Steve Mufatti, a friend and colleague of Kremer's, had a part in getting him work at Harvey Comics, starting with freelance work in 1948. With Alfred Harvey, publisher, and editor Sid Jacobson.
Mr. Jacobson was frustrated by the poor design of most comics at the time. He watched animated films, and wanted to know why his comics couldn't look as good. So, Warren was brought onboard to bring an animation design to comics. Mr. Kremer improved the layout of the panels, creating a much greater depth of field. His characters were better constructed, which added mass and allowed the books to look more "real". Eventually, his influence was felt though out the entire comic book industry.
Kremer created or defined many of the most well-known Harvey characters, including Casper, [[Hot Stuff the Little Devil|Hot Stuff]], [[Joe Palooka]], [[Little Audrey]], [[Little Max]], [[Richie Rich]], and [[Stumbo the Giant]]. Kremer also excelled at realistic treatments, producing top-quality work for Harvey's romance, war, and horror genre titles. He was the top artist at Harvey, where he worked for 35 years mostly as an Art Editor.
In addition to his regular pencilling, Kremer contributed animation storyboards, pencilled, inked and coloured most of the thousands of covers for every one of Harvey's humour titles. According to Sid Jacobson, Kremer could produce 8 pages of interior pencils a day at his most productive. Artists in the Harvey humor department were instructed to emulate Kremer's style as closely as they could.