Essays
2010 - Toward a Psychology of Art Collected Essays (Paperback)
ISBN-13: 9780520266018
ISBN-10: 0520266013

Entropy and Art An Essay on Disorder and Order
2010 - Entropy and Art an Essay on Disorder and Order (Paperback)Paperback, Hardcover
ISBN-13: 9780520266001
ISBN-10: 0520266005

The Dynamics of Architectural Form
2009 - The Dynamics of Architectural Form (Paperback)Paperback, Hardcover
ISBN-13: 9780520261259
ISBN-10: 0520261259
Genres: Arts & Photography, Engineering & Transportation

The Power of the Center A Study of Composition in the Visual Arts
Hacia una psicologia del arte y entropia/ Towards a Psychology of Art and Entropy Ensayo Sobre El Desorden Y El Orden
Nuevos ensayos sobre psicologia del arte/ New Essays about the Psychology of Art
2007 - Nuevos Ensayos Sobre Psicologia Del Arte/ New Essays About the Psychology of Art [Spanish Edition] (Paperback)
ISBN-13: 9788420670874
ISBN-10: 8420670871
Genres: History, Nonfiction

Ensayos para rescatar el arte/ Essays to Rescue
2007 - Ensayos Para Rescatar El Arte/ Essays to Rescue [Spanish Edition] (Paperback)
ISBN-13: 9788437611440
ISBN-10: 843761144X
Genres: History, Nonfiction

L'immagine e le parole
2007 - L'immagine E Le Parole (Other)
ISBN-13: 9788884836106
ISBN-10: 8884836107

The Genesis of a Painting Picasso's iGuernica/i
2006 - The Genesis of a Painting Picasso's Iguernica/i (Paperback)
ISBN-13: 9780520250079
ISBN-10: 0520250079
Genres: Arts & Photography, History

Film as Art
2006 - Film As Art (Paperback)Paperback, Hardcover
ISBN-13: 9780520248373
ISBN-10: 0520248376
Genres: Arts & Photography, Humor & Entertainment, Politics & Social Sciences

Arte y percepcion visual / Art and Visual Perception Psicologia del ojo creador/ Psychology of the Creative Eye
Art and Visual Perception A Psychology of the Creative Eye / New Version
Stimme von der Galerie
2004 - Stimme Von Der Galerie (Paperback)
ISBN-13: 9783865725134
ISBN-10: 3865725139

Die Seele in der Silberschicht
2004 - Die Seele in Der Silberschicht (Paperback)
ISBN-13: 9783518292549
ISBN-10: 3518292544

Visual Thinking
2004 - Visual Thinking (Paperback)Paperback, Hardcover
ISBN-13: 9780520242265
ISBN-10: 0520242262
Genres: Arts & Photography, Health, Fitness & Dieting, Engineering & Transportation

Warum fallen schlafende Vgel nicht vom Baum Wunderbare Alltagsrtsel
2003 - Warum Fallen Schlafende Vgel Nicht Vom Baum Wunderbare Alltagsrtsel (Hardcover)Hardcover
ISBN-13: 9783492045094
ISBN-10: 349204509X

Film als Kunst
2002 - Film Als Kunst (Paperback)
ISBN-13: 9783518291535
ISBN-10: 351829153X

Rundfunk als Hrkunst Und weitere Aufstze zum Hrfunk
2001 - Rundfunk Als Hrkunst Und Weitere Aufstze Zum Hrfunk (Paperback)
ISBN-13: 9783518291542
ISBN-10: 3518291548

Poder del Centro El - Estudio Sobre La Composicion En Las Artes Visuales
Anschauliches Denken Zur Einheit von Bild und Begriff
2001 - Anschauliches Denken Zur Einheit Von Bild Und Begriff (Paperback)
ISBN-13: 9783770137244
ISBN-10: 3770137248

Simon Dinnerstein Painting and Drawing
2000 - Simon Dinnerstein Painting and Drawing (Paperback)
ISBN-13: 9780965048545
ISBN-10: 0965048543
Genre: Arts & Photography

1997 - Film Essays and Criticism [Wisconsin Studies in Film] (Hardcover)Paperback
1990 - Thoughts on Art Education [Occasional Paper Series Vol 2] (Paperback)
Radio [History of Broadcasting: Radio to Television] (Hardcover)
Julian Stanczak Decades of Light [SPECIAL LIMITED EDITION] (Hardcover)
Film Als Kunst Mit E Vorw Zur Neuausg [Fischer Cinema - German Edition] (Other)Paperback
Poder Del Centro El [Spanish Edition] (Paperback)Paperback
El Cine Como Arte [Spanish Edition] (Paperback)