Although the date and location of her birthplace is not perfectly documented, it is believed that Phillis Wheatley was born in 1753, somewhere in West Africa, most likely between present-day Gambia and Ghana. Wheatley was brought to Boston, Massachusetts on July 11, 1761, on a slave ship called The Phillis, which was owned by Timothy Finch and captained by Peter Gwinn. At the age of eight, she was sold to wealthy Bostonian merchant and tailor John Wheatley, who bought the young girl as a servant for his wife, Susanna. John and Susanna Wheatley named the young girl Phillis, after the ship that had brought her to America.Phillis began her education being tutored by the Wheatley’s eighteen-year-old daughter, Mary. John Wheatley, known as a progressive throughout New England, and the rest of the Wheatley family’s open-mindedness allowed Phillis to receive an unprecedented education for not only an enslaved person, but for a female of any race. By the age of twelve, Phillis was already reading Greek and Latin classics and difficult passages from the Bible. Amazed by her literary ability, the Wheatley family made Phillis’ education an important concern, and left the household labor to the other enslaved persons that the family owned. Influenced heavily by the works of Alexander Pope, John Milton, Homer, Horace and Virgil, Phillis Wheatley’s studies began to gravitate toward the realm of poetry.

Phillis Wheatley’s first published work was a poem entitled “On Messrs. Hussey and Coffin,” which appeared on December 21, 1767, in a newspaper called the ''Newport Mercury'':

“Did Fear and Danger so perplex your Mind,As made you fearful of the Whistling Wind?Was it not Boreas knit his angry BrowAgainst you? or did Consideration bow?"

Phillis was most likely able to get this work published thanks to the connections of Susanna and John Wheatley. The poem is a microcosm of her works, combining Christian piety and Classical allusion. This poem also exemplifies a common structure in Phillis Wheatley’s poems, where she talks to those who had died, or the family members she left behind. When addressing the family members of the dead, she usually incorporates religion and tells them not to mourn but to be happy, for their loved one(s) are now in heaven with God. In the following years, Phillis published a number of poems in various publications.

Wheatley’s big break, however, came in the form of her 1770 funeral elegy addressed to the Countess of Huntingdon, on the death of her chaplain, Rev. George Whitefield. This elegy was published in London and Boston and brought Phillis Wheatley considerable fame.

Although influential figures in Boston received Phillis’ work well, it would not be possible for her to have her book of poems published in America. Publication in America was difficult because of widespread doubts that an African slave could have the intellectual capacities to compose poems on her own. Typically, eighteenth-century white Europeans believed that Africans were mentally inferior, as stated by David Hume in 1753 for example, “I am apt to suspect the negroes, and in general all the other species of men to be naturally inferior to the whites. There never was a civilized nation of any other complexion other than white”. As a result of this obtuse racism in this era, no American publisher was willing to print her book. So Susanna Wheatley turned to her friends in England, where black authors were more welcomed and accepted. On May 8, 1773, accompanied by Mary Wheatley’s twin brother Nathaniel, Phillis sailed to England. Phillis began this pilgrimage because fresh sea air had been prescribed for her respiratory problems, but she also utilized this trip to pursue publication of her poetry. The trip was a success, as Phillis was able to get her book, entitled, “Poems on Various Subjects, Religious and Moral”, published in London. Phillis’ first book came with an attestation at the beginning of it, stating that the work in the following book had been done by a young, enslaved woman. This waiver had been signed by her owner, John Wheatley, and many other prominent New England figures such as the Governor at the time, multiple judges in the court of law and famous American patriot John Hancock. Although Phillis was treated very well while in England, she did not stay long due to the news of Mrs. Wheatley’s declining health.

After her collection of poems was published, Phillis received both praise and criticism from respected figures. Thomas Jefferson famously stated, “Misery is often the parent of the most affecting touches in poetry Religion indeed has produced a Phillis Wheatley; but it could not produce a poet. The compositions published under her name are below dignity of criticism”. Clearly Jefferson was not a fan of Phillis’s work. Others, however defended her against Jefferson’s words, like Gilbert Inlay who wrote, “I should be glad to be informed what white person upon this continent has written more beautiful lines”.In 1775, Phillis Wheatley wrote a poem dedicated to George Washington entitled, “To his Excellency General Washington.”

"Proceed, great chief, with virtue on thy side,?Thy ev’ry action let the goddess guide.?A crown, a mansion, and a throne that shine,?With gold unfading, WASHINGTON! be thine.”

This poem shows Wheatley’s uncanny mastery of verse and the English language. It also shows that Phillis was well-educated not only in literary terms but also in political terms. This poem was sent to Washington in 1775, before the declaration of American Independence. It can even be said that Wheatley was one of the first to declare that George Washington was a forefather of our young nation. Even in this poem, Phillis includes religious undertones, such as in lines 7-12, when she speaks of heaven being affected by the struggle in a sorrowful way, and goddesses coming down from the heavens to become involved in the war. When this work was brought to George Washington’s attention, he was so pleased with the poem (although he humbly denied its implications) that he was inclined to meet Phillis and invited her to his home in March of 1776 in order to thank her personally.

Three years later, in 1778, her owner, John Wheatley died. In John Wheatley’s will it stated that Phillis Wheatley was now to be free. About three months after John Wheatley’s death, Phillis married a free black man named John Peters. History does not present us with a consistent account of just who John Peters really was. It is not clear whether Peters was a well-educated, self-righteous man who did not do well simply because of the circumstances of being an African-American in colonial times, or if Peters was a ne’er-do-well who could not support Phillis and their three children. Regardless, after six years of marriage, by 1784, two of Wheatley’s three children had already perished due to illness, while Phillis and her last daughter’s health were in decline. Wheatley, unable to get further volumes of her poetry published, was relegated to becoming a scullery maid at a boarding house. For the first time in her life, at age thirty one, Phillis was reduced to performing the domestic labor that she had been able to avoid her whole life thanks to her literary prowess. On December 5, 1784, Phillis Wheatley died, alone in Boston, Massachusetts.

The influence of Phillis Wheatley’s work has grown extensively throughout the years. During her life, Phillis Wheatley’s writings were read and praised across North America and parts of Europe. To this day Wheatley’s talent in composition and expression continue to be marveled, along with her incredible mastery of the English language, which occurred in such a short period of time.

For many, Phillis Wheatley stood as an example of talent and inspiration for African-Americans in the United States. Recent poets such as Margaret Walker Alexander and Naomi Long Madgett have written poems in Phillis Wheatley’s honor, while fellow poets Audre Lorde, Alice Walker, Nikki Giovanni and June Jordan cite Wheatley as an inspiration or influence. Wheatley's entry in the Norton Anthology of African American Literature states that "Wheatley first had to write her way into American literature before she or any other black writer could claim a special mission and purpose for an African American literature. ... No single writer has contributed more to the founding of African American Literature.”

Wheatley's book is today seen as helping create the genre of African American literature.

She is honored as the first African American woman to publish a book and the first to make a living from her writing.

At the University of Massachusetts Boston, there is a building named after Phillis Wheatley. A sculpture of Phillis Wheatley, created in 2003 by Meredith Bergmann, stands on the corner of Commonwealth Avenue and Fairfield Street, also in Boston.

In 2002, scholar Molefi Kete Asante listed Phillis Wheatley on his list of 100 Greatest African Americans.

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• Gates, Henry L. "The Norton Anthology of African American Literature." Nellie Y. McKay, William L. Andrews, Houston A. Baker, and Barbara T. Christian, New York: W.W. Norton & Company, 1996.
• Robinson, William H. Phillis Wheatley in the Black American Beginnings. Broadside Critic Series. 1975
• Shields, John C. "Phillis Wheatley's Use of Classicism." American Literature 52.1 (1980): 97—111. Web. 2 Nov 2009. .
• Smith , Arthur E. "Phillis Wheatley the Life and Poetry of the First Black Female Slave Writer." Free Online Library. 2008. Free Online Library, Web. 2 Nov 2009.

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