"People think that because a novel's invented, it isn't true. Exactly the reverse is the case. Biography and memoirs can never be wholly true, since they cannot include every conceivable circumstance of what happened. The novel can do that." -- Anthony Powell
Anthony Dymoke Powell (pronounced in one syllable, as a homophone of "pole") CH, CBE (21 December 1905 – 28 March 2000) was an English novelist best known for his twelve-volume work A Dance to the Music of Time, published between 1951 and 1975.
Powell's major work has remained in print continuously and has been the subject of TV and radio dramatisations. In 2008, The Times newspaper named Powell among their list of "The 50 greatest British writers since 1945".
"Books do furnish a room.""Few persons who have ever sat for a portrait can have felt anything but inferior while the process is going on.""Growing old's like being increasingly penalized for a crime you haven't committed.""He fell in love with himself at first sight, and it is a passion to which he has always remained faithful. Self-love seems so often unrequited.""Parents - especially step-parents - are sometimes a bit of a disappointment to their children. They don't fulfill the promise of their early years.""Parents are sometimes a bit of a disappointment to their children. They don't fulfill the promise of their early years.""Self-love seems so often unrequited."
Powell was born in Westminster, England, to Philip Lionel William Powell and Maud Mary Wells-Dymoke. His father was an officer in the Welch Regiment. His mother came from a land-owning family in Lincolnshire. Because of his father's career and World War I, the family moved several times, and mother and son sometimes lived apart from Powell's father.
Powell attended Gibbs's pre-prep day-school at the Square end of Sloane Street for a brief time. He was then sent to a boarding school in Kent, called The New Beacon, near Sevenoaks, which was popular with military families. There he made a friend of a fellow pupil, Henry Yorke, later to become known as the novelist Henry Green. Early in 1919, Powell passed the Common Entrance Examination for Eton where he started that autumn.
At Eton spent much of his spare time at the Studio, where a sympathetic art-master encouraged him to develop his talent as a draftsman and his interest in the visual arts. During 1922 he became a founding member of the Eton Society of Arts. The Society's members produced an occasional magazine called The Eton Candle.
In the autumn of 1923, Powell went up to Balliol College, Oxford. Soon after his arrival he was introduced to the Hypocrites Club. Outside that club he came to know Maurice Bowra, then a young don at Wadham College. During his third year Powell lived out of college, sharing digs with Henry Yorke. Powell traveled on the Continent during his holidays. Powell was awarded a third-class degree at the end of his academic years.
He married Lady Violet Pakenham (1914—2002), sister of Lord Longford on 1 December 1934 at All Saints, Ennismore Gardens, Knightsbridge. Powell and his wife relocated to 1 Chester Gate in Regent's Park, London, where they remained for seventeen years.
Powell's first son, Tristram, was born in April, 1940, but Powell and his wife spent most the war years apart. A second son, John, was born in January 1946.
In 1950, using funds from a small legacy, Powell purchased a house called The Chantry at Frome, Somerset, about sixteen miles from Bath.
Powell was appointed Commander of the Order of the British Empire (CBE) in 1956, and during 1973 he declined an offer of knighthood. He was appointed Companion of Honour (CH) in 1988. He served as a trustee of the National Portrait Gallery from 1962 to 1976. With Lady Violet, he traveled to the United States, India, Guatemala, Italy, and Greece.
Anthony Powell died at The Chantry on 28 March 2000.
Powell came to work in London during the autumn of 1926, renting rooms in Shepherd Market. He lived at various London addresses for the next 25 years. He worked in a form of apprenticeship at the publishers Gerald Duckworth and Company in Covent Garden, leaving their employ in 1932 after protracted negotiations about title, salary, and working hours. He next took a job as a script writer at the Warner Brothers Studio in Teddington, where he remained for six months. He made an abortive attempt to find employment in Hollywood as a screenwriter in 1937. He next found work reviewing novels for The Daily Telegraph and memoirs and autobiographies for The Spectator.
Upon the outbreak of World War II, Powell joined his regiment as a Second Lieutenant at the age of 34, more than ten years older than most of his fellow subalterns, not at all well prepared and lacking in experience. His superiors found uses for his talents, resulting in a series of transfers that brought him special training courses designed to produce a nucleus of officers to deal with the problems of military government after the Allies had defeated the Axis powers. He eventually secured an assignment with the Intelligence Corps and additional training. His military career continued with assignment to the War Office in Whitehall, where he was attached to the section known as Military Intelligence (Liaison), and later...for a short time...to the Cabinet Office to serve on the Secretariat of the Joint Intelligence Committee, securing promotions along the way.
Returning to Military Intelligence (Liaison), in the War Office, he had responsibility for dealings with the Czechs, later with the Belgians and Luxembourgers, and later still the French. During November 1944, Powell acted as assistant escorting officer to a group of fourteen Allied military attachés taken to France and Belgium to see something of the campaign.
After his demobilization at the end of the war, writing became his sole career.
Upon his arrival in London, part of Powell's social life developed around attendance at formal debutante dances at houses in Mayfair and Belgravia. Without telling his friends, he joined a Territorial Army regiment in a South London suburb.
He renewed acquaintance with Evelyn Waugh, whom he had known at Oxford and was a frequent guest for Sunday supper at Waugh's parents' house. Waugh introduced him to the Gargoyle Club, which gave him experience in London's Bohemia.
He came to know the painters Nina Hamnett and Adrian Daintrey, who were neighbors in Fitzrovia, and the composer Constant Lambert, who remained a good friend until Lambert's death during 1951.
Despite a holiday trip to the Soviet Union during 1936, he remained unsympathetic to the popular-front, Leftist politics of many of his literary and critical contemporaries. A confirmed Tory, Powell maintained a certain skepticism. He was wary of right-wing groups and suspicious of inflated rhetoric.
Powell's first novel, Afternoon Men, was published by Duckworth during 1931, with Powell supervising its production himself. The same firm published his next three novels, two of them after Powell had left the firm. During his time in California Powell contributed several articles to the magazine Night and Day, edited by Graham Greene. Powell wrote a few more occasional pieces for the magazine until it ceased publication in March 1938. Powell completed his fifth novel, What's Become of Waring, in late 1938 or early 1939. After being turned down by Duckworth, it was published by Cassell in March of that year. The book sold fewer than a thousand copies.
Anticipating the difficulties of creative writing during wartime, Powell began to assemble material for a biography of the seventeenth-century writer John Aubrey. His army career, it turned out, forced him to postpone even that biographical work. When the war ended Powell resumed work on Aubrey, completing the manuscript of John Aubrey and His Friends in May 1946, though it only appeared in 1948 after difficult negotiations and arguments with publishers. He then edited a selection of Aubrey's writings that appeared the following year.
Powell returned to novel writing and began to ponder a long novel-sequence. Over the next 30 years, he produced his major work: A Dance to the Music of Time. Its twelve novels have been acclaimed by such critics as A. N. Wilson and fellow writers including Evelyn Waugh and Kingsley Amis as among the finest English fiction of the twentieth century. Auberon Waugh dissented, calling it "tedious and overpraised--particularly by literary hangers-on." While often compared to Proust, others find the comparison "obvious, although superficial." Its narrator's voice is more like the participant-observer of The Great Gatsby than that of Proust's self-regarding narrator. Powell was awarded the 1957 James Tait Black Memorial Prize for the fourth volume, At Lady Molly's. The eleventh volume, Temporary Kings, received the W.H. Smith Prize in 1974. The cycle of novels, narrated by a protagonist with experiences and perspectives similar to Powell's own, follows the trajectory of the author's own life, offering a vivid portrayal of the intersection of bohemian life with high society between 1921 and 1971.
The title of the multi-volume series is taken from the painting of the same name by Poussin, which hangs in the Wallace Collection. Its characters, many modeled loosely on real people, surface, vanish and reappear throughout the sequence. It is not, however, a roman à clef. The characters are drawn from the upper classes, their marriages and affairs, and their bohemian acquaintances.
In parallel with his creative writing, Powell served as the primary fiction reviewer for the Times Literary Supplement. He served as Literary Editor of Punch from 1953 to 1959. From 1958 to 1990, he was a regular reviewer for The Daily Telegraph, resigning after a vitriolic personal attack on him by Auberon Waugh appeared in that newspaper. He also reviewed occasionally for The Spectator.
He published two more novels, O, How The Wheel Becomes It! (1983) and The Fisher King (1986). He reprinted many of his book reviews in two volumes of critical essays, Miscellaneous Verdicts (1990) and Under Review (1992). Several volumes of Journals, covering the years 1982 to 1992, appeared between 1995 and 1997. His Writer's Notebook was published posthumously during 2001, and a third volume of critical essays, Some Poets, Artists, and a Reference for Mellors, appeared in 2005.
Dance was adapted by Hugh Whitemore for a TV mini-series during the autumn of 1997, and broadcast in the UK on Channel 4. The novel sequence was earlier adapted by Graham Gauld for a BBC Radio 4 26-part series broadcast between 1978 and 1981. In the radio version the part of Jenkins as narrator was played by Noel Johnson. A second radio dramatisation by Michael Butt was broadcast during April and May 2008.
A centenary exhibition in commemoration of Powell's life and work was held at the Wallace Collection, London, from November 2005 to February 2006. Smaller exhibitions were held during 2005 and 2006 at Eton College, Cambridge University, the Grolier Club in New York City, and Georgetown University in Washington, DC.
