"A single lie destroys a whole reputation of integrity." -- Baltasar Gracian
Baltasar Gracián y Morales, SJ (January 8, 1601 — December 6, 1658) was a Spanish Jesuit and baroque prose writer. He was born in Belmonte, near Calatayud (Aragon).
"A bad manner spoils everything, even reason and justice; a good one supplies everything, gilds a No, sweetens a truth, and adds a touch of beauty to old age itself.""A beautiful woman should break her mirror early.""A man of honour should never forget what he is because he sees what others are.""A wise man gets more use from his enemies than a fool from his friends.""Advice is sometimes transmitted more successfully through a joke than grave teaching.""Always leave something to wish for; otherwise you will be miserable from your very happiness.""Aspire rather to be a hero than merely appear one.""At 20 a man is a peacock, at 30 a lion, at 40 a camel, at 50 a serpent, at 60 a dog, at 70 an ape, and at 80 nothing.""At twenty a man is a peacock, at thirty a lion, at forty a camel, at fifty a serpent, at sixty a dog, at seventy an ape, at eighty a nothing at all.""Attempt easy tasks as if they were difficult, and difficult as if they were easy; in the one case that confidence may not fall asleep, in the other that it may not be dismayed.""Be content to act, and leave the talking to others.""Begin with another's to end with your own.""Better mad with the rest of the world than wise alone.""Don't show off every day, or you'll stop surprising people. There must always be some novelty left over. The person who displays a little more of it each day keeps up expectations, and no one ever discovers the limits of his talent.""Don't take the wrong side of an argument just because your opponent has taken the right side.""Dreams will get you nowhere, a good kick in the pants will take you a long way.""Even knowledge has to be in the fashion, and where it is not, it is wise to affect ignorance.""Evil report carries further than any applause.""Fortunate people often have very favorable beginnings and very tragic endings. What matters isn't being applauded when you arrive - for that is common - but being missed when you leave.""Fortune pays you sometimes for the intensity of her favors by the shortness of their duration. She soon tires of carrying any one long on her shoulders.""Friendship multiplies the good of life and divides the evil.""Great ability develops and reveals itself increasingly with every new assignment.""Have friends. 'Tis a second existence.""He that can live alone resembles the brute beast in nothing, the sage in much, and God in everything.""He that communicates his secret to another makes himself that other's slave.""He that has satisfied his thirst turns his back on the well.""Hope has a good memory, gratitude a bad one.""Hope is a great falsifier. Let good judgment keep her in check.""I strive to be brief, and I become obscure.""It is a great piece of skill to know how to guide your luck even while waiting for it.""It is better to have too much courtesy than too little, provided you are not equally courteous to all, for that would be injustice.""It is better to sleep on things beforehand than lie awake about them afterwards.""It is good to vary in order that you may frustrate the curious, especially those who envy you.""Know or listen to those who know.""Let him that hath no power of patience retire within himself, though even there he will have to put up with himself.""Let the first impulse pass, wait for the second.""Little said is soon amended. There is always time to add a word, never to withdraw one.""Luck can be assisted. It is not all chance with the wise.""Many have had their greatness made for them by their enemies.""Nature scarcely ever gives us the very best; for that we must have recourse to art.""Never contend with a man who has nothing to lose.""Never do anything when you are in a temper, for you will do everything wrong.""Never have a companion that casts you in the shade.""Never open the door to a lesser evil, for other and greater ones invariably slink in after it.""One must pass through the circumference of time before arriving at the center of opportunity.""Quit while you're ahead. All the best gamblers do.""Respect yourself if you would have others respect you.""The envious die not once, but as oft as the envied win applause.""The things we remember best are those better forgotten.""The wise does at once what the fool does at last.""There is always time to add a word, never to withdraw one.""There is none who cannot teach somebody something, and there is none so excellent but he is excelled.""Things do not pass for what they are, but for what they seem. Most things are judged by their jackets.""Those who insist on the dignity of their office show they have not deserved it.""To be at ease is better than to be at business. Nothing really belongs to us but time, which even he has who has nothing else.""To equal a predecessor, one must have twice they worth.""To oblige persons often costs little and helps much.""True friendship multiplies the good in life and divides its evils. Strive to have friends, for life without friends is like life on a desert island... to find one real friend in a lifetime is good fortune; to keep him is a blessing.""True knowledge lies in knowing how to live.""We often have to put up with most from those on whom we most depend.""When desire dies, fear is born.""Without courage, wisdom bears no fruit.""Work is the price which is paid for reputation."
The son of a doctor, in his childhood Gracián lived with his uncle, who was a priest. He studied at a Jesuit school in 1621 and 1623 and theology in Zaragoza. He was ordained in 1627 and took his final vows in 1635.
He assumed the vows of the Jesuits in 1633 and dedicated himself to teaching in various Jesuit schools. He spent time in Huesca, where he befriended the local scholar Vincencio Juan de Lastanosa, who helped him achieve an important milestone in his intellectual upbringing. He acquired fame as a preacher, although some of his oratorical displays, such as reading a letter sent from Hell from the pulpit, were frowned upon by his superiors. He was named Rector of the Jesuit college of Tarragona and wrote works proposing models for courtly conduct such as El héroe (The Hero), El político (The Politician), and El discreto (The Discreet One). During the Spanish war with Catalonia and France, he was chaplain of the army that liberated Lleida in 1646.
In 1651, he published the first part of the Criticón (Faultfinder) without the permission of his superiors, whom he disobeyed repeatedly. This attracted the Society's displeasure. Ignoring the reprimands, he published the third part of Criticón in 1657, and as a result was sanctioned and exiled to Graus. He tried to leave the order but was unsuccessful. He died in 1658 and is buried in Tarazona near Zaragoza in the province of Aragon.
Gracián is the most representative writer of the Spanish Baroque literary style known as Conceptismo (Conceptism), of which he was the most important theoretician; his Agudeza y arte de ingenio (Wit and the Art of Inventiveness) is at once a poetic, a rhetoric and an anthology of the conceptist style.
The Aragonese village where he was born (Belmonte de Calatayud), changed its name to Belmonte de Gracian in his honour.
The three parts of the Criticón, published in 1651, 1653, and 1657, achieved fame in Europe, especially in the German-speaking countries. It is, without a doubt, the author's masterpiece and one of the great works of the Siglo de Oro. It is a lengthy allegorical novel with philosophical overtones. It recalls the Byzantine style of novel in its many vicissitudes and in the numerous adventures to which the characters are subjected, as well as the picaresque novel in its satirical take on society, as evidenced in the long pilgrimage undertaken by the main characters, Critilo, the "critical man" who personifies disillusionment, and Andrenio, the "natural man" who represents innocence and primitive impulses. The author constantly exhibits a perspectivist technique that unfolds according to the criteria or points of view of both characters, but in an antithetical rather than plural way as in Miguel de Cervantes. The novel reveals a philosophy, pessimism, with which one of his best readers and admirers, the 19th century German philosopher Arthur Schopenhauer, identified.
The following is a summary of the Criticón, reduced almost to the point of a sketch, of a complex work that demands detailed study.
Critilo, man of the world, is shipwrecked on the coast of the island of Santa Elena, where he meets Andrenio, the natural man, who has grown up completely ignorant of civilization. Together they undertake a long voyage to the Isle of Immortality, travelling the long and prickly road of life. In the first part, "En la primavera de la niñez" ("In the Spring of Youth"), they join the royal court, where they suffer all manner of disappointments; in the second part, "En el otoño de la varonil edad" ("In the Autumn of the Age of Manliness"), they pass through Aragon, where they visit the house of Salastano (an anagram of the name of Gracián's friend Lastanosa), and travel to France, which the author calls the "wasteland of Hipocrinda", populated entirely by hypocrites and dunces, ending with a visit to a house of lunatics. In the third part, "En el invierno de la vejez" ("In the Winter of Old Age"), they arrive in Rome, where they encounter an academy where they meet the most inventive of men, arriving finally at the Isle of Immortality.
Gracián's style, generically called conceptism, is characterized by ellipsis and the concentration of a maximum of significance in a minimum of form, an approach referred to in Spanish as agudeza (wit), and which is brought to its extreme in the Oráculo manual y arte de prudencia (literally The Oracle, a Manual of the Art of Discretion, commonly translated as The Art of Worldly Wisdom), which is almost entirely composed of three hundred maxims with commentary. He constantly plays with words: each phrase becomes a puzzle, using the most diverse rhetorical devices.
Its appeal has endured: in 1992, Christopher Maurer's translation of this book remained 18 weeks (2 weeks in first place) in the Washington Post's list of Nonfiction General Best Sellers. It has sold nearly 200,000 copies.
The 1911 Encyclopædia Britannica wrote of Gracián that "He has been excessively praised by Schopenhauer, whose appreciation of the author induced him to translate the Oráculo manual, and he has been unduly depreciated by Ticknor and others. He is an acute thinker and observer, misled by his systematic misanthropy and by his fantastic literary theories."
Nietzsche wrote of the Oráculo, "Europe has never produced anything finer or more complicated in matters of moral subtlety," and Schopenhauer, who translated it into German, considered the book "Absolutely unique... a book made for constant use...a companion for life" for "those who wish to prosper in the great world." A translation of the Oraculo manual from the Spanish by Joseph Jacobs (London: Macmillan and Co., Limited), first published in 1892, was a huge commercial success, with many reprintings over the years (most recently by Shambala). Jacobs’ translation is alleged to have been read by Winston Churchill, seven years later, on the ship taking him to the Boer Wars.
In Paris, in 1924, a revision and reprint of the translation into French by Abraham-Nicolas Amelot de La Houssaie, with a preface by André Rouveyre, attracted a wide readership there, and was admired by André Gide. A new translation by Christopher Maurer (New York: Doubleday) became a national bestseller in the U.S. in 1992 [1], and the English edition, which sold almost 200,000 copies, was translated into Finnish, Chinese, Japanese, Portuguese, and many other languages.
El héroe (1637, The Hero), a criticism of Machiavelli, drawing a portrait of the ideal Christian leader.
El político Don Fernando el Católico (1640, The Politician King Ferdinand the Catholic), presents his ideal image of the politician.
Arte de ingenio (1642, revised as Agudeza y arte de ingenio in 1648), an essay on literature and aesthetics.
El discreto (1646, The Complete Gentleman), described the qualities which make the sophisticated man of the world.
Oráculo manual y arte de prudencia (1647), translated as The Art of Worldly Wisdom (by Joseph Jacobs, 1892), The Oracle, a Manual of the Art of Discretion (by L.B. Walton), Practical Wisdom for Perilous Times (in selections by J. Leonard Kaye), or The Science of Success and the Art of Prudence, his most famous book, some 300 aphorisms with comments.
El Criticón (1651—1657), a novel, translated as The Critic by Sir Paul Rycaut in 1681.
The only publication which bears Gracián's name is El Comulgatorio (1655); his more important books were issued under the pseudonym of Lorenzo Gracián (a brother of the writer) or under the anagram of Gracía de Marlones. Gracián was punished for publishing without his superior's permission El Criticón (in which Defoe is alleged to have found the germ of Robinson Crusoe): but no objection was taken to its substance.
