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American Women Modernists: The Legacy of Robert Henri, 1910-1945
American Women Modernists The Legacy of Robert Henri 19101945 Author:Sarah Burns, Erika Doss, Betsy Fahlman, Helen Langa Early American modernist art has been defined for decades by a narrow range of works by almost entirely male New York-based artists in the circles of Alfred Stieglitz and Walter Arensberg. Typically, Georgia O'Keeffe is the solitary acknowledged exception to these male-dominated modernist circles. But, Marian Wardle and the contributors to this ... more »long-overdue collection issue a powerful challenge to this narrow view. They reveal that scores of women artists of the period produced works that were significant, influential, and indubitably modern. All the women considered in this study were once the art students of the popular and perhaps most influential American art teacher of the twentieth century, Robert Henri (1865-1929). Henri encouraged an art that was expressive of personal emotions and experience and that was grounded in life. He preached equality among different media and approaches to art. Giving heed to his teachings, his women students engaged in a wide variety of artistic production. Collectively, the stunning variety and power of their work in painting, sculpture, printmaking, textiles, decorative arts, and furniture broadens our understanding of American modernism and illuminates the role of women artists in shaping it. Yet, these women have remained largely unstudied, and virtually unknown, even among art historians. The seven new essays included in this volume move beyond the famed Ashcan Schoolthe small group of Henri's male students who worked in a narrow range of urban realist subjectsto recover the lesser known work of his women students. The contributors, who include well-known scholars of art history, American studies, and cultural studies demonstrate how these women participated in the "modernizing" of women's roles during this era; how gender controlled their art, productivity, sales, and reception; how their many styles, media, and subjects enrich our understanding of modern American art; and how the work of modern women artists relates to women's involvement in other areas of modern American society and culture, including labor and social reform, patronage, literature, dance, and music. Lavishly illustrated and complemented by short biographies of more than 400 of Henri's students, this delightful collection adds a long-ignored but deserving dimension to an expanded story of American modernism and to women's contributions to the arts. "Long overdue, this richly documented book restores the female presence in early twentieth-century American art, design, and craft. Brava to all the contributors for their mighty labors in the archives and museum collections."Wanda M. Corn, Robert and Ruth Halperin professor in art history, Stanford University "An interesting and important contribution to our understanding of the roles of Robert Henri's women students in reshaping the meaning of the modern in American visual culture."Whitney Chadwick, Professor of Art History, San Francisco State University« less