Reviewed by Natalie Tsang for TeensReadToo.com
As the brightly colored cover suggests, Zoë Marriott's novel THE SWAN KINGDOM is a fantastical read. It is the retelling of Hans Christian Andersen's THE WILD SWANS, a fairy tale that I had never heard of, but that has all the familiar bits and pieces like the evil stepmother, enchanted gardens, and animal transformations. It also has a spunky, magically terrific but socially awkward princess-protagonist named Alexandra.
A few of my friends dislike retold fairy tales, because there is no surprise ending. But I think the whole point of reading rewrites is to focus on the journey, not the place. Anyway, that's why I love retold fairy tales, because it's a way to enjoy certain stories that I seemed to grow out of. After a few years in schoolyard politics, the characters that I loved just weren't complex enough to be satisfying anymore. Beauty, Cinderella, and Snow White were never unsure, impatient, or angry. Besides some serious magical malady that I had no hope of ever battling, they never seemed to have problems at all.
Alexandra, however, has real problems like pleasing her parents, being plain, and weird. With books like THE SWAN KINGDOM, I get my dosage of magic, and from a girl normal enough to be friends with.
Alexandra is an ugly duckling from a family of swans. Her parents are the just and admired rulers of the Kingdom and her three older brothers are kind, handsome, and brilliant. Her only claim to fame is the magical connection that she shares with the land, but even then her skills are dwarfed by her mother's great healing abilities. When the novel opens, she has pretty much settled for a life in the shadows, but when her mother is killed by a beast in the forest and her father marries a strange, beautiful woman, Alexa has to step up or be squashed. While this story follows the general formula of a fairytale (evil destroyed and kingdom restored), Zoë Marriott has charted a unique path to Happily Ever After.
There seems to be a lot of retold fairy tales on the shelves these days. Some are humorous, like Gail Carson Levine's PRINCESS TALES series. THE SWAN KINGDOM is one of the more serious ones, and readers who enjoyed Robin McKinley's or Donna Jo Napoli's books should try it out.
As the brightly colored cover suggests, Zoë Marriott's novel THE SWAN KINGDOM is a fantastical read. It is the retelling of Hans Christian Andersen's THE WILD SWANS, a fairy tale that I had never heard of, but that has all the familiar bits and pieces like the evil stepmother, enchanted gardens, and animal transformations. It also has a spunky, magically terrific but socially awkward princess-protagonist named Alexandra.
A few of my friends dislike retold fairy tales, because there is no surprise ending. But I think the whole point of reading rewrites is to focus on the journey, not the place. Anyway, that's why I love retold fairy tales, because it's a way to enjoy certain stories that I seemed to grow out of. After a few years in schoolyard politics, the characters that I loved just weren't complex enough to be satisfying anymore. Beauty, Cinderella, and Snow White were never unsure, impatient, or angry. Besides some serious magical malady that I had no hope of ever battling, they never seemed to have problems at all.
Alexandra, however, has real problems like pleasing her parents, being plain, and weird. With books like THE SWAN KINGDOM, I get my dosage of magic, and from a girl normal enough to be friends with.
Alexandra is an ugly duckling from a family of swans. Her parents are the just and admired rulers of the Kingdom and her three older brothers are kind, handsome, and brilliant. Her only claim to fame is the magical connection that she shares with the land, but even then her skills are dwarfed by her mother's great healing abilities. When the novel opens, she has pretty much settled for a life in the shadows, but when her mother is killed by a beast in the forest and her father marries a strange, beautiful woman, Alexa has to step up or be squashed. While this story follows the general formula of a fairytale (evil destroyed and kingdom restored), Zoë Marriott has charted a unique path to Happily Ever After.
There seems to be a lot of retold fairy tales on the shelves these days. Some are humorous, like Gail Carson Levine's PRINCESS TALES series. THE SWAN KINGDOM is one of the more serious ones, and readers who enjoyed Robin McKinley's or Donna Jo Napoli's books should try it out.
