"The story of civilization is, in a sense, the story of engineering - that long and arduous struggle to make the forces of nature work for man's good." -- L. Sprague de Camp
Lyon Sprague de Camp (November 27, 1907 — November 6, 2000) was an American author of science fiction and fantasy books, non-fiction and biography. In a writing career spanning 60 years, he wrote over 100 books, including novels and notable works of non-fiction, including biographies of other important fantasy authors. He "was widely regarded as an imaginative and innovative writer and was an important figure in the heyday of science fiction, from the late 1930's through the late 1940's."
"In writing a series of stories about the same characters, plan the whole series in advance in some detail, to avoid contradictions and inconsistencies.""It does not pay a prophet to be too specific.""There is no mistaking the dismay on the face of a writer who has just heard that his brain child is a deformed idiot."
De Camp was born in New York City, one of three sons of Lyon de Camp and Emma Beatrice Sprague. His maternal grandfather was the accountant, banker, pioneering Volapükist and Civil War veteran Charles Ezra Sprague.
Trained as an aeronautical engineer, De Camp received a Bachelor of Science degree in Aeronautical Engineering from the California Institute of Technology in 1930 and Master of Science degree in Engineering from Stevens Institute of Technology in 1933. He was also a surveyor and patent expert.
In 1939, he married Catherine Crook, with whom he collaborated on numerous works of fiction and nonfiction, beginning in the 1960s.
During World War II, de Camp worked at the Philadelphia Naval Yard with fellow authors Isaac Asimov and Robert A. Heinlein. He rose to the rank of Lieutenant Commander in the Naval Reserve.
He was a member of the all-male literary banqueting club the Trap Door Spiders, which served as the basis of Isaac Asimov's fictional group of mystery solvers the "Black Widowers". De Camp himself was the model for the Geoffrey Avalon character.
He was also a member of the Swordsmen and Sorcerers' Guild of America , a loose-knit group of Heroic Fantasy authors founded in the 1960s, some of whose works were anthologized in Lin Carter's Flashing Swords! anthologies.
The de Camps moved to Plano, Texas, in 1989. De Camp died there on November 6, 2000, seven months after the death of his wife of 60 years. He died on what would have been her birthday, just three weeks shy of his own 93rd birthday. His ashes were inurned with those of his wife in Arlington National Cemetery.
De Camp's personal library of about 1,200 books was acquired for auction by Half Price Books in 2005. The collection included books inscribed by fellow writers, such as Isaac Asimov and Carl Sagan, as well as de Camp himself.
De Camp was a materialist who wrote works examining society, history, technology and myth. He published numerous short stories, novels, non-fiction works and poems during his long career.
De Camp had the mind of an educator, and a common theme in many of his works is a corrective impulse regarding similar previous works by other authors. A highly rational and logical thinker, he was frequently disturbed by what he regarded as logical lapses and absurdities in others' writings. Thus, his response to Mark Twain's A Connecticut Yankee in King Arthur's Court was to write a similar time travel novel in which the method of time travel was rationalized and the hero's technical expertise both set at a believable level and constrained by the technological limitations of the age.
In like fashion, he reimagined space opera and planetary romances in his "Viagens Interplanetarias" series, and the prehistoric precursor civilizations characteristic of much heroic fantasy in his "Pusadian series". When he was not debunking literary conventions he was often explaining them, as with the early "Harold Shea", stories co-written with Fletcher Pratt, in which the magical premises behind a number of bodies of myths and legends were accepted as a given but examined and elucidated in terms of their own systems of inherent logic. De Camp's explanatory tendency also carried over into his non-fictional writings.
De Camp's science fiction is marked by a concern for linguistics and historical forces. His first published story was "The Isolinguals", in the September 1937 issue of Astounding Science Fiction. His most highly regarded works in the genre are his time travel and alternate history stories, including Lest Darkness Fall (1939), "The Wheels of If" (1940), "A Gun for Dinosaur" (1956), "Aristotle and the Gun" (1958), and The Glory That Was (1960) — in the last of which the "time travel" actually turns out to be a tour de force of historical recreation.
His most extended work was his "Viagens Interplanetarias" series, set in a future where Brazil is the dominant power, particularly a subseries of sword and planet novels set on the planet Krishna, beginning with The Queen of Zamba. His most influential Viagens novel was the non-Krishna work Rogue Queen, a tale of a hive society undermined by interstellar contact, which was one of the earliest science fiction novels to deal with sexual themes.
De Camp wrote a number of lesser-known but nonetheless significant works that explored such topics as racism, which he considered to be more accurately described as ethnocentrism. He pointed out that no scholar comparing the merits of various ethnicities has ever sought to prove that his own ethnicity was inferior to others.
De Camp was best known for his light fantasy, particularly the "Harold Shea" series and "Gavagan's Bar" series, both written in collaboration with his longtime friend Fletcher Pratt. The pair also wrote a number of stand-alone novels similar in tone to the Harold Shea stories, of which the most highly regarded is Land of Unreason. De Camp also produced a few more of this genre on his own.
He was also known for his sword and sorcery, a fantasy genre he was instrumental in reviving through his editorial work on and continuation of Robert E. Howard's "Conan" cycle. He himself wrote three sword and sorcery sequences of note. The early "Pusadian series", composed of the novel The Tritonian Ring and several short stories, are set in an antediluvian era similar to Howard's.
More substantial is the later "Novarian series", of which the core is the Reluctant King trilogy, beginning with The Goblin Tower, de Camp's most accomplished effort in the genre. The trilogy features the adventurer Jorian, ex-king of Xylar. Jorian's world is an alternate reality to which our own serves as an afterlife. Other novels in the sequence include The Fallible Fiend, a satire told from the point of view of a demon, and The Honorable Barbarian, a follow-up to the trilogy featuring Jorian's brother as the hero.
A late third series, composed of The Incorporated Knight and The Pixilated Peeress, is set in the medieval era of another alternate world sharing the geography of our own, but in which a Neapolitan empire filled the role of Rome and no universal religion like Christianity ever arose, leaving its nations split among competing pagan sects. The setting is borrowed in part from Mandeville's Travels.
De Camp also wrote historical fiction, set in the era of classical antiquity from the height of the Persian Empire to the waning of the Hellenistic period, which forms a loosely-connected series based on their common setting and occasional cross references. They were also linked by a common focus on the advancement of scientific knowledge, de Camp's chosen protagonists being explorers, artisans, engineers, innovators and practical philosophers rather than famous names from antiquity, who are relegated to secondary roles. The best known of his historical novels is The Dragon of the Ishtar Gate.
De Camp enjoyed debunking doubtful history and pseudoscientific claims of the supernatural, and explaining how ancient civilizations produced structures and architecture thought by some to be beyond the technologies of their time, such as the Pyramids of Ancient Egypt. Works in this area include Lost Continents, Citadels of Mystery, and The Ancient Engineers.
Among his many other wide-ranging non-fiction works were The Great Monkey Trial (about the Scopes Trial), The Ragged Edge of Science, Energy and Power, The Heroic Age of American Invention, The Day of the Dinosaur (which argued, among other things, that evolution took hold after Darwin because of the Victorian interest spurred by recently popularized dinosaur remains, corresponding to legends of dragons), and The Evolution of Naval Weapons (a United States of America government textbook).
The author also wrote pioneering biographies of many key fantasy writers, most as short articles, but two as full-length studies of the prominent authors Robert E. Howard and H. P. Lovecraft. The latter was the first major independent biography of the famous horror writer. De Camp's "warts and all" approach to his subjects has been branded by some fans as unflattering and unbalanced. For instance, Mark Finn, author of Blood and Thunder: The Life & Art of Robert E. Howard, contends that de Camp deliberately framed his questions in regard to Howard to elicit answers matching his Freudian theories about him.
L. Sprague de Camp was the guest of honor at the 1966 World Science Fiction Convention and won the Nebula Award as a Grandmaster (1978) and the Hugo Award in 1997 for his autobiography, Time and Chance. In 1976, he received the World Science Fiction Society's Gandalf Grand Master award. In 1984 he won a World Fantasy Convention award. In 1995, he won the first Sidewise Award for Alternate History Lifetime Achievement Award.
The most significant of de Camp's works as published in book form include the following:
Lest Darkness Fall (1939) - an early alternate history novel that helped define the genre
The Wheels of If and Other Science Fiction (1948) - early collection of de Camp's short fiction, including "The Wheels of If"
Genus Homo (1950) (with P. Schuyler Miller) - first science fiction novel de Camp had a hand in, possibly the earliest work of fiction dealing with the "Planet of the Apes" theme
The Hand of Zei (1950) - the best of the early Krishna novels
Rogue Queen (1951) - one of the earliest science fiction novels to deal with sexual themes
The Continent Makers and Other Tales of the Viagens (1953) - collection of most of the shorter works in the Viagens Interplanetarias series
The Virgin of Zesh (1953) - Krishna novel noted for the early use (for science fiction) of a strong female protagonist and a possible influence on Daniel Keyes's Flowers for Algernon
The Glory That Was (1960) - a tour de force incorporating most of de Camp's major interests into one work
A Gun for Dinosaur and Other Imaginative Tales (1963) - collection of some of the best of de Camp's early fiction, including "A Gun for Dinosaur" and "Aristotle and the Gun"
The Best of L. Sprague de Camp (1978) - a mid-career review collecting de Camp's best short works
The Incomplete Enchanter (1941) (with Fletcher Pratt) - first of the de Camp/Pratt collaborations, including the earliest Harold Shea stories
Land of Unreason (1942) (with Fletcher Pratt) - best of the non-series de Camp/Pratt collaborations
The Undesired Princess (1951) - earliest of de Camp's major fantasies not written in collaboration with Pratt; set in an Aristotelian universe
Tales from Gavagan's Bar (1953, exp. 1978) (with Fletcher Pratt) - collected edition of de Camp and Pratt's second major fantasy series
The Tritonian Ring and Other Pusadian Tales (1953) - collection of the earlier works in the Pusadian series, including The Tritonian Ring
Tales of Conan (1955) (with Robert E. Howard) - collection containing the first of de Camp's "posthumous collaborations" with Howard, marking the beginning of his successful promotion of Howard's "Conan the Barbarian" character
Conan the Adventurer (1966) (with Robert E. Howard) - first of the paperback printings of the Howard/de Camp "Conan" collaborations, which ensured the success of the character and defined it for a generation
The Goblin Tower (1968) - first and best of the Novarian series
The Fallible Fiend (1973) - offbeat entry in the Novarian series presenting a satirical look at humanity through the eyes of a demon
The Dragon of the Ishtar Gate (1961) - first of de Camp's historical novels
Swords and Sorcery (1963) - pioneering sword and sorcery anthology, the first ever published
Inventions and Their Management (1937; vt. Inventions, Patents, and Their Management (1959)) (with Alf K. Berle) - de Camp's first work of nonfiction
Lands Beyond (1952) (with Willy Ley) - a comprehensive survey of geographical myths
Science-Fiction Handbook (1953 (revised 1975, with Catherine Crook de Camp)) - an influential early writers' guide
Lost Continents; the Atlantis Theme in History, Science, and Literature (1954) - the title says it all
The Ancient Engineers (1963) - an exhaustive account of practical science through the ages prior to the modern era
The Great Monkey Trial (1968) - the definitive popular account of the Scopes Trial
a Biography (1975) - the first major independent biography of H. P. Lovecraft
Literary Swordsmen and Sorcerers (1976) - a major contribution to the historical study of modern fantasy authors
the Life of Robert E. Howard (1983) (with Catherine Crook de Camp and Jane Whittington Griffin) - the first major independent biography of Robert E. Howard
an Autobiography (1996) - winner of the 1997 Hugo Award for Best Non-Fiction Book