Between 1619 and 1624, Heywood seems to have inexplicably ceased all activity as an actor, but from 1624, until his death seventeen years later, his name frequently appears in contemporary accounts. In this period, Heywood was associated with Christopher Beeston's company at The Phoenix theatre, Queen Henrietta's Men or Lady Elizabeth's Men. At The Phoenix, Heywood produced new plays such as "The Captives", "The English Traveller", and "A Maidenhead Well Lost" as well as revivals of old plays. Numerous volumes of his prose and poetry were published, including two lengthy poetic works,
Gunaikeion (1624), described as "nine books of various history concerning women" and, eleven years later, "The Hierarchy of the Blessed Angels". As a measure of Heywood's popular standing in the final years of his life,
Love's Mistress or the Queen's Masque, a play published in 1636, but performed since 1634, was reported to have been seen by King Charles I and his queen three times in eight days.
According to writings of the period, Thomas Heywood had been living in Clerkenwell since 1623 and it was there, at St. James's Church that he was buried eighteen years later. Because of the uncertainty regarding the year of his birth, his age can only be estimated, but he was likely in his late sixties, possibly having reached seventy. The date of the burial, 16 August 1641, the only documented date, also appears in a number of reference books as Heywood's death date, although he may actually have died days earlier. It may be presumed, however, that due to a possible August heatwave, the burial occurred on an expedited basis.
Primary literary output
- The Royall King and the Loyall Subject (acted circa 1600; printed 1637)
- the two parts of The Fair Maid of the West or a Girle Worth Gold (both parts printed 1631)
- The Fayre Maid of the Exchange (printed anonymously 1607), a play doubtfully attributed to Heywood
- The Late Lancashire Witches (1634), written with Richard Brome and prompted by an actual trial in the preceding year
- A Mayden-Head Well Lost (1634)
- A Challenge for Beautie (1636)
- The Wise-Woman of Hogsdon (printed 1638), the witchcraft in this case being matter for comedy, not seriously treated as in the Lancashire play
- Fortune by Land and Sea (printed 1655), with William Rowley
- The five plays called respectively The Golden Age, The Silver Age, The Brazen Age and The Iron Age (the last in two parts), dated 1611, 1613, 1613 and 1632, are series of classical stories strung together with no particular connection except that "old Homer" introduces the performers of each act in turn
- Loves Maistresse or The Queens Masque (printed 1636), the story of Cupid and Psyche as told by Apuleius
- The Tragedy of the Rape of Lucrece (1608), which chronicles the rise and fall of Tarquin as presented by a "merry lord", Valerius, who lightens the gloom of the situation by singing comic songs
- A series of pageants, most of them devised for the City of London, or its guilds, by Heywood, printed in 1637
- In volume iv of his Collection of Old English Plays (1885), A. H. Bullen printed for the first time a comedy by Heywood, The Captives, or The Lost Recovered (licensed 1624), and in volume ii of the same series, Dicke of Devonshire, which he tentatively assigns to the same hand
- Troia Britannica, or Great Britain's Troy (1609), a poem in seventeen cantos "intermixed with many pleasant poetical tales" and "concluding with an universal chronicle from the creation until the present time"
- An Apology for Actors, Containing Three Brief Treatises (1612), edited for the Shakespeare Society in 1841
- Gynaikeion or Nine Books of Various History Concerning Women (1624)
- England's Elizabeth, Her Life and Troubles During Her Minority from Time Cradle to the Crown (1631)
- The Hierarchy of the Blessed Angels (1635), a didactic poem in nine books;
- A Woman Killed with Kindness
- Pleasant Dialogue, and Dramas Selected Out of Lucian, etc. (1637)
- The Life of Merlin surnamed Ambrosius (1641)