Booth's poetry was published in many periodicals including
The New Yorker,
The Atlantic Monthly,
The American Poetry Review,
Poetry, and
Denver Quarterly. He published 10 poetry collections and one book about writing poetry (see references below).
One of Booth's early poems, "Chart 1203," is indicative of the physical character of some of his poetry and also of his lifelong love of the sea and sailing:
- Whoever works a storm to windward, sails
- in rain, or navigates in island fog,
- must reckon from the slow swung lead, from squalls
- on cheek; must bear by compass, chart, and log.
- ...
- ...He weathers rainsquall,
- linestorm, fear, who bears away from the sound
- of sirens wooing him to the cape's safe lee.
- He knows the ghostship bow, the sudden headland
- immanent in fog; but where rocks wander, he
- steers down the channel that his courage
- dredges. He knows the chart is not the sea.
A much later poem, "Places without Names," has a more public concern:
- ...
- What gene demands old men command young men to die?
- The young gone singing to Antietam, Aachen, Anzio.
- To Bangalore, the Choisin Reservoir, Dien Bien Phu,
- My Lai. Places in the heads of men who have no
- mind left. ...
A major essay regarding Booth's poetry was published by Guy Rotella in 1983.