James Arthur Crumley (12 October 1939 – 17 September 2008) was the author of violent hardboiled crime novels and several volumes of short stories and essays, as well as published and unpublished screenplays. He has been described as "one of modern crime writing's best practitioners", who was "a patron saint of the post-Vietnam private eye novel" and a cross between Raymond Chandler and Hunter S. Thompson. His book The Last Good Kiss has been described as "the most influential crime novel of the last 50 years."
Crumley had a cult following, and his work is said to have inspired a generation of crime writers in both the U.S. and the U.K, including Michael Connelly, George Pelecanos, Dennis Lehane and Craig McDonald, as well as writers from other genres such as Neal Stephenson, but he never achieved mainstream success. "Don't know why that is," Crumley said in an interview in 2001, "Other writers like me a lot. But up until about 10 to 12 years ago, I made more money in France and Japan than in America. I guess I just don't fit in anyplace" in the genre book marketplace.
Crumley's first published novel was 1969"s One to Count Cadence, which was set in Vietnam, and which he began as the thesis for his master's degree in creative writing. His novels The Last Good Kiss, The Mexican Tree Duck and The Right Madness feature the character C.W. Sughrue, an alcoholic ex-army officer turned private investigator. The Wrong Case, Dancing Bear and The Final Country feature another p.i., Milo Milodragovitch. In the novel Bordersnakes, Crumley brought both characters together. Crumley said of his two private detectives: "Milo's first impulse is to help you; Sughrue's is to shoot you in the foot."
Crumley, who was born in Three Rivers, Texas, grew up in south Texas, where his father was an oil-field supervisor and his mother was a waitress. According to Crumley, his father was a gentle man, but his mother was a forceful and violent woman. She insisted that Crumley attend church, but did not do so herself because she could not afford clothes decent enough for church.
Crumley was a grade-A student and a football player, an offensive lineman, in high school. He attended the Georgia Institute of Technology on a Navy ROTC scholarship, but left to serve in the U.S. Army from 1958 to 1961 in the Philippines. He then attended the Texas College of Arts and Industries on a football scholarship, where he received his B.A. degree with a major in history in 1964. He earned a Master of Fine Arts degree in creative writing at the University of Iowa in 1966. His master's thesis was later published as the Vietnam War novel One to Count Cadence in 1969.
In 1968, he signed the “Writers and Editors War Tax Protest” pledge, vowing to refuse tax payments in protest against the Vietnam War.
Crumley had not read any detective fiction until prompted to by Montana poet Richard Hugo, who recommended the work of Raymond Chandler for the quality of his sentences. Crumley finally picked up a copy of one of Chandler's books in Guadalajara, Mexico. Impressed by Chandler's writing, and that of Ross Macdonald, Crumley began writing his first detective novel, The Wrong Case, which was published in 1975.
Crumley served on the English faculty of the University of Montana at Missoula, and as a visiting professor at a number of other colleges, including the University of Arkansas, Colorado State University, the University of Texas at El Paso, Reed College in Portland, Oregon, and Carnegie-Mellon University in Pittsburgh. From the mid-80s on he lived in Missoula, Montana, where he found inspiration for his novels at Charlie B's bar. A regular there, he had many longstanding friends who have been portrayed as characters in his books.
Crumley died at St. Patrick Hospital in Missoula, Montana on September 17, 2008 of complications from kidney and pulmonary disease after many years of health problems. He was survived by his wife of 16 years, Martha Elizabeth, a poet and artist who was his fifth wife. He had five children – three from his second marriage and two from his fourth – eight grandchildren and two great-grandchildren.
Crumley's death prompted an "outpouring of affection" from the citizens of Missoula. Crumley's favorite seat in his favorite bar was put aside to honor him.
Described as the literary offspring of Raymond Chandler and Hunter S. Thompson, none of the books that Crumley wrote ever became bestsellers, but he had a cult following devoted to his writing, and received critical acclaim. David Dempsey in the New York Times called Crumley's debut novel, One to Count Cadence, set during the Vietnam War, "...a compelling study of the gratuitous violence in men. ... It is a story of bars, brawls, and brothels...and I don't know of any writer who has done it better." In 1993, Marilyn Stasio, reviewing The Mexican Tree Duck in the same publication, wrote: "Characters as memorable as [Crumley's] don't come blazing down the interstate that often. Neither do writers like Mr. Crumley. Treasure them before they burn themselves out...and take the flame with them." Christopher Lehmann-Haupt described Crumley's work as being about "a violently chaotic world that can be seen as a legacy of Vietnam, of which his characters are nightmare-haunted veterans," while Ron Powers called it "
the Big Sky Country [reimagined] as a kind of hard-boiled Lake Wobegon with bloodstains, a hellscape where all the women are tall ... the men sport pugnacious foreheads, brutal jaws and Indian braids, and all the children are away at camp.
"You don't read Crumley for plot," according to Patrick Anderson in the Washington Post, "You read him for his outlaw attitude, his rough poetry and his scenes, paragraphs, sentences, moments. You read him for the lawyer with 'a smile as innocent as the first martini'" . Critic Maxim Jakubowski, who was a friend of Crumley's, writing after his death, referred to his last two books, The Final Country and A Right Madness as:
...bittersweet adventures in which [Crumley] could evoke the skies over Texas and Montana and the landscapes of America like a veritable angel slumming amid the ferocious gunfire, the betrayals his characters always suffered and the trademark bruised romanticism that only he could conjure up without it sounding maudlin.
A number of writers view The Last Good Kiss as Crumley's best work. Its opening line is sometimes cited as the best in the genre:
When I finally caught up with Abraham Trahearne, he was drinking beer with an alcoholic bulldog named Fireball Roberts in a ramshackle joint just outside of Sonoma, California, drinking the heart right out of a fine spring afternoon.
The Mexican Tree Duck won the 1994 Dashiell Hammett Award, given by the North American Branch of the International Association of Crime Writers for the best literary crime novel, and his last novel, A Right Madness was a finalist for the 2005 Los Angeles Times Book Prize for Mystery/Thriller.
In 2007, the magazine Men's Journal named The Last Good Kiss as number 12 on its list of "Top 15 Thrillers of All Time", and in Newsweek, George Pelecanos, crime author and co-producer of the HBO series The Wire, rated Crumley's The Last Good Kiss as #3 in his list of the "Five Most Important Crime Novels".
However, despite claims made on a number of websites, Crumley does not seem to have been either a winner or a nominee for a Mystery Writers of America Edgar Award for The Last Good Kiss or any other novel.
The detective "Crumley" in Ray Bradbury's trilogy of mystery novels (Death Is a Lonely Business, A Graveyard for Lunatics, and Let's All Kill Constance) is named in tribute to him.
For about a decade, Crumley worked intermittently in Hollywood, writing original scripts that were never produced, or acting as a script doctor. In that time he co-wrote with Rob Sullivan the screenplay for the Western film The Far Side of Jericho, which debuted at the Santa Fe Film Festival on 10 December 2006 and was released on DVD in the United States on 21 August 2007. He worked on a number of drafts of the screenplay for the film adaptation of the comic strip Judge Dredd (1995), though none of his ideas were used in the final film. His commissioned but unproduced screenplay for the film The Pigeon Shoot was published in a limited edition. Additionally, Crumley provided the commentary for the 2002 English-language French film L'esprit de la route by Matthieu Serveau.
It's done. This may not be my final country. I can still taste the bear in the back of my throat, bitter with the blood of the innocent, and somewhere in my old heart I can still remember the taste of love. Perhaps this is just a resting place. A warm place to drink cold beer. But wherever my final country is, my ashes will go back to Montana when I die. Maybe I've stopped looking for love. Maybe not. Maybe I will go to Paris. Who knows? But I'll sure as hell never go back to Texas again.
The Final Country (2001)
When I finally caught up with Abraham Trahearne, he was drinking beer with an alcoholic bulldog named Fireball Roberts in a ramshackle joint just outside of Sonoma, California, drinking the heart right out of a fine spring afternoon.
The Last Good Kiss (1978)
Notes
Further reading
"James Crumley". Dictionary of Literary Biography. Volume 226: American Hard-Boiled Crime Writers. Detroit: Gale Group, 2000.
"James Crumley". Contemporary Authors. Volume 121. Detroit: Gale Group, 2004.
