Search - List of Books by Terri Windling
"We've always lived in dark times. There has always been a range of human experience from the sublime to the brutal, and stories reflect it. It's no less brutal now; each age has its horrors." -- Terri Windling
Terri Windling is an American editor, artist, essayist, and the author of books for both children and adults. Windling has won nine World Fantasy Awards, the Mythopoeic Award, the Bram Stoker Award, and her collection The Armless Maiden appeared on the short-list for the James Tiptree, Jr. Award. She received the Solstice Award in 2010, which honors "individuals with a significant impact on the speculative fiction field." Windling's work has been translated into French, German, Spanish, Italian, Czech, Lithuanian, Turkish, Russian, Japanese, and Korean.
In the American publishing field, Windling is one of the primary creative forces behind the mythic fiction resurgence that began in the early 1980s...first through her work as an innovative editor for the Ace and Tor Books fantasy lines; secondly as the creator of the 'Fairy Tales' series of novels (featuring reinterpretations of classic fairy tale themes by Jane Yolen, Steven Brust, Pamela Dean, Patricia C. Wrede, Charles de Lint, and others); and thirdly as the editor of over thirty anthologies of magical fiction. She is also recognized as one of the founders of the urban fantasy genre, having published and promoted the first novels of Charles de Lint, Emma Bull, and other pioneers of the form.
With Ellen Datlow, Windling edited 16 volumes of Year's Best Fantasy and Horror (1986—2003), an anthology that reached beyond the boundaries of genre fantasy to incorporate magic realism, surrealism, poetry, and other forms of magical literature. Datlow and Windling also edited the Snow White, Blood Red series of literary fairy tales for adult readers, as well as many anthologies of myth & fairy tale inspired fiction for younger readers (such as The Green Man, The Faery Reel, and The Wolf at the Door). Windling also created and edited the Borderland series for teenage readers, and The Armless Maiden, a fiction collection for adult survivors of child abuse like herself.
As an author, Windling's fiction includes The Wood Wife (winner of the Mythopoeic Award for Novel of the Year) and several children's books: The Raven Queen, The Changeling, A Midsummer Night's Faery Tale, The Winter Child, and The Faeries of Spring Cottage. Her essays on myth, folklore, magical literature and art have been widely published in newsstand magazines, academic journals, art books, and anthologies. She was a contributor to The Oxford Companion to Fairy Tales, edited by Jack Zipes.
As an artist, Windling specializes in work inspired by myth, folklore, and fairy tales. Her art has been exhibited across the U.S., as well as in the UK and France.
Windling is the founder of the Endicott Studio, an organization dedicated to myth-inspired arts, and was the co-editor (with Midori Snyder) of The Journal of Mythic Arts from 1987 until it ceased publication in 2008. She also sits on the board of the Mythic Imagination Institute. She divides her time between Devon, England and Arizona. She is married to Howard Gayton, the British dramatist and co-founder of the influential Commedia dell'arte troupe, the Ophaboom Theatre Company.
"A good novel editor is invisible.""But for me, really, the written word is always stronger than film.""Filmmaking can be a fine art.""I divide my time between homes in Arizona and England, six months a year in each place.""I have a great respect for the academics who are working with the source material. My hat's off to them.""I like Celtic folk music, Native American music, and any kind of early music. There isn't a lot of music that I don't like... except for Show Tunes.""I wanted to be a scientist. But I had no math skills.""I was a great fan of Jim Henson.""I'd had no particular interest in the Southwest at all as a young girl, and I was completely surprised that the desert stole my heart to the extent it did.""I'd like to encourage people to please keep reading-and most importantly, to please keep trying new writers. The only way we can bring fresh new material into the field is if people go out and buy it.""I'm also looking for gems that the average reader might have missed.""I'm an artist, I'm not an academic folklorist.""I'm working on a very long series of paintings based on desert folklore.""I've only been living in England for the last 10 years, if you don't count my student years.""In more recent years, I've become more and more fascinated with the indigenous folklore of this land, Native American folklore, and also Hispanic folklore now that I live in the Southwest.""Magic Realism is not new. The label's new, the specific Latin American form of it is new, its modern popularity is new, but it's been around as long as literature has been around.""My book collection is primarily in America, since that's where I've lived most of my life.""One of the best things about folklore and fairy tales is that the best fantasy is what you find right around the corner, in this world. That's where the old stuff came from.""Read the folklore masters. Go to galleries. Walk in the woods. That's what you need to be an artist or storyteller.""Robert Jordan, whether he's writing with passion or not, I don't know.""Since fantasy isn't about technology, the accelleration has no impact at all. But it's changed the lives of fantasy writers and editors. I get to live in England and work for a New York publisher!""The first job I was offered was as an editorial assistant. I think it was the best thing for me, in terms of being a storyteller by nature, to have spent years being an editor because I learned so much from it.""There are plenty of bad editors who try to impose their own vision on a book.""There have been a number of us working very, very hard to bring myth and fairy tales into public consciousness, through fantasy literature and other media. I hope we're succeeding in some small way.""There's that old adage about how there's only seven plots in the world and Shakespeare's done them all before.""What I find interesting about folklore is the dialogue it gives us with storytellers from centuries past.""When I started in the business, there was a thing called adult fantasy, but nobody quite knew what it was, and most publishers didn't have an adult fantasy list. They had science fiction lists, which they stuck a little bit of fantasy into.""When I was younger, I was in love with everything about the British Isles, from British folklore to Celtic music. That was always where my passions were as a young girl, and so I studied folklore as a college student in England and Ireland."
- The Fairy Tale Series (This series was created by Terri Windling and is published by Tor books. Tor books describes the series as a growing library of original novels by acclaimed writers of fantasy and horror, beautifully designed by artist Thomas Canty, each retelling a classic fairy tale.)
- The Sun, the Moon and the Stars by Steven Brust
- The Nightingale by Kara Dalkey
- Tam Lin by Pamela Dean
- Jack the Giant-Killer by Charles de Lint
- Snow White and Rose Red by Patricia Wrede
- Briar Rose (Sleeping Beauty) by Jane Yolen
- White as Snow by Tanith Lee (2000)
- Fitcher's Brides (Bluebeard) by Gregory Frost (2002)
- Other novels
- The Changeling (1995)
- The Wood Wife (1996)
- Red Rock (1998)
- The Raven Queen (1999) -- part of the Voyage of the Basset series.
- A Midsummer Night's Faery Tale (1999) (with Wendy Froud)
- The Winter Child (2001) (with Wendy Froud)
- The Faeries of Spring Cottage (2003) (with Wendy Froud)
- Short fiction
- "The Color of Angels" (1997) in The Horns of Elfland (ed. Ellen Kushner, Delia Sherman, and Donald G. Keller)
Total Books: 51
2003 - Year's Best Fantasy Horror [Turtleback School & Library Binding Edition - Year's Best Fantasy & Horror Tandem Library] (Other)ISBN-13: 9781417706976ISBN-10: 141770697X 3 |