Chris Keith Wallace-Crabbe (born 6 May 1934) is an Australian poet and Emeritus Professor in The Australian Centre, University of Melbourne.
He was born in the Melbourne suburb of Richmond and educated at Scotch College, Yale University, and the University of Melbourne, where for much of his life he has worked, and is now Professor Emeritus in the Australian Centre. He was Visiting Professor of Australian Studies at Harvard University and at the University of Venice, Ca'Foscari. He is also an essayist, a critic of the visual arts, and a notable public reader of his verse.
After leaving school, Wallace-Crabbe set out to be a metallurgist, but was drawn back to his childhood interest in books and art. After training in the RAAF, he worked as an electrical trade journalist while studying for his B.A. in the evenings. He published his first book of poetrywhile doing his Final Honors year. In 1961 he became Lockie Fellow in Australian Literature and Creative Writing at the University of Melbourne.Over the next decades he became Reader in English, and then held a Personal Chair from 1988. Thanks to the initiative of H.C. ("Nugget") Coombs, he was a Harkness Fellow at Yale University from 1965-67, mixing widely with American writers and developing his poetry in new directions. In later years he has spent time in Italy, reading and translating Italian verse.
Wallace-Crabbe's early collections were published in Australia, but in 1985 he began to publish with Oxford University Press, reaching an international public. Although he published some of his criticism and his one novel elsewhere, he remained with Oxford until 1998, after which date the Press ceased publishing live poets. He then took his work to Carcanet Publishers, in Manchester. Back in Australia he brought out two books with the Sydney firm of Brandl & Schlesinger. One of these was a highly experimental long poem, or "zany epic", on which he had been working for a dozen years. It would be fair to say that this dense and difficult poem divided the poet's readers.
Reviewers over the years have drawn attention time and again to the energetic mixture of demotic and elevated language which very often marks Wallace-Crabbe's poetry. For the poet this not only testifies to his wide interest in language but also to his sense of the stubborn plurality of our experience. Such mixed diction certainly persists in his very latest books, particularly in his sonnets and in the"Domestic Sublime" sequence of lyrics.
Since his retirement from university teaching he has continued to live in Melbourne, adhering to poetry. He is also Chair of the newly-established Australian Poetry Centre.
1959: The Music of Division, Sydney: Angus & Robertson
1962: Eight Metropolitan Poems, Adelaide: Australian Letters; with John Brack
1963: In Light and Darkness, Sydney: Angus & Robertson
1967: The Rebel General, Sydney: Angus & Robertson
1971: Where the Wind Came, Sydney: Angus and Robertson
1973: Selected Poems, Sydney: Angus & Robertson
1976: The Foundations of Joy, (Poets of the Month Series), Sydney: Angus & Robertson
1979: The Emotions Are Not Skilled Workers, Sydney: Angus & Robertson
1985: The Amorous Cannibal, Oxford: Oxford University Press
1988: I'm Deadly Serious, Oxford: Oxford University Press
1989: Sangue e l'acqua, translated and edited by Giovann Distefano, Abano Terme: Piovan Editore
1990: For Crying Out Loud, Oxford: Oxford University Press
1993: Rungs of Time, Oxford: Oxford University Press
1995: Selected Poems 1956-1994, Oxford: Oxford University Press
1998: Whirling, Oxford: Oxford University Press
2001: By and Large, Manchester: Carcanet; and Sydney; Brandl and Schlesinger
2003: A Representative Human, Brunswick: Gungurru Press
2004: Next
2005: The Universe Looks Down, Brandl & Schlesinger, ISBN 1-876040-74-2
2006: Then
2008: "Telling a Hawk from a Handsaw", Manchester Carcanet Oxford Poets
Recorded poetry
1973: Vinyl record: Chris Wallace-Crabbe Reads From His Own Verse, St.Lucia
2000: The Poems; Brunswick: Gungurru
2009: "The Domestic Sublime", Sydney: River Road Press
Fiction
1981: Splinters, Adelaide
Literary criticism
1974: Melbourne or the Bush: Essays on Australian Literature and Society, Sydney: Angus & Robertson
1979: Toil and Spin: Two Directions in Modern Poetry, Melbourne: Hutchinson
1983: Three Absences in Australian Writing, Townsville: Foundation for Australian Literary Studies
1990: Poetry and Belief, Hobart: University of Tasmania, 1990
1990: Falling into Language, Melbourne: Oxford University Press
2005: "Read It Again", Cambridge: Salt
Edited
1963: Six Voices: Contemporary Australian Poets, Sydney: Angus & Robertson; American Edition, Westport, 1979
1971: Australian Poetry 1971, Sydney: Angus & Robertson
1980: The Golden Apples of the Sun: Twentieth Century Australian Poetry, Melbourne: Melbourne University Press.
1981: The Australian Nationalists: Modern Critical Essays, Melbourne: Oxford University Press, (with Peter Pierce),
1984: Clubbing of the Gunfire: 101 Australian War Poems, Melbourne: Melbourne University Press, 1984 (with D. Goodman and D.J. Hearn)
1911: Multicultural Australia: the Challenges of Change, Newham (with Kerry Flattley),
1992: From the Republic of Conscience, Melbourne: Aird Books in association with Amnesty International; and New York: White Pine Press, 1992 (with Kerry Flattley and Sigurdur A. Magnusson), ISBN 0947214216
1994: Ur Riki Samviskunnar, Reykjavik: Amnesty International
1998: Author, Author! Tales of Australian Literary Life, Melbourne: O.U.P., 1998 (with Harold Bolitho)
1998: Associate Editor (with Bruce Bennett and Jennifer Strauss): The Oxford Literary History of Australia, Melbourne: Oxford University Press
1998: Approaching Australia: Papers from the Harvard Australian Studies Symposium, Cambridge, Mass: Harvard University Committee on Australian Studies
2002: La Poésie Australienne, Valenciennes: Presses Universitaires, (with Simone Kadi)
2004: "Imagining Australia: Literature and Culture in the New New World", Cambridge Mass: Harvard University Committee on Australian Studies. With Judith Ryan
Artist's Books with the artist Bruno Leti
1994: "Drawing", Melbourne: Australian Print Workshop
1995: "Apprehensions", Melbourne: the artist
1996: "New Year", Melbourne and Canberra: the artist
1996: "The Iron Age", Melbourne: the artist
1999: "Timber", New York: the artist and Raphael Fodde; with Inge and Grahame King
2001: "The Alignments Two", Melbourne: the artist
2002: "Colours", Melbourne: the artist
2004: "The Alignments One", Melbourne: the artist
Other Artists' Books
2006: "All Writing Still is to be Done", Vicenza: L'Officina; with Marco Fazzini and Gianluca Murasecchi
2005: "The Flowery Meadow" (after Dante), Melbourne: Electio Editions; with Alan Loney and Bruno Leti
2007: "Skin, Surfaces and Shadows", Warrandyte: with Tommaso Durante