"Advertising was fairly simple work, and I really just wanted a job where I could sit and write every day and not get fired for it like I had at other jobs, but it was fun.""At the time I came along, Hollywood's idea of teen movies meant there had to be a lot of nudity, usually involving boys in pursuit of sex, and pretty gross overall. Either that or a horror movie. And the last thing Hollywood wanted in their teen movies was teenagers!""Fantastic! Right in the middle of that long stretch between Christmas and Spring Break, your coats are getting dirty, everything's dark, dingy - what a great time for a movie!""I always preferred to hang out with the outcasts, 'cause they were cooler; they had better taste in music, for one thing, I guess because they had more time to develop one with the lack of social interaction they had!""I don't consider myself qualified to do a movie about international intrigue - I seldom leave the country.""I find that screen kissing wears very thin very quickly.""I like young actors because they're so unspoiled, not like some of those actors who are about half an hour into their fifteen minutes of fame by the time they get to me.""I so desperately hate to end these movies that the first thing I do when I'm done is write another one. Then I don't feel sad about having to leave and everybody going away.""I was obsessed with romance. When I was in high school, I saw 'Doctor Zhivago' every day from the day it opened until the day it left the theater.""I'm a former hippie, so clothes are important to me - your clothes defined you in that period. I guess clothes still defines people. But, I change a lot. I'm in my Brooks Brothers period now.""It's been about ten years since I've worked with actors who knew their lines!""My generation had to be taken seriously because we were stopping things and burning things. We were able to initiate change, because we had such vast numbers. We were part of the baby boom, and when we moved, everything moved with us.""My heroes were Dylan, John Lennon and Picasso, because they each moved their particular medium forward, and when they got to the point where they were comfortable, they always moved on.""When I go to a concert, I can't believe that people pay lots of money to see a band that they obviously like and then they dance the whole time.""Why watch someone kissing when people really close their eyes when they kiss?"
Hughes was born in Cessnock, NSW to a father of Welsh descent, and a mother who was of Ukrainian descent. Hughes states that as a second generation Australian he, "lived in two worlds as a child": one world the routine, real world of Cessnock and the second the exotic foreign world of his European family's past. The sense that he was 'foreign' became central to his sense of self. He felt connected to an imagined past of his grandparents. As a child stories were told to him of how his grandparents fled Kiev during the Second World War and had walked on foot across Europe to Naples. From Naples, they emigrated to Australia. The text in "The Idea Of Home" is devoted to the stories of this journey passed down from Hughes' grandfather, and their impact on a young John Hughes.
Hughes undertook a medical degree, but shortly realised it was not for him. He switched to an undergraduate arts degree at Newcastle University in the late 1970s , and at the end of his Honours year, was offered the Shell Scholarship to Cambridge. His preconceived notions of Europe as a place vastly more sophisticated than his provincial Cessnock prompted him to go. However, as he spent more time in England, and struggled through a PhD on Coleridge, he realised that his ideas were wrong, and that provincialism was, if not as obvious, certainly still as potent in what was considered the centre of the academic world. After this, he gave up his "life of letters", as he called it, and returned to Australia.
Back in Sydney, he unsuccessfully tried to teach at his old university, Newcastle, but his failure at Cambridge haunted him. He did, however, complete a PhD thesis at UTS, called "Memory and Forgetting". Hughes now teaches at Sydney Grammar School, where he is Senior Master in English and Senior Librarian. He took a position in the English Department of Sydney Grammar in 1995, under Townsend, who was soon replaced by one of Hughes' colleagues at Cambridge, Dr. John Vallance, as Headmaster.
Hughes has been published in HEAT Magazine, edited by Ivor Indyk, and runs Sydney Grammar's Creative Writing Group.
