Bill Schelly (born November 2, 1951, Walla Walla, Washington, United States) is an author primarily known as a historian of cinema, comic books, and comic book fandom. He is also a portrait and comic book artist.
He is perhaps best known for writing Harry Langdon (1982), the biography of Harry Langdon the great comedian of silent cinema, and The Golden Age of Comic Fandom (1995), nominated for a Will Eisner Comics Industry Award. He has carved out a niche, as the foremost historian of comic book fandom. His association with Roy Thomas, prominent comic book writer and historian, led to the revival in 1998 of the seminal comic book fanzine, Alter Ego of which he is still Associate Editor.
Bill Schelly has been a comic book enthusiast since 1960. Comic book fandom is a group of people who enthusiastically read, discuss, sell, trade and research the history of comic books. The publication of Alter Ego by Jerry Bails (with Roy Thomas) in March 1961 led to a grassroots movement of comics aficionados, which would eventually change the comics industry itself. Schelly later called that groundswell of activity in the 1960s "the Golden Age of comic fandom."
Schelly, who was living in a suburb of Pittsburgh, Pennsylvania, heard about comic fandom in 1964 through a notice in a comic book, Justice League of America. He received his first amateur publication about comics, a mimeographed fanzine called Batmania, in the year 1964. Schelly's long-standing relationship with Batmania editor Biljo White, one of fandom’s older members, can be traced to this transaction. Other fanzines arrived at the Schelly household in 1964, notably Rocket’s Blast-Comicollector, Yancy Street Journal and Alter Ego. Schelly decided to become a fanzine publisher himself at age 13. He launched Super-Heroes Anonymous in February 1965, the first in a string of magazines he edited and published until 1972.
It was for his popular fanzine Sense of Wonder that Schelly became known to the comics community. Begun while living in Pittsburgh, but mostly published after his family’s move to Lewiston, Idaho, in 1967, it began as a collection of amateur comic strips and stories. In 1970, while attending the University of Idaho, Schelly changed the format of Sense of Wonder to a "general fanzine" made up of articles and artwork about the history of comic books. By the end of its twelve-issue run, Sense of Wonder had presented the first attempt to chronicle the whole career of comics innovator Will Eisner, as well as work by Steve Ditko, Frank Frazetta and Stanley Pitt. It was discontinued after he graduated from college in 1973 (with a Bachelor of Science in Education).
Schelly made his first serious attempt to write at 15 with two imitation James Bond books, and then at 17 with the semi-autobiographical Come With Me. His first book published in hard cover was Harry Langdon, a biography of the comedian of silent films. He played a part in a revival of interest in silent cinema in Seattle at the time, and lectured on the subject at the University of Washington. The Journal of Popular Film & Television said of Harry Langdon, "William Schelly's remarkable first book ... should be relished by anyone who appreciates screen comedy and Langdon's unique approach to it."
After the publication of Harry Langdon came a period of creative frustration. In 1984, Schelly revised Come With Me for the young adult market, but it failed to sell. Looking for direction, he worked on several aborted projects including a screenplay and a biography of Francis Ford Coppola.
Schelly had largely abandoned comic books upon graduation from college and moving to Seattle in 1974, where he has made his home ever since. The comic book event that brought him back into the hobby was the publication of Crisis on Infinite Earths (DC Comics) in 1985. Upon discovering the works of Frank Miller on Daredevil, Marv Wolfman and George Pérez on the New Teen Titans, and many other interesting comics that had emerged in the comic book direct market since 1983, Schelly became interested in the field again. By 1986, which saw the publication of the seminal works The Dark Knight Returns and Watchmen, Schelly and a partner had opened Super Comics & Collectibles, the first comics specialty store in Seattle’s University District.
In 1991 Schelly re-joined "comics apa" (amateur press alliance) CAPA-alpha, a conglomeration of short publications published each month by a roster of 40 participants, many of them from the early days of fandom. He renewed contact with Jeff Gelb, a former collaborator during the 1960s, and they have remained friends and sometime collaborators since then. In 1992, they met for the first time in person at Comicon: San Diego. Gelb played a major role in re-introducing Schelly to fandom in the 1990s, in all its facets.
Schelly began researching the history of the classic era of comic book fandom. He conducted interviews and formed the Comic Fandom Archive, a collection of vintage fanzines, original art, old correspondence and other memorabilia. As part of his research, Schelly interviewed many of fandom's founders, with fortuitous timing since some have since died: Don Thompson, Howard Keltner, Ronn Foss, Biljo White, Grass Green, Landon Chesney and G. B. Love among them.
Schelly began producing a series of fanzine-format publications (The History of the Amateur Comic Strip, the Ronn Foss Retrospective, The Alley Tally Party, and Labors of Love) under the aegis of his own small publishing company named Hamster Press. Eventually, Schelly’s research culminated in a book-length manuscript called The Golden Age of Comic Fandom. When no publisher came forward, he published it in trade paperback form himself in 1995 as a limited edition of 1000 copies, which were signed and numbered. This book was met with tremendous enthusiasm by members of early fandom and quickly sold out. A revised and slightly expanded edition was published in 1998, and another printing was done in 2003.
The success of The Golden Age of Comic Fandom led to a series of Hamster Press books on the history of comic book fandom written and/or compiled by Bill Schelly, which were distributed by Diamond Comics as well as sold directly from the publisher. Those books were Fandom’s Finest Comics Vol. 1 & 2, Alter Ego: The Best of the Legendary Comics Fanzine (with Roy Thomas), Giant Labors of Love, Comic Fandom Reader, and The Best of Star-Studded Comics.
In 1997, with the help of Russ Maheras, Schelly organized a reunion of old-time comics fans during the Chicago comicon, which drew 33 people including Jerry Bails, Howard Keltner, Maggie Thompson and Jay Lynch. Discussions at this event led to a decision to bring back Alter Ego in TwoMorrows Publishing’s Comic Book Artist magazine. Schelly became Associate Editor of the endeavor, which proved so successful that it became its own magazine in 1999. He has contributed a series of Comic Fandom Archive articles to nearly every issue. TwoMorrows also published Schelly's own memoir of his time in fandom of the 1960s called Sense of Wonder: A Life in Comic Fandom (2001).
More recently, Schelly edited the graphic novella Xal-Kor The Human Cat, the last work of popular fan artist Richard "Grass" Green. He also published The Eye Collection (2002, Hamster Press), a trade paperback gathering all the new illustrated adventures of "The Eye, Underworld Executioner", under a single cover. His collaborators on this project were Ron Frenz, Josef Rubinstein, Roy Thomas, Bill Black, Michael T. Gilbert, Jerry Ordway, Batton Lash and J. E. Smith, among others.
He also wrote a biography Words of Wonder: The Life and Times of Otto Binder (2003) on Otto Binder, principal writer of The Marvel Family and many Superman comics of the 1950s and 1960s. This garnered Schelly his best reviews thus far, and began his historical research and writing on the history of comics in general. Subsequently, he has written a dozen introductions for DC Archives books as well as the introduction for DCs Batman of the Forties. In 2007, Schelly completed a book-length biography of comic book legend Joe Kubert.
