The Genius of Mr. Long is a spontaneous and self-expressive one.—H. P. Lovecraft
H. P. Lovecraft was a close friend and mentor to Frank Belknap Long, with whom he came in contact in 1920 when Long was but nineteen. Lovecraft found Long a stimulating correspondent especially in regard to his aesthetic tastes, focussing on the Italian Renaissance and French literature. Lovecraft published some of Long's early work in his
Conservative (e.g.
Felis: A prose Poem [July 1923], about Long's pet cat) and paid tribute to Long in a flattering article, "The Work of Frank Belknap Long, Jun.," published anonymously in the
United Amateur (May 1924) but clearly by Lovecraft.They first met when Lovecraft visited New York in April 1922.
They saw each other with great frequency (especially during Lovecraft's Brooklyn residence in New York City from 1924 to 1926), at which time they were the chief members of the Kalem Club and wrote to each other often. Long's family apartment was always Lovecraft's residence and headquarters during his periodic trips from Providence to New York. Long writes that he and Lovecraft exchanged "more than a thousand letters, not a few running to more than eighty handwritten pages" before Lovecraft's death in 1937. Some of their correspondence has been reprinted in Arkham House's
Selected Letters series, collecting the voluminous correspondence of Lovecraft and his friends. Long's
Howard Phillips Lovecraft: Dreamer on the Night Side was extensively edited by James Turner.
During the 1930s, Long and Lovecraft were both members of the Kalem Club (named for the initials of the surnames of original members--K, L, or M). Long was also part of the loosely associated "Lovecraft Circle" of fantasy writers (along with Robert Bloch, August Derleth, Robert E. Howard, Henry Kuttner, Clark Ashton Smith, C. M. Eddy, Jr., and Donald Wandrei) who corresponded regularly with each other and influenced and critiqued each other's works.
Long wrote a brief preface to the stillborn edition of Lovecraft's
The Shunned House (1928). Lovecraft, in turn, ghostwrote for Long the preface to Mrs William B. Symmes'
Old World Footprints (W. Paul Cook/The Recluse Press, 1928), a slim poetry collection by Long's aunt. Long's short novel
The Horror from the Hills (
Weird Tales, Jan and Feb-March 1931; published in book from 1963) incoporates verbatim a letter by Lovecraft recounting his great 'Roman dream' of Hallow'een 1927. Long teamed with Lovecraft in a revision service with Lovecraft in 1928. Long's parents frequently took Lovecraft on various motor trips between 1929 and 1930, and Lovecraft visited Long at Christmas between 1932 and 1935 inclusive. Lovecraft helped set type for Long's second poetry collection,
The Goblin Tower (1935), correcting some of Long's faulty metre in the process. Lovecraft's letters to Long after 1931 have all been lost, with the letters up to that date existing primarily in transcriptions prepared by Arkham House.
The Long/Lovecraft friendship was fictionalized in Peter Cannon's 1985 novel
Pulptime: Being a Singular Adventure of Sherlock Holmes, Lovecraft, and the Kalem Club as if Narrated by Frank Belknap Long, Jr.. Long was a Guest of Honour at the Lovecraft Centennial Conference in Providence in 1990.
Long wrote a number of early Cthulhu Mythos stories. These included "The Hounds of Tindalos" (the first Mythos story written by anyone other than Lovecraft),
The Horror from the Hills (which introduced the elephantine Great Old One Chaugnar Faugn to the Mythos), and "The Space-Eaters" (featuring a fictionalized HPL as its main character). A later Mythos story, "Dark Awakening", appeared in
New Tales of the Cthulhu Mythos. The story betrays the influence of Long's pseudonymous romantic fiction, and the final paragraph was added by the editor at Long's suggestion.
The Hounds of Tindalos are Long's most famous fictional creation. The Hounds were a pack of foul and incomprehensibly alien beasts "emerging from strange angles in dim recesses of non-Euclidean space before the dawn of time" (Long) to pursue travelers down the corridors of time. They could only enter our reality via angles, where they would mangle and exsanguinate their victims, leaving behind only a "peculiar bluish pus or ichor" (Long). The Hounds of Tindalos have been used or referenced by many later Mythos writers, including Ramsey Campbell, Lin Carter, and Brian Lumley. Long's Hounds of Tindalos have also inspired a number of metal and electronic music artists, such as Metallica, Epoch of Unlight, Edith Byron's Group, Beowulf, Fireaxe /Brian Voth, and Univers Zero, all of whom have recorded tracks based upon the story.
