Themes

• coincidence
• frequent portrayal of an ascetic life
• a sense of imminent disaster
• obsessive writer as central character/narrator
• loss of the ability to understand
• loss of language
• depiction of daily and ordinary life
• failure
• absence of a father
• writing/story telling, metafiction
• intertextuality
• American History
• American Space

Coincidence

Failure

Identity/Subjectivity

Ever since City of Glass, the first volume of his New York Trilogy, Auster has perfected a limpid, confessional style, then used it to set disoriented heroes in a seemingly familiar world gradually suffused with mounting uneasiness, vague menace and possible hallucination. His plots ... drawing on elements from suspense stories, existential récit and autobiography ... keep readers turning the pages, but sometimes end by leaving them uncertain about what they've just been through.

What Auster often gets instead is the worst of both worlds: fake realism and shallow skepticism. The two weaknesses are related. Auster is a compelling storyteller, but his stories are assertions rather than persuasions. They declare themselves; they hound the next revelation. Because nothing is persuasively assembled, the inevitable postmodern disassembly leaves one largely untouched. (The disassembly is also grindingly explicit, spelled out in billboard-size type.) Presence fails to turn into significant absence, because presence was not present enough.

• 1989 Prix France Culture de Littérature Étrangère for The New York Trilogy
• 1990 Morton Dauwen Zabel Award from the American Academy of Arts and Letters
• 1991 PEN/Faulkner Award for Fiction finalist for The Music of Chance
• 1993 Prix Médicis Étranger for Leviathan
• 1996 Bodil Awards - Best American Film: Smoke
• 1996 Independent Spirit Award - Best First Screenplay: Smoke
• 1996 John William Corrington Award for Literary Excellence
• 2006 Prince of Asturias Award for Literature (received in previous years by Günter Grass, Arthur Miller and Mario Vargas Llosa)
• 2006 Elected to the American Academy of Arts and Letters for Literature
• 2007 Honorary doctor from the University of Liège

Fiction

• Squeeze Play (1982) (Written under pseudonym Paul Benjamin)
• The New York Trilogy (1987)
• City of Glass (1985)
• Ghosts (1986)
• The Locked Room (1986)
• In the Country of Last Things (1987)
• Moon Palace (1989)
• The Music of Chance (1990)
• Auggie Wren's Christmas Story (1990)
• Leviathan (1992)
• Mr. Vertigo (1994)
• Timbuktu (1999)
• The Book of Illusions (2002)
• Oracle Night (2004)
• The Brooklyn Follies (2005)
• Travels in the Scriptorium (2006)
• Man in the Dark (2008)

• Invisible (2009)
• Sunset Park (Scheduled Publication 2010)

Poetry

• Selected Poems (1988)
• Selected Poems and Essays 1970-1979 (1991)
• Collected Poems (2007)

Screenplays

• The Music of Chance (1993)
• Smoke (1995)
• Blue in the Face (1995)
• Lulu on the Bridge (1998)
• The Inner Life of Martin Frost (2007)

Essays, memoirs, and autobiographies

• The Invention of Solitude (1982)
• The Art of Hunger (1992)
• The Red Notebook (1995) (The Red Notebook was originally printed in Granta (44). (1993)).
• Hand to Mouth (1997)

Edited collections

• The Random House Book of Twentieth-Century French Poetry (1982)
• True Tales of American Life (First published under the title I Thought My Father Was God, and Other True Tales from NPR's National Story Project) (2001)

Translations

• "The Uninhabited: Selected Poems of Andre du Bouchet" (1976)
• Life/Situations, by Jean-Paul Sartre,1977 (in collaboration with Lydia Davis)
• A Tomb for Anatole, by Stéphane Mallarmé (1983)
• Chronicle of the Guayaki Indians (1998) (translation of Pierre Clastres' ethnography Chronique des indiens Guayaki)
• The Notebooks of Joseph Joubert (2005)
• Vicious Circles: Two fictions & "After the Fact", by Maurice Blanchot,1999

Miscellaneous

• The Story of My Typewriter with paintings by Sam Messer (2002)
• "The Accidental Rebel" (Wed. April 23 article in New York Times)

• On the album As Smart as We Are by New York band One Ring Zero, Auster wrote the lyrics for the song "Natty Man Blues" based on Cincinnati poet Norman Finkelstein.

• In 2005 his daughter, Sophie, recorded an album of songs in both French and English, entitled Sophie Auster, with the band One Ring Zero. The lyrics of three of the songs (in English) are by Paul Auster; and he also provided for the accompanying booklet translations of several French poems which form the lyrics of other songs on the album.

• In 1993, a movie adaptation of The Music of Chance was released. Auster features in a cameo role at the end of the film.

• In 1994 City of Glass was adapted as a graphic novel by artist David Mazzucchelli and Paul Karasik. Auster's friend, noted cartoonist Art Spiegelman, produced the adaptation.

• Jazz trumpeter and composer Michael Mantler's album Hide and Seek uses words by Auster from the play of the same name.

• Paul Auster's voice can be heard on the 2005 album entitled We Must Be Losing It by The Farangs. The two tracks are entitled "Obituary in the Present Tense" and "Between the Lines".

• In 2006 Paul Auster directed the film The Inner Life of Martin Frost, based on an original screenplay by himself. It was shot in Lisbon and Azenhas do Mar and starred David Thewlis, Iréne Jacob and Michael Imperioli as well as Auster's daughter Sophie. Auster himself provided the narration, albeit uncredited. The film premiered at the European Film Market, as part of the 2007 Berlinale in Berlin, Germany on February 10, 2007, and opened in New York City on September 7 of the same year.

• The lyrics of Fionn Regan's 2006 song Put A Penny In The Slot mention Auster and his novella Timbuktu.

• Austrian composer Olga Neuwirth's composition ... ce qui arrive ... (2004) combines the recorded voice of Paul Auster with ensemble music and live electronics by Markus Noisternig and Thomas Musil ( Institute of Electronic Music and Acoustics (IEM)). Paul Auster is heard reading from his books Hand to Mouth and The Red Notebook, either as straight recitation, integrated with other sounds as if in a radio play, or passed through an electronically realized string resonator so that the low tones can interact with these of a string ensemble. A film by Dominique Gonzalez-Foerster runs throughout the work featuring the cabaret artist and actress Georgette Dee.

• Paul Auster narrated "Ground Zero" (2004), an audio guide created by the Kitchen Sisters (Davia Nelson and Nikki Silva) and Soundwalk and produced by NPR, which won the Dalton Pen Award for Multi-media/Audio, (2005), and was nominated for an Audie Award for best Original Work, (2005).

• In the 2008 Russian film ???? ???? (Plus One), the main character is in the process of translating one of Auster's books.

• In the 2009 documentary "Act of God", Auster is interviewed on his experience of being struck by lightning as a boy.

• Paul Auster, Gérard de Cortanze La solitude du labyrinthe. Paris:Actes Sud, 1997.
• Franchot Ballinger Ambigere: The Euro-American Picaro and the Native American Trickster. MELUS, 17 (1991—92), pp. 21—38.
• Dennis Barone (ed.): Beyond the Red Notebook. Essays on Paul Auster. Penn Studies in Contemporary American Fiction. University of Pennsylvania Press, Philadelphia (2. ed. 1996)
• Dennis Barone Auster’s Memory. The Review of Contemporary Fiction, 14:1 (Spring 1994), pp. 32—34
• Charles Baxter The Bureau of Missing Persons: Notes on Paul Auster’s Fiction. The Review of Contemporary Fiction, 14:1 (Spring 1994), pp. 40—43.
• Harold Bloom ed. Paul Auster. Philadelphia: Chelsea House Publ.; 2004.
• Martine Chard-Hutchinson Paul Auster (1947- ). In: Joel Shatzky and Michael Taub (eds.). Contemporary Jewish-American Novelists: A Bio-Critical Sourcebook. Westport: Greenwood Press, 1997, pp. 13—20.
• Alain Chareyre-Méjan, Guillaume Pigeard de Gurbert. Ce que Paul Auster n’a jamais dit: une logique du quelconque. In: Annick Duperray (ed.). L’oeuvre de Paul Auster: approches et lectures plurielles. Actes du colloque Paul Auster. Aix-en-Provence: Actes Sud, 1995, pp. 176—184.
• Gerard de Cortanze, James Rudnick: Paul Austers New York. Gerstenberg, New York; Hildesheim, 1998
• Gérard de Cortanze Le New York de Paul Auster. Paris: Les Éditions du Chêne-Hachette Livre, 1996.
• Robert Creeley Austerities. The Review of Contemporary Fiction, 14:1 (Spring 1994), pp. 35—39.
• Scott Dimovitz, 'Public Personae and the Private I: De-Compositional Ontology in Paul Auster's The New York Trilogy.' MFS: Modern Fiction Studies. 52:3 (Fall 2006): 613-633.
• Scott Dimovitz, 'Portraits in Absentia: Repetition, Compulsion, and the Postmodern Uncanny in Paul Auster's Leviathan.' Studies in the Novel. 40:4 (Winter 2008): 447-464.
• William Drenttel (ed.) Paul Auster: A Comprehensive Bibliographic Checklist of Published Works 1968-1994. New York: Delos Press, 1994.
• Sven Gächter Schreiben ist eine endlose Therapie: Der amerikanische Romancier Paul Auster über das allmähliche Entstehen von Geschichten. Weltwoche (31.12.1992), p. 30.
• François Gavillon Paul Auster, gravité et légèreté de l'écriture. Presses Universitaires de Rennes, 2000.
• Charles Grandjeat Le hasard et la nécessité dans l’oeuvre de Paul Auster. In: Annick Duperray (ed.). L’oeuvre de Paul Auster: approches et lectures plurielles. Actes du colloque Paul Auster. Aix-en-Provence: Actes Sud, 1995, pp. 153—163.
• Ulrich Greiner: Gelobtes Land. Amerikanische Schriftsteller über Amerika. Rowohlt, Reinbek bei Hamburg 1997
• Claude Grimal Paul Auster au coeur des labyrinthes. Europe: Revue Littéraire Mensuelle, 68:733 (1990), pp. 64—66.
• Allan Gurganus How Do You Introduce Paul Auster in Three Minutes?. The Review of Contemporary Fiction, 14:1 (Spring 1994), pp. 7—8.
• Anne M. Holzapfel: The New York trilogy. Whodunit? Tracking the structure of Paul Auster’s anti-detective novels. Lang, Frankfurt am Main 1996. (= Studien zur Germanistik und Anglistik; 11) ISBN 3-631-49798-9
• Beate Hötger: Identität im filmischen Werk von Paul Auster. Lang, Frankfurt am Main u.a. 2002. (= Europäische Hochschulschriften; Reihe 30, 84) ISBN 3-631-38470-X
• Heiko Jakubzik: Paul Auster und die Klassiker der American Renaissance. Dissertation, Universität Heidelberg 1999 ( online text)
• Bernd Herzogenrath An Art of Desire. Reading Paul Auster. Amsterdam: Rodopi; 1999
• Bernd Herzogenrath Introduction. In: Bernd Herzogenrath. An Art of Desire: Reading Paul Auster. Amsterdam: Rodopi, 1999, pp. 1—11.
• Gerald Howard Publishing Paul Auster. The Review of Contemporary Fiction, 14:1 (Spring 1994), pp. 92—95.
• Peter Kirkegaard, Cities, Signs, Meanings in Walter Benjamin and Paul Auster: Or, Never Sure of Any of It in Orbis Litterarum: International Review of Literary Studies 48 (1993): 161179.
• Barry Lewis The Strange Case of Paul Auster. The Review of Contemporary Fiction, 14:1 (Spring 1994), pp. 53—61.
• James Marcus Auster! Auster!. The Village Voice, 39 (August 30, 1994), pp. 55—56.
• Brian McHale Constructing Postmodernism. London and New York: Routledge, 1992.
• Patricia Merivale The Austerized Version. Contemporary Literature, 38:1 (Spring 1997), pp. 185—197.
• Christophe Metress Iles et archipels, sauver ce qui est récupérable: la fiction de Paul Auster. In: Annick Duperray (ed.). L’oeuvre de Paul Auster: approches et lectures plurielles. Actes du colloque Paul Auster. Aix-en-Provence: Actes Sud, 1995, pp. 245—257.
• James Peacock Carrying the Burden of Representation: Paul Auster's The Book of Illusions. Journal of American Studies, 40:1 (April 2006), pp. 53—70.
• Werner Reinhart: Pikareske Romane der 80er Jahre. Ronald Reagan und die Renaissance des politischen Erzählens in den USA. (Acker, Auster, Boyle, Irving, Kennedy, Pynchon). Narr, Tübingen 2001
• William Riggan Picaros, Madmen, Naïfs, and Clowns: The Unreliable First-Person Narrator. Norman: University of Oklahoma Press, 1981.

• Mark Rudman Paul Auster: Some ?Elective Affinities‘. The Review of Contemporary Fiction, 14:1 (Spring 1994), pp. 44—45.
• Michael Rutschky Die Erfindung der Einsamkeit: Der amerikanische Schriftsteller Paul Auster. Merkur, 45 (1991), pp. 1105—1113.
• Edward H. Schafer Ways of Looking at the Moon Palace. Asia Major. 1988; 1(1):1-13.
• Steffen Sielaff: Die postmoderne Odyssee. Raum und Subjekt in den Romanen von Paul Auster. Univ. Diss., Berlin 2004.
• Joseph C. Schöpp Ausbruch aus der Mimesis: Der amerikanische Roman im Zeichen der Postmoderne. München: Fink, 1990.
• Motoyuki Shibata Being Paul Auster’s Ghost. In: Dennis Barone (ed.). Beyond the Red Notebook: Essays on Paul Auster. Philadelphia: University of Pennsylvania Press, 1995, pp. 183—188.
• Carsten Springer: Crises. The works of Paul Auster. Lang, Frankfurt am Main u.a. 2001. (= American culture; 1) ISBN 3-631-37487-9
• Carsten Springer: A Paul Auster Sourcebook. Frankfurt a. Main u. a., Peter Lang, 2001.
• Eduardo Urbina: La ficción que no cesa: Paul Auster y Cervantes. Vigo: Editorial Academia del Hispanismo, 2007.
• Eduardo Urbina: La ficción que no cesa: Cervantes y Paul Auster. Cervantes en el ámbito anglosajón. Eds. Diego Martínez Torrón and Bernd Dietz. Madrid: SIAL Ediciones, 2005. 433-42.
• Eduardo Urbina: Reflejos lunares, o la transformación paródica de la locura quijotesca en Moon Palace (1989) de Paul Auster. Siglos dorados; Homenaje a Augustin Redondo. Ed. Pierre Civil. Madrid: Castalia, 2004. 2: 1417-25.
• Eduardo Urbina: Parodias cervantinas: el Quijote en tres novelas de Paul Auster (La ciudad de cristal, El palacio de la luna y El libro de las ilusiones). ‘Calamo currente’: Homenaje a Juan Bautista de Avalle Arce. Ed. Miguel Zugasti. RILCE (Universidad de Navarra) 23.1 (2007): 245-56.
• Eduardo Urbina: Reading Matters: Quixotic Fiction and Subversive Discourse in Paul Auster’s The Book of Illusions Critical Reflections: Essays on Golden Age Spanish Literature in Honor of James A. Parr. Eds. Barbara Simerka and Amy R. Williamsen. Lewisburg, PA: Bucknell University Press, 2006. 57-66.
• Various Authors. Special edition on Paul Auster. Critique. 1998 Spring; 39(3).
• Aliki Varvogli "World That is the Book: Paul Auster's Fiction". Liverpool University press, 2001. ISBN 978-0-85323-697-9
• Florian Felix Weyh Paul Auster. Kritisches Lexikon der fremdsprachigen Gegenwartsliteratur (26. Nachlieferung), pp. 1—10.
• Curtis White The Auster Instance: A Ficto-Biography. The Review of Contemporary Fiction, 14:1 (Spring 1994), pp. 26—29.
• Eric Wirth A Look Back from the Horizon. In: Dennis Barone (ed.). Beyond the Red Notebook: Essays on Paul Auster. Philadelphia: University of Pennsylvania Press, 1995, pp. 171—182.
• John Zilcosky The Revenge of the Author: Paul Auster’s Challenge to Theory. Critique, 39:3 (Spring 1998), pp. 195—206.