Raoul Cauvin was born in Antoing, Belgium in 1938. He studied lithography at the Institut Saint-Luc in Tournai, but upon leaving school found that there no jobs available for lithographers. He started working at Dupuis in 1960 as a cameraman for the small animation studio the publishing house had started, working on early Smurfs cartoons and other short movies. After a few years, he started writing comics and has since became one of the most prolific Franco-Belgian comics authors, almost always staying true to Dupuis and the weekly comics magazine Spirou. Some of his earliest work was for artists like Claire Bretécher, Gennaux and Eddy Ryssack.
When Lucky Luke, the successful, long-running Western series, moved from Spirou to rival magazine Pilote, Cauvin came up with Les Tuniques Bleues (French for "Blue Coats") which is set among the U.S. Cavalry around the time of the American Civil War. It was at first drawn by Louis Salvérius who, upon his death, was replaced by Lambil, and has since become a major best-selling comic book series with more than 15 million albums sales.
Cauvin added other another success in 1972 with Sammy, about bodyguards in Chicago during the Prohibition era, drawn by Berck. A short stint on Spirou and Fantasio (drawn by Nic Broca) was not so successful. Cauvin continued to work for the animation studio as well, writing the scripts for the Musti, Tip and Tap and The Pili's cartoons by Ray Goossens.
He has lived in Nivelles since 1991. By November 1999, he had published over 237 albums, selling over 45 million in total.
Cauvin's work is almost always humoristic, but he produces both long stories (i.e. 44 pages) and short gags (between half a page and 6 pages). He started mainly with historical series: Les Tuniques Bleues uses the American Civil War as background, while Sammy plays in the time of Al Capone and Eliot Ness, and Les Mousquetaires describes the adventures of three musketeers in the 17th century. But with Agent 212 (French for "Officer 212"), featuring a rather stupid cop, he started to make his stories more contemporary, and in the 1980s he breached increasingly taboo subjects and introduced more critical views with themes like nursing and hospitals in Les Femmes en blanc ("The Women in White") with Philippe Bercovici, Les Paparazzi or gravediggers in Pierre Tombal.
Although best known for Les Tuniques Bleues, he and Lambil also worked on a comics series called Pauvre Lampil ("Poor Lampil"), a semi-autobiographical account of the trials and tribulations of a melancholic comic strip artist and his love-hate relationship with his scriptwriter, caricatures of Lambil and Cauvin themselves. In fact, aside from Lambil (whose name is changed to "Lampil"), other characters, including their colleagues in the comic book industry, are referred to by their real or pen-names: Cauvin himself, Fournier, Franquin etc.
Cauvin has also taken up more fantastic themes like that of a love angel in Cupido or the hard life of a vulture falling in love with an owl in Les Voraces. Other more recent series include Cédric, a domestic strip surrounding a pre-adolescent schoolboy, and Les Psy ("The Shrinks") about a psychiatrist whose patients' eccentricities often lead him to question his own sanity. A lot of Cauvin's characters are of the short-tempered sort, easily provoked and exploding in rage when things go wrong.
He makes his scripts in the form of a rudimentary comic, suggesting a page lay-out, and he has also made a few comics completely on his own, but with limited success.
His works are often seen as more artisanal than artistic by the critics, while others consider him an uncontested master of the humoristic comic.
Whatever the critics think of him though, he continues to be very successful with the public and sought after by artists, at one stage writing almost a dozen series at a time. In 2006 alone, he had six series in the list of best selling new comics of the ACBD, with Cédric securing the fourth spot with 288,900 albums and Les Tuniques Bleues at ten with 184,800 copies. His other most successful comics were Les Femmes en Blanc (78,000 copies), Agent 212 (66,000 copies), Les Psy (51,500 copies) and Pierre Tombal (45,700 copies).
