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The Stranger is not merely one of the most widely read novels of the 20th century, but one of the books likely to outlive it. Written in 1946, Camus's compelling and troubling tale of a disaffected, apparently amoral young man has earned a durable popularity (and remains a staple of U.S. high school literature courses) in part because it reveals so vividly the anxieties of its time. Alienation, the fear of anonymity, spiritual doubt--all could have been given a purely modern inflection in the hands of a lesser talent than Camus, who won the Nobel Prize in 1957 and was noted for his existentialist aesthetic. The remarkable trick of The Stranger, however, is that it's not mired in period philosophy.
The plot is simple. A young Algerian, Meursault, afflicted with a sort of aimless inertia, becomes embroiled in the petty intrigues of a local pimp and, somewhat inexplicably, ends up killing a man. Once he's imprisoned and eventually brought to trial, his crime, it becomes apparent, is not so much the arguably defensible murder he has committed as it is his deficient character. The trial's proceedings are absurd, a parsing of incidental trivialities--that Meursault, for instance, seemed unmoved by his own mother's death and then attended a comic movie the evening after her funeral are two ostensibly damning facts--so that the eventual sentence the jury issues is both ridiculous and inevitable.
Meursault remains a cipher nearly to the story's end--dispassionate, clinical, disengaged from his own emotions. "She wanted to know if I loved her," he says of his girlfriend. "I answered the same way I had the last time, that it didn't mean anything but that I probably didn't." There's a latent ominousness in such observations, a sense that devotion is nothing more than self-delusion. It's undoubtedly true that Meursault exhibits an extreme of resignation; however, his confrontation with "the gentle indifference of the world" remains as compelling as it was when Camus first recounted it. --Ben Guterson
This was a good book especially if you are interested in philosophy....Its good existentialist literature... it raises the basic questions of good and evil, innocence and guilt,and it also raises the question of meaning and worth. It gets you thinking about how you live your life. The Stranger also gets you thinking about the role of reason and consciousness in human nature. Its a good philosophical read.
I was very impressed. Camus writes in a very first-person, in-the-protagonist's-head sort of style, omitting dialogue, nevertheless conveying incredible depth. His protagonist is compelling as a character. The setting was simple, the story was somewhat short (read in one evening), though very rich, weighty, and full. It made me want to write a review for it, and I don't usually do that.
a terrifying picture of a man victimized by life itself-he is a faceless man, who has committed a pointless murder-it is a book whose unrelenting grip upon our consciousness has not diminished to this day.
This is my favorite book alltime. Great how Camus interweaves his philosophy with the story of a man who doesn't belong. It makes us question wether someone can be judge by standards that are foreign to him.