"Genius without religion is only a lamp on the outer gate of a palace; it may serve to cast a gleam of light on those that are without, while the inhabitant sits in darkness." -- Hannah More
Hannah More (2 February 1745 — 7 September 1833) was an English religious writer, Romantic and philanthropist. She can be said to have made three reputations in the course of her long life: as a poet and playwright in the circle of Johnson, Reynolds and Garrick, as a writer on moral and religious subjects, and as a practical philanthropist.
"Depart from discretion when it interferes with duty.""Forgiveness is the economy of the heart... forgiveness saves the expense of anger, the cost of hatred, the waste of spirits.""Goals help you overcome short-term problems.""Going to the opera, like getting drunk, is a sin that carries its own punishment with it.""Idleness among children, as among men, is the root of all evil, and leads to no other evil more certain than ill temper.""If faith produce no works, I see That faith is not a living tree. Thus faith and works together grow, No separate life they never can know. They're soul and body, hand and heart, What God hath joined, let no man part.""Love never reasons, but profusely gives; it gives like a thoughtless prodigal its all, and then trembles least it has done to little.""Luxury! more perilous to youth than storms or quicksand, poverty or chains.""The wretch who digs the mine for bread, or ploughs, that others may be fed, feels less fatigued than that decreed to him who cannot think or read."
Born in 1745 at Fishponds in the parish of Stapleton, near Bristol, Hannah More was the fourth of five daughters of Jacob More, a schoolmaster originally from Harleston, Norfolk. He was from a strong Presbyterian family in Norfolk, but had become a member of the Church of England, and originally intended to pursue a career in the Church, but after the disappointment of losing a lawsuit over an estate he had hoped to inherit, he moved to Bristol, where he became an excise officer and was later appointed teacher at the Fishponds free school.
They were a close family and the sisters were first educated by their father, learning Latin and mathematics: Hannah was also taught by her elder sisters, through whom she learned French. She was keen to learn, and possessed a sharp intellect - she was assiduous in studying and, according to family tradition, began writing at an early age.
In 1758 Jacob established his own girls' boarding school at Trinity Street in Bristol for the elder sisters, Mary and Elizabeth to run, while he and his wife moved to Stony Hill in the city to open a school for boys. More became a pupil when she was twelve years old, and taught at the school in her early adulthood.
Hannah More's first literary efforts were pastoral plays, written while she was teaching at the school and suitable for young ladies to act, the first being written in 1762 under the title of The Search after Happiness; by the mid-1780s over 10,000 copies had been sold. Metastasio was one of her literary models; on his opera of Attilio Regulo she based a drama, The Inflexible Captive.In 1767 More gave up her share in the school after becoming engaged to William Turner of Tyntesfield, Wraxall, Somerset. After six years the wedding had not taken place and Turner seemed reluctant to name a date, and in 1773 the engagement was broken off; it seems that, as a consequence, More suffered a nervous breakdown and spent some time in Uphill, near Weston-super-Mare, recuperating. As compensation, Hannah More was induced to accept a £200 annuity from Turner. This set her free for literary pursuits, and in the winter of 1773—74 she went to London in the company of her sisters, Sarah and Martha — the first of many such trips she made at yearly intervals. Some verses that she had written on David Garrick's version of King Lear led to an acquaintance with the celebrated actor and playwright.
Within a short time More had associated herself with London's literary elite, including Samuel Johnson, Joshua Reynolds and Edmund Burke. She also became one of the foremost members of the so-called bluestocking group of women engaged in polite conversation and literary and intellectual pursuits, attending the salon of Elizabeth Montagu, where she also met and became acquainted with Frances Boscawen, Elizabeth Carter, Elizabeth Vesey and Hester Chapone, some of whom were to become lifelong friends. She later wrote a witty celebration of her friends and the circle to which they belonged in her 1782 poem The Bas Bleu, or, Conversation, published in 1784.
Garrick wrote the prologue and epilogue for Hannah More's tragedy Percy, which was acted with great success at Covent Garden in December 1777. Another drama, The Fatal Falsehood, produced in 1779 after Garrick's death, was less successful and, as a consequence of its failure, she never wrote for the stage again. In 1781 she first met Horace Walpole, man of letters and art historian, and corresponded with him from that time. At Bristol she discovered the poet Ann Yearsley and, when she became destitute, raised a considerable sum of money for her benefit. Lactilia, as Yearsley was called, published Poems, on Several Occasions in 1785, earning about £600. More and Montagu held the profits in trust to protect them from Yearsley's husband: Anne Yearsley wished to receive the capital, and made insinuations of stealing against More, forcing her to release the money. These literary and social failures caused More's withdrawal from London's intellectual circles.
Hannah More published Sacred Dramas in 1782 and it rapidly ran through nineteen editions. These and the poems Bas-Bleu and Florio (1786) mark her gradual transition to more serious views of life, which were fully expressed in prose, in her Thoughts on the Importance of the Manners of the Great to General Society (1788), and An Estimate of the Religion of the Fashionable World (1790). By this point she was intimate with William Wilberforce and Zachary Macaulay, with whose evangelical views she was in sympathy. She published a poem on Slavery in 1788, and was for many years a friend of Beilby Porteus, Bishop of London and a leading abolitionist, who drew her into the group of prominent campaigners against the slave trade such as Wilberforce, Charles Middleton and James Ramsay, based at Teston, Kent.
In 1785 she bought a house, at Cowslip Green, near Wrington, in northern Somerset, where she settled down to country life with her sister Martha, and wrote many ethical books and tracts: Strictures on Female Education (1799), Hints towards forming the Character of a Young Princess (1805), Coelebs in Search of a Wife (only nominally a story, 1809), Practical Piety (1811), Christian Morals (1813), Character of St Paul (1815), Moral Sketches (1819). She was a rapid writer, and her work is consequently discursive, animated and formless. The originality and force of More's writings perhaps explains her extraordinary popularity. At the behest of Porteus, she wrote many spirited rhymes and prose tales, the earliest of which was Village Politics, by Will Chip (1792), intended to counteract the doctrines of Thomas Paine and the influence of the French Revolution. More became a prominent opponent of the slave trade in the late 18th century.
The success of Village Politics induced More and Porteus to begin the series of Cheap Repository Tracts, which from 1795 to 1797 were produced at the rate of three a month. Perhaps the most famous of these is The Shepherd of Salisbury Plain, describing a family of phenomenal frugality and contentment. This was translated into several languages. Two million copies of these rapid and telling sketches were circulated, in one year, teaching the poor in rhetoric of most ingenious homeliness to rely upon the virtues of content, sobriety, humility, industry, reverence for the British Constitution, hatred of the French, trust in God and in the kindness of the gentry.
In the late-1780s Hannah and Martha More conducted philanthropic work in the Mendip area, following encouragement by Wilberforce, who saw the poor conditions of the locals when he visited Cheddar in 1789. She was instrumental in setting up twelve schools by 1800 where reading, the Bible and the catechism ... but not writing ... were taught to local children. More also donated money to Bishop Philander Chase for the founding of Kenyon College. The More sisters met with a good deal of opposition in their works: the farmers thought that education, even to the limited extent of learning to read, would be fatal to agriculture, and the clergy, whose neglect she was making good, accused her of Methodist tendencies. In her old age, philanthropists from all parts made pilgrimages to see the bright and amiable old lady, and she retained all her faculties until within two years of her death. She spent the last five years of her life in Clifton, and died on 7 September 1833. She is buried at Church of All Saints, Wrington.
More, Hannah. Works of Hannah More. 2 vols. New York: Harper, 1840.
Biographies
Collingwood, Jeremy and Margaret. Hannah More. Oxford: Lion Publishing, 1990.
Demers, Patricia. The World of Hannah More. Lexington: University Press of Kentucky, 1996.
Ford, Charles Howard. Hannah More: A Critical Biography. New York: Peter Lang, 1996.
Harland, Marion. Hannah More. New York: G. P. Putnam's Sons, 1900.
Hopkins, Mary Alden. Hannah More and Her Circle. London: Longmans, 1947.
Jones, M. G. Hannah More Cambridge: Cambridge University Press, 1952.
Knight, Helen C. Hannah More; or, Life in Hall and Cottage. New York: M. W. Dodd, 1851.
Kowaleski-Wallace, Elizabeth. Their Fathers’ Daughters: Hannah More, Maria Edgeworth, and Patriarchal Complicity. New York: Oxford University Press, 1991.
Roberts, William, ed. Memoirs of Mrs Hannah More. New York: Harper & Bros., 1836.
Stott, Anne. Hannah More: The First Victorian. Oxford: Oxford University Press, 2003.
Taylor, Thomas. Memoir of Mrs. Hannah More. London: Joseph Rickerby, 1838.
Thompson, Henry. The Life of Hannah More With Notices of Her Sisters. London: T. Cadell, 1838.
Yonge, Charlotte. Hannah More. Boston: Roberts Brothers, 1888.
Other secondary sources
Elliott, Dorice Williams. "The Care of the Poor Is Her Profession: Hannah More and Women's Philanthropic Work." Nineteenth-Century Contexts 19 (1995): 179—204.
Kelly, Gary. "Revolution, Reaction, and the Expropriation of Popular Culture: Hannah More's Cheap Repository." Man and Nature 6 (1987): 147—59.
Myers, Mitzi. "Hannah More's Tracts for the Times: Social Fiction and Female Ideology." Fetter'd or Free? British Women Novelists, 1670—1815. Eds. Mary Anne Schofield and Cecilia Macheski. Athens: Ohio University Press, 1986.
Myers, Mitzi. "Reform or Ruin: 'A Revolution in Female Manners.'" Studies in Eighteenth-Century Culture 11 (1982): 199—216.
Nardin, Jane. "Hannah More and the Rhetoric of Educational Reform." Women's History Review 10 (2001): 211—27.
Nardin, Jane. "Hannah More and the Problem of Poverty." Texas Studies in Language and Literature 43 (2001): 267—84.
Pickering, Samuel. "Hannah More's Coelebs in Search of a Wife and the Respectability of the Novel in the Nineteenth Century." Neuphilologische Mitteilungen 78 (1977): 78—85.
Scheuerman, Mona. In Praise of Poverty: Hannah More Counters Thomas Paine and the Radical Threat. Lexington: University Press of Kentucky, 2002.
Sutherland, Kathryn. "Hannah More's Counter-Revolutionary Feminism." Revolution in Writing: British Literary Responses to the French Revolution. Ed. Kelvin Everest. Milton Keynes: Open University Press, 1991.
Vallone, Lynne. "'A humble Spirit under Correction': Tracts, Hymns, and the Ideology of Evangelical Fiction for Children, 1780—1820." The Lion and the Unicorn 15 (1991) 72—95.
