My first introduction to Kate Morton's writing was The House at Riverton. A Gothic tale, told within multiple timelines, and secrets galore, The Distant Hours is no different in that respect.
However, I should start this post by asking you a question: When you were a kid, what was the story that grabbed you? Held you speechless as you turned each page and introduced you to the world of imagination and possibility?
I can think of a few titles that capture this feeling for me, but for Edie in The Distant Hours, there will only ever be one. It is a celebrated classic, one that is a horror story of monumental proportions, but is simultaneously literary. The Mud Man, by Richard Blythe, a tale of horror, intrigue, and disturbing events that shake a young mind to their bones - this is the story that made Edie fall in love with books.
As an adult, she now works in the publishing industry and has a somewhat strained relationship with her parents in which not much is shared about their young lives. Disjointed this may be, Edie is aware that when her mother was a child, she was one of the many evacuees in England during World War II, and was the only one safely stationed at Milderhurst Castle. Already a Gothic and mysterious home it is even more so filled with secrets since this was the home of the very author of The Mud Man. Edie was always curious about her mother's relationship to this castle and the family, and while on a business trip, she decides to take a slight detour and visit the famous castle. While there, she meets the three daughters of Raymond Blythe, now much older while on a tour of the house, and is invited back much later to write the introduction for the release of a new edition of their father's famous story.
Back and forth between the 1930s and the 1990s, and told from different characters' perspectives, this is simply haunting and Gothic, through and through. Where did the story of The Mud Man truly come from? Why is the oldest sister, Percy, so gruff and cold? Why is the youngest, Juniper, still waiting for her fiancé, even though it's been over fifty years? And what really was their relationship with Edie's mother?
Once again, as with The House at Riverton, I find I'm always mesmerized with the mystery, the characters, their sadness, and their regrets. The story is creepy and detailed, and while I thought the end was a bit too nicely wrapped up for this eloquently haunting story, I was absolutely satisfied yet again with Kate Morton's work. I look forward to downloading another audiobook from her, and Caroline Lee as the narrator was extremely impressive. My first time listening to her voice, and I look forward to more.
However, I should start this post by asking you a question: When you were a kid, what was the story that grabbed you? Held you speechless as you turned each page and introduced you to the world of imagination and possibility?
I can think of a few titles that capture this feeling for me, but for Edie in The Distant Hours, there will only ever be one. It is a celebrated classic, one that is a horror story of monumental proportions, but is simultaneously literary. The Mud Man, by Richard Blythe, a tale of horror, intrigue, and disturbing events that shake a young mind to their bones - this is the story that made Edie fall in love with books.
As an adult, she now works in the publishing industry and has a somewhat strained relationship with her parents in which not much is shared about their young lives. Disjointed this may be, Edie is aware that when her mother was a child, she was one of the many evacuees in England during World War II, and was the only one safely stationed at Milderhurst Castle. Already a Gothic and mysterious home it is even more so filled with secrets since this was the home of the very author of The Mud Man. Edie was always curious about her mother's relationship to this castle and the family, and while on a business trip, she decides to take a slight detour and visit the famous castle. While there, she meets the three daughters of Raymond Blythe, now much older while on a tour of the house, and is invited back much later to write the introduction for the release of a new edition of their father's famous story.
Back and forth between the 1930s and the 1990s, and told from different characters' perspectives, this is simply haunting and Gothic, through and through. Where did the story of The Mud Man truly come from? Why is the oldest sister, Percy, so gruff and cold? Why is the youngest, Juniper, still waiting for her fiancé, even though it's been over fifty years? And what really was their relationship with Edie's mother?
Once again, as with The House at Riverton, I find I'm always mesmerized with the mystery, the characters, their sadness, and their regrets. The story is creepy and detailed, and while I thought the end was a bit too nicely wrapped up for this eloquently haunting story, I was absolutely satisfied yet again with Kate Morton's work. I look forward to downloading another audiobook from her, and Caroline Lee as the narrator was extremely impressive. My first time listening to her voice, and I look forward to more.
