Inspector Persis Wadia wants nothing to do with taking a look into the case of convicted killer James Whitby. India was controlled by British "justice" for hundreds of years. Surely, turnabout is fair play? But higher-ups in the Bombay Police and the government realize that, if no one makes sure that Whitby is really guilty, then they are no better than the whites who ruled them for so long. Besides, if anything goes pear-shaped, who better to put in charge of the investigation than the only woman on the police force, the woman everyone wishes would just disappear? Persis is the perfect scapegoat.
Author Vaseem Khan continues his enthralling Malabar House historical series with this fourth book, Death of a Lesser God. He never fails to enlighten me about the history of the area, be it India's fight for independence, the gut-wrenching Partition riots, or the horrific Bengali Famine of 1943. This fourth book centers on a sensitive subject: ensuring that the former white oppressors receive justice even though they did not dispense it themselves when they were in power. And... how can you scream at someone to GO HOME when they were born in India? "How can I go back to a place I've never been?" says more than one white character.
Inspector Persis Wadia is led by an overwhelming ambition to succeed in a career where she's not wanted. She is so convinced of her mission that she blindly puts others in danger. Fortunately, Persis realizes these deadly traits and knows she has to fight them. Watching her character struggle and develop is one of the strengths of this series. She must also deal with a personal learning curve when she's put in charge of mentoring Seema, a young woman who wants more for herself than a life in abject poverty. Fortunately, the love triangle Khan has created isn't taking center stage in the story, since I've never cared for those. However, the triangle does highlight a cultural difficulty. Life would be much easier if Persis accepted her Aunty Nussie's choice of Darius. Her strong attraction to white Archie Blackfinch could be much more dangerous.
As compelling as the story is, I did have a couple of problems with it. There was a bit of deus ex machina at the end with various elements popping up just in time to save the day. Although they had been mentioned tangentially beforehand, their timing was so impeccable that I couldn't resist a tiny eye roll. In addition, similes run amok through most of the book. Now I love a good simile, but when I start counting them, it's not a favorable sign. But those two small complaints aside, Death of a Lesser God is a good addition to Persis Wadia's story. I'm looking forward to what she does next.
Author Vaseem Khan continues his enthralling Malabar House historical series with this fourth book, Death of a Lesser God. He never fails to enlighten me about the history of the area, be it India's fight for independence, the gut-wrenching Partition riots, or the horrific Bengali Famine of 1943. This fourth book centers on a sensitive subject: ensuring that the former white oppressors receive justice even though they did not dispense it themselves when they were in power. And... how can you scream at someone to GO HOME when they were born in India? "How can I go back to a place I've never been?" says more than one white character.
Inspector Persis Wadia is led by an overwhelming ambition to succeed in a career where she's not wanted. She is so convinced of her mission that she blindly puts others in danger. Fortunately, Persis realizes these deadly traits and knows she has to fight them. Watching her character struggle and develop is one of the strengths of this series. She must also deal with a personal learning curve when she's put in charge of mentoring Seema, a young woman who wants more for herself than a life in abject poverty. Fortunately, the love triangle Khan has created isn't taking center stage in the story, since I've never cared for those. However, the triangle does highlight a cultural difficulty. Life would be much easier if Persis accepted her Aunty Nussie's choice of Darius. Her strong attraction to white Archie Blackfinch could be much more dangerous.
As compelling as the story is, I did have a couple of problems with it. There was a bit of deus ex machina at the end with various elements popping up just in time to save the day. Although they had been mentioned tangentially beforehand, their timing was so impeccable that I couldn't resist a tiny eye roll. In addition, similes run amok through most of the book. Now I love a good simile, but when I start counting them, it's not a favorable sign. But those two small complaints aside, Death of a Lesser God is a good addition to Persis Wadia's story. I'm looking forward to what she does next.
