Sendak gained international acclaim after writing and illustrating Where the Wild Things Are, although the book's depictions of fanged monsters concerned some parents when it was first released, as his characters were somewhat grotesque in appearance. Sendak's seeming attraction to the forbidden or nightmarish aspects of children's fantasy have made him a subject of controversy. The monsters in the book were actually based on relatives who would come to weekly dinners. Because of their broken English and odd mannerisms, they were the perfect basis for the monsters in Sendak's book. Before Where the Wild Things Are, Sendak was best known for illustrating Else Holmelund Minarik's Little Bear series of books.
When Sendak saw a manuscript of Zlateh the Goat, the first children’s story by Isaac Bashevis Singer, on the desk of an editor at Harper & Row, he offered to illustrate the book, which was first published in 1966 and received a Newbery Award. Sendak was delighted and enthusiastic about the collaboration. He once wryly remarked that his parents were finally impressed by their youngest child when he collaborated with Singer.
His book In the Night Kitchen, first published in 1970, has often been subjected to censorship for its drawings of a young boy prancing naked through the story. The book has been challenged in several American states including Illinois, New Jersey, Minnesota, and Texas. In the Night Kitchen regularly appears on the American Library Association's list of "frequently challenged and banned books." It was listed number 21 on the "100 Most Frequently Challenged Books of 1990-1999."
His 1981 book Outside, Over There, is the story of a girl, Ida, and her sibling jealousy and responsibility. Her father is away and so Ida is left to watch her baby sister, much to her dismay. Her sister is kidnapped by goblins, and Ida must go off on a magic adventure to rescue her. At first, she's not really eager to get her sister and nearly passes her sister right by when she becomes absorbed in the magic of the quest. In the end, she rescues her baby sister, destroys the goblins and returns home committed to caring for her sister until her father returns home.
Sendak was an early member of the National Board of Advisors of the Children's Television Workshop during the development stages of the television series Sesame Street. He also wrote and designed an animated sequence for the series, Bumble Ardy, based on his own book, and with Jim Henson as the voice of Bumble Ardy.
Sendak produced an animated television production based on his work titled Really Rosie, featuring the voice of Carole King, which was broadcast in 1975 and is available on video (usually as part of video compilations of his work). An album of the songs was also produced. He contributed the opening segment to Simple Gifts, a Christmas collection of six animated shorts shown on PBS TV in 1977 and later issued on VHS in 1993. He adapted his book Where the Wild Things Are for the stage in 1979. Additionally, he has designed sets for many operas and ballets, including the award-winning (1983) Pacific Northwest Ballet production of Tchaikovsky's The Nutcracker , Houston Grand Opera's productions of Mozart's The Magic Flute (1981) and Humperdinck's Hansel and Gretel (1997), Los Angeles County Music Center's 1990 production of Mozart's Idomeneo, and the New York City Opera's 1981 production of The Cunning Little Vixen.
In the 1990s, Sendak approached playwright Tony Kushner to write a new English version of the Czech composer Hans Krása's children's opera Brundibar. Kushner wrote the text for Sendak's illustrated book of the same name, published in 2003. The book was named one of the New York Times Book Review's 10 Best Illustrated Books of 2003.
In 2003, Chicago Opera Theatre produced Sendak and Kushner's adaptation of Brundibar. In 2005, Berkeley Repertory Theatre, in collaboration with Yale Repertory Theatre and Broadway's New Victory Theater, produced a substantially reworked version of the Sendak-Kushner adaptation.
He also created the children's television program Seven Little Monsters.
Influences
Maurice Sendak is known for drawing inspiration and influences from a vast number of painters, musicians and authors. Going back to his childhood, one of his earliest memorable influences was actually his father, Philip Sendak. According to Maurice, his father would relate tales from the Bible; however, he would embellish them with racy details to jazz them up. Not realising that this was inappropriate for children, little Maurice would frequently be sent home after retelling his father's "softcore Bible tales" at school.
Growing up, Sendak developed other influences, starting with Disney's Fantasia as mentioned earlier. He has been quoted as saying, "My gods are Herman Melville, Emily Dickinson, Mozart. I believe in them with all my heart." Elaborating further, he has explained that reading Emily Dickinson's works helps him to remain calm in an otherwise hectic world: "And I have a little tiny Emily Dickinson so big that I carry in my pocket everywhere. And you just read three poems of Emily. She is so brave. She is so strong. She is such a sexy, passionate, little woman. I feel better." Likewise, of Mozart, he has said, "When Mozart is playing in my room, I am in conjunction with something I can't explain. [...] I don't need to. I know that if there's a purpose for life, it was for me to hear Mozart."
In terms of influencing others, Sendak has been a massive influence over the decades. While his books certainly have roused much controversy, they have also charmed scores of parents and children alike with their unique illustrations and lovable characters. Perhaps one of his biggest fans would be Gregory Maguire, author of the hit novel, Wicked. Maguire enjoys Sendak's works so much that he was prompted to write a tributary book dedicated to Sendak's life and accomplishments, titled Making Mischief: A Maurice Sendak Appreciation.
Sendak mentioned in a September 2008 article in The New York Times that he is gay, and had lived with his partner, psychoanalyst Eugene Glynn for 50 years before Dr. Glynn’s death in May 2007. Revealing that he never told his parents, he said, "All I wanted was to be straight so my parents could be happy. They never, never, never knew." Sendak's relationship with Glynn had been mentioned by other writers before (e.g., Tony Kushner in 2003).
Sendak donated $1 million to the Jewish Board of Family and Children's Services to memorialize Glynn, who had treated young people there. The gift will name a clinic for Glynn.
Sendak chose the Rosenbach Museum & Library in Philadelphia, PA to be the repository for his work in the early 1970s thanks to shared literary and collecting interests. His collection of nearly 10,000 works of art, manuscripts, books and ephemera, has been the subject of many exhibitions at the Rosenbach, seen by visitors of all ages. Sendak once praised Herman Melville’s writings, saying, “There’s a mystery there, a clue, a nut, a bolt, and if I put it together, I find me.” From May 6, 2008, through May 3, 2009, the Rosenbach presented
There’s a Mystery There: Sendak on Sendak. This major retrospective of over 130 pieces pulled from the museum’s vast Sendak collection...the biggest collection of Sendakiana in the world...is the largest and most ambitious exhibition of Sendak’s work ever created and is now a traveling exhibition. It features original artwork, rare sketches, never-before-seen working materials, and exclusive interview footage. The exhibition draws on a total of over 300 objects, providing a unique experience with each set of illustrations.
Exhibition highlights include the following:
- Original color artwork from books such as Where the Wild Things Are, In the Night Kitchen, The Nutshell Library, Outside Over There, and Brundibar.
- “Dummy” books filled with lively preliminary sketches for titles like The Sign on Rosie’s Door, Pierre, and Higglety, Pigglety, Pop!
- Never-before-seen working materials, such as newspaper clippings that inspired Sendak, family portraits, photographs of child models and other ephemera.
- Rare sketches for unpublished editions of stories such as Tolkien’s The Hobbit and Henry James’ The Turn of the Screw, and other illustrating projects.
- Unique materials from the Rosenbach collection that relate to Sendak’s work, including an 1853 edition of the tales of the Brothers Grimm, sketches by William Blake, and Herman Melville’s bookcase.
- Stories told by the illustrator himself on topics like Alice in Wonderland, his struggle to illustrate his favorite novels, hilarious stories of Brooklyn, and the way his work helps him exorcise childhood traumas.
