• 2001 Witter Bynner Poetry Prize from the American Academy of Arts and Letters
• Ingram Merrill grant.
• 1993 National Poetry Series, for Other Stars

• "Gold Leaves"; "Five-Finger Exercise", THE CORTLAND REVIEW, ISSUE 32, June 2006
• "At the Zen Mountain Monastery", Very Like a Whale, September 7, 2006
• "Manhattan Triptych"; "Sakura Park", Poetry Daily

Poetry

• The Other Stars (Penguin, 1994) ISBN 9780140587289
• Home and Away (Penguin, 1998) ISBN 9780140588927
• Sakura Park (Persea, 2006) ISBN 9780892553242

Anthology

Criticism

• "Rachel Wetzsteon on Auden", NEWSLETTER 21, The W. H. Auden Society, February 2001
• (reprint CRC Press, 2007)
• "Marvellous Sapphics", Poetry Society: "Crossroads", Fall 1999

Editor

• Virginia Woolf, Night and Day (Barnes and Noble Classics, 2005)

In a perfect world, Rachel Wetzsteon would be one of the most popular poets of her generation. You would see people in the outdoor cafes along Upper Broadway reading copies of Sakura Park, her third collection, the way pilgrims to Greenwich Village carry Scott Fitzgerald or Edna St. Vincent Millay. For Wetzsteon's poems manage to turn Morningside Heights...a quiet, bourgeois neighborhood near Columbia University, home to the park of her title...into a theater of romance, an intellectual haven, a flaneur's paradise. Her poems evoke the kind of life that generations of young people have come to New York to live...earnest, glamorous, and passionate, full of sex and articulate suffering...

Rachel Wetzsteon’s inheritance from W.H. Auden (she’s the author of Influential Ghosts: A Study of Auden’s Sources) is nowhere more apparent than in her third collection. Just as in Auden’s “Musée des Beaux Arts,” where life goes on as Icarus plunges into the sea, Wetzsteon has set a tale of personal heartbreak against the bustling, vivid life of New York City.