"Initially with The Butcher Boy, there was this kid growing up in this strange, weird environment that I remember from when I was a kid. And Patrick's vision was so complete there." -- Neil Jordan
Neil Patrick Jordan (born 25 February 1950) is an Irish filmmaker and novelist. He won an Academy Award (Best Original Screenplay) for The Crying Game.
"And I think I often choose to do something because it's quite different from what I've done before.""But everyone gets burnt, don't they? Certain things are outside of your control. I suppose the only thing you can learn as a director is to not put yourself into situations where it can get outside of your control. And that's what happened.""Films have gotten leaner and leaner, cutting out all variations from the story line.""For me now, it's about what you would write and what you wouldn't write, and that's how I select what I am going to do. It can be quite nice being brought a concept by a studio for me to work on.""For me, the filmmaking has to be about the dramaturgy.""I can't do a film if I don't start with the writing.""I do enjoy working with writers.""I mean I grew up in Ireland, so one would have to be consciously blinkered not to have reflected on the issue of political violence because that was the story since I was 19 years old or 20.""I took two years away from making films to write a novel.""I'm less comfortable making American movies because I don't know them so well.""I've also worked hard portraying an Ireland which is fast disappearing. Ireland was a very depressed and difficult place in the 1980s, and I've tried to include that in the script. I worked really hard to find the heart of the book.""I've had three novels published, and I was working a little bit in theater in Ireland. I wrote one film script just to see what it would turn out like.""In Dreams... well, I was slightly overcompensating with that. I was a bit like a director for hire, so maybe I was putting too much imagery that was familiar to me into it.""It is extremely difficult to get movies that cost more than $40 million to be made these days.""It's hard to know whether certain characters come to life or not, they either come to have their own life or they don't. I've written many things in which the characters just remain inert.""It's nice to work with Hollywood because there is never any question of resources put at your disposal to make a film as long as it is the right thing to do.""It's the opposite journey from what I've usually done with films. I find it very easy to go from, say, a lit, pleasurable environment, like what you see outside there, to a very dark place. But the opposite journey, which is what this movie takes, is much more complicated.""It's the same thing in a way, although writing a book is a very solitary thing.""My conception of it was that in a normal film you have a story with different movements that program, develop, go a little bit off the trunk, come back, and end.""Never make a promise - you may have to keep it.""No, I just thought of a story and wrote down what I saw. It was about two kids in Ireland who went around killing people. It was called Travelers, and it was made as an independent film.""The Company of Wolves doesn't belong in any category, so it's difficult to prepare an audience for it. It's not a horror film, it's not a fantasy film, it's not a children's film - so what is it?""The Company of Wolves is about how society teaches young women to look at themselves, and what to be afraid of. It's about a girl learning that the world of sensuality and the unknown is not to be feared, that it's worth getting your teeth into.""The End of the Affair is almost like a play.""The most difficult thing is the organization of people and the expression of your intentions. It's very easy to have a picture in your head and to imagine that you've told everybody about what you need.""There's no point in making a film out of a great book. The book's already great. What's the point?""Well, Company of Wolves was about that literally, about fairy tales.""Well, I suppose I'm interested in ways of storytelling and in stories that are about storytelling.""Well, if you're talking about the current climate, there's a lack of content in American film because I think people are deeply confused about their emotions, and they don't regret certain aspects of their own foreign policy.""When you've written a movie, you then get together with a whole lot of people and make it. In many ways, I think it is far nicer to be with people rather than being completely solitary.""Why should a horror film be just a horror film? To me, The Company of Wolves is a fairy tale; it's got all those elements plus a lot more. And we know that fairy tales aren't innocent any more."
Jordan was born in County Sligo, the son of Angela (née O'Brien), a painter, and Michael Jordan, a professor. He was educated at St. Paul's College, Raheny. Of his religious background, Jordan said in a 1999 Salon interview: "I was brought up a Catholic and was quite religious at one stage in my life, when I was young. But it left me with no scars whatever; it just sort of vanished." He said about his current beliefs that "God is the greatest imaginary being of all time. Along with Einstein's General Theory of Relativity, the invention of God is probably the greatest creation of human thought." Later, Jordan attended University College Dublin, where he studied Irish history and English literature.
When John Boorman was filming Excalibur in Ireland, he recruited Jordan as a script consultant, which led to his doing second unit work. His first feature Angel, a tale of a musician caught up in the Troubles, starred Stephen Rea who has subsequently appeared in almost all of Jordan's films to date.
As a writer/director, Jordan has a highly idiosyncratic body of work, ranging from mainstream hits like Interview with the Vampire to commercial failures like We're No Angels to a variety of more personal, low-budget arthouse pictures.Unconventional sexual relationships are a recurring theme in Jordan's work, and he often finds a sympathetic side to characters audiences would traditionally consider deviant or downright horrifying. His film The Miracle, for instance, followed two characters who struggled to resist a strong, incestuous attraction, while The Crying Game made complicated, likable characters out of an IRA terrorist and a transgender woman. Interview with the Vampire, like the Anne Rice book it was based on, focused on the intense, intimate interpersonal relationship of two undead men who murder humans nightly (although the pair never have sex, they are clearly lovers of a sort), accompanied by an equally lusty vampire woman who is eternally trapped in the body of a little girl. While Lestat (Tom Cruise) is depicted in an attractive but villainous manner, his partner Louis (Brad Pitt) and the child vampire Claudia (Kirsten Dunst) are meant to capture the audience's sympathy despite their predatory nature.
Themes
In addition to the unusual sexuality of Jordan's films, he frequently returns to the Troubles of Northern Ireland. The Crying Game and Breakfast on Pluto both concern a transgender character (played by Jaye Davidson and Cillian Murphy, respectively), both concern the Troubles, and both feature frequent Jordan leading man Stephen Rea. The two films, however, are very different, with Crying Game a realistic thriller/romance and Breakfast on Pluto a much more episodic, stylized, darkly comic biography. Jordan also frequently tells stories about children or young people, such The Miracle and The Butcher Boy. While his pictures are most often grounded in reality, he occasionally directs more fantastic or dreamlike films, such as The Company of Wolves, High Spirits,Interview with the Vampire and In Dreams.
Hollywood
The critical success of Jordan's early pictures led him to Hollywood, where he directed High Spirits and We're No Angels; both were critical and financial disasters. He later returned home to make the more personal The Crying Game, which was nominated for six Academy Awards. Jordan won the Academy Award for Best Original Screenplay for the film. Its unexpected success led him back to American studio filmmaking, where he directed The Vampire Chronicles.
Neil Gaiman announced during his The Today Show appearance on January 27, 2009, that Neil Jordan would be directing the film of his Newbery Medal-winning book The Graveyard Book.
Neil Jordan wrote and directed Ondine (2009), starring Colin Farrell and Alicja Bachleda. The film tells the story of an Irish fisherman named Syracuse (Farrell) who discovers a woman named Ondine (Bachleda) in his fishing net whom he believes to be a selkie or mermaid. Different theories about her origins come about as she transforms the lives of the fisherman and local townsfolk. The fisherman's daughter Annie comes to believe that the woman is a magical creature, while Syracuse falls helplessly in love. However, like all fairy tales, enchantment and darkness go hand in hand. A story of love, hope and the unwavering belief in the impossible.
