Born in 1896, Peter Cheyney lived only 55 years until June 1951. For much of his early life Cheyney occupied himself as a police reporter and crime investigator Until he became successful as a crime novelist, he was often quite poor. This changed in 1936 when Cheyney wrote his first novel, the Lemmy Caution thriller This Man Is Dangerous and followed it with the first Slim Callaghan novel, The Urgent Hangman in 1938. The immediate success of these two novels assured a flourishing new career and Cheyney abandoned his work as a freelance investigator.

A meticulous researcher, Cheyney kept a massive set of files on criminal activity in London until they were destroyed during the Blitz in 1941; he soon began to replace his collection of clippings. Cheyney dictated his work although he did not (as did Edgar Wallace) dictate at a breakneck pace. Typically Cheyney would "act out" his stories for his secretary, who would copy them down in shorthand and type them up later.

The Slim Callaghan novels and short stories move along at a brisk and confident clip and his "Dark" series was widely praised during World War II for bringing more realism to espionage fiction. In their casual brutality and general "grubbiness," the "Dark" novels seem to have foreshadowed much of the Cold War fiction of the mid to late 1960s. Anthony Boucher placed these later works in the context of Graham Greene and Joseph Conrad.

The characterization of Ernest Guelvada in the "Dark" series is one of the high points of Cheyney's career. A cheerfully sadistic war operative whose objective is to deplete the ranks of opposing forces in a leisurely but thorough fashion, the loquacious Guelvada still finds the time to dress immaculately, drink immoderate amounts of alcohol and remain a counter agent.

From all accounts, Cheyney lived much like his characters, working too hard, living the fast and careless life with a breathtaking abandon that eventually caught up with him. A good deal of this tension and haste is found in his writing, often to good effect; one sometimes gets the feeling that Cheyney is dictating to fill up the page but even as he does so the attention he pays to mundane details in the process makes his characters and their world all the more real.

Cheyney published a semi-autobiographical volume, Making Crime Pay and after his death at least two biographical essays appeared in posthumous collections. An essay by Viola Garvin, "Peter Cheyney" appears in Velvet Johnnie a posthumous collection of Cheyney's short stories (London: Collins, 1952, pages 7—32). The other essay is anonymous.It appears in the Cheyney collection Calling Mr. Callaghan (London: Todd, 1953, pages 7—16). Cheyney published one volume of short stories, advice to critics and a few poems in No Ordinary Cheyney (London: Faber and Faber, 1948).

His Biography was "Peter Cheyney: Prince of Hokum" by Michael Harrison, (London: N. Spearman, 1954.)

Cheyney was buried in Putney Vale Cemetery.

Lemmy Caution

• This Man Is Dangerous (1936) — filmed as Cet homme est dangereux (France; Jean Sacha, 1953)
• Poison Ivy (1937) — filmed as La môme vert-de-gris (France; Bernard Borderie, 1953)
• Dames Don't Care (1937) — filmed as Les femmes s'en balancent (France; Bernard Borderie, 1954)
• Can Ladies Kill? (1938)
• Don't Get Me Wrong (1939) — filmed as Vous pigez (France; Victor Trivas and Jacques Doniol-Valcroze, 1955)
• You'd Be Surprised (1940)
• Your Deal, My Lovely (1941) — filmed as À toi de faire, mignonne (France; Bernard Borderie (1963)
• Never a Dull Moment (1942)
• You Can Always Duck (1943)
• I'll Say She Does! (1945) — filmed as Comment qu'elle est! (France; Bernard Borderie, 1960)

Slim Callaghan

• The Urgent Hangman (1938)
• Dangerous Curves (1939), US title: Callaghan
• You Can't Keep the Change (1940)
• It Couldn't Matter Less (1941), US title: Set-up for Murder
• Sorry You've Been Troubled (1942), US title: Farewell to the Admiral
• The Unscrupulous Mr. Callaghan (1943)
• They Never Say When (1944)
• Uneasy Terms (1946)

The Dark Series

• Dark Duet (1942), also as The Counterspy Murders
• The Stars Are Dark (1943), also as The London Spy Murders
• The Dark Street (1944), also as The Dark Street Murders
• Sinister Errand (1945), also as Sinister Murders
• Dark Hero (1946), also as The Case of the Dark Hero
• Dark Interlude (1947), also as The Terrible Night
• Dark Wanton (1948), also as Case of the Dark Wanton
• Dark Bahama (1950), also as I'll Bring Her Back

Other novels

• Another Little Drink (1940), also as Premeditated Murder and A Trap for Bellamy
• Night Club (1945), also as Dressed to Kill
• Dance without Music (1947)
• Try Anything Twice (1948), also as Undressed to Kill
• One of Those Things (1949), also as Mistress Murder
• You Can Call It a Day (1949), also as The Man Nobody Saw
• Lady, Behave! (1950), also as Lady Beware
• Ladies Won't Wait (1951), also as Cocktails and the Killer

Short Story Collections

• You Can’t Hit a Woman (1937)
• Knave Takes Queen (1939; enlarged edition, 1950)
• Mr. Caution — Mr. Callaghan (1941)
• Making Crime Pay (1944), collected stories, articles, radio plays
• The Curiosity of Etienne MacGregor (1947), also as The Sweetheart of the Razors
• No Ordinary Cheyney (1948)
• Velvet Johnnie (1952)
• G-man at the Yard (1953)
• Calling Mr. Callaghan (1953)
• The Adventures of Julia (1954), US title: The Killing Game
• He Walked in Her Sleep (1954), also as MacTavish
• The Mystery Blues (1954), also as Fast Work