Sheryl O. (Everett-Reader) reviewed on + 216 more book reviews
Helpful Score: 2
Very British humor and style!
From Library Journal
As Harry Silver approaches his 30th birthday, persistent feelings of dissatisfaction nag at him despite his blissful marriage to a beautiful woman, his adorable four-year old son, and his good living as a television producer. So why does Harry feel that a red sports car could assuage those niggling fears that life is passing him by, that missed opportunities outweigh the tranquility and stability of his present life, and that his youth is all but gone? The decision to buy the red sports car is Harry's first major mistake; the really big one is the one-night stand he has with a female associate producer, which costs him his marriage. Ranging from poignant and heartbreaking to witty and uproariously funny, Harry's adventures are a triumph of storytelling. Set in Britain, this is, however, a story with universal appeal and apropos of today's splintered relationships, with children as the innocent victims. It is delightfully narrated by Gerard Doyle, who moves easily from one gender to the other, and from child to adult seamlessly.
From Library Journal
As Harry Silver approaches his 30th birthday, persistent feelings of dissatisfaction nag at him despite his blissful marriage to a beautiful woman, his adorable four-year old son, and his good living as a television producer. So why does Harry feel that a red sports car could assuage those niggling fears that life is passing him by, that missed opportunities outweigh the tranquility and stability of his present life, and that his youth is all but gone? The decision to buy the red sports car is Harry's first major mistake; the really big one is the one-night stand he has with a female associate producer, which costs him his marriage. Ranging from poignant and heartbreaking to witty and uproariously funny, Harry's adventures are a triumph of storytelling. Set in Britain, this is, however, a story with universal appeal and apropos of today's splintered relationships, with children as the innocent victims. It is delightfully narrated by Gerard Doyle, who moves easily from one gender to the other, and from child to adult seamlessly.
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