Patty R. reviewed Great Shame: And the Triumph of the Irish in the English-Speaking World on + 96 more book reviews
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The Booker Prize-winning Schindler's List (on which Steven Spielberg based his Oscar-winning film) demonstrated that Thomas Keneally could make history as compelling as any novel. His latest book, The Great Shame, expands upon the achievement of his earlier fiction. This is more than just the story of the Keneally family tree, transported from Ireland to Australia in the 19th-century. It is the story of how Irish men and women came to be dispersed all over the world, and what they made of their lives in their new homes. It is the epic history of a whole people.
The Great Shame is hypnotically readable, partly because Keneally weaves his many narrative strands so expertly and touches his story with many moments of beautiful writing, but also because it is all, even at its most extraordinary, completely true. The result is astonishingly vivid. What The Great Shame most resembles is a classic 19th-century novel: Dickens, say, or George Eliot. Readers avidly follow Keneally's characters through their successes and their trials, until the very last sentence in the book when, like a master from the classic age of the novel, Keneally pays tribute to "the piquant blood and potent ghosts of the characters to whom we now bid goodbye." --Adam Roberts --
The Booker Prize-winning Schindler's List (on which Steven Spielberg based his Oscar-winning film) demonstrated that Thomas Keneally could make history as compelling as any novel. His latest book, The Great Shame, expands upon the achievement of his earlier fiction. This is more than just the story of the Keneally family tree, transported from Ireland to Australia in the 19th-century. It is the story of how Irish men and women came to be dispersed all over the world, and what they made of their lives in their new homes. It is the epic history of a whole people.
The Great Shame is hypnotically readable, partly because Keneally weaves his many narrative strands so expertly and touches his story with many moments of beautiful writing, but also because it is all, even at its most extraordinary, completely true. The result is astonishingly vivid. What The Great Shame most resembles is a classic 19th-century novel: Dickens, say, or George Eliot. Readers avidly follow Keneally's characters through their successes and their trials, until the very last sentence in the book when, like a master from the classic age of the novel, Keneally pays tribute to "the piquant blood and potent ghosts of the characters to whom we now bid goodbye." --Adam Roberts --
