Reginald Evelyn Peter Southouse Cheyney, known as Peter Cheyney, (22 February 1896 — 26 June 1951) was a British crime fiction writer who flourished between 1936 and 1951. Cheyney is the author of hard-boiled short stories and novels, some of which were adapted to film; his character Lemmy Caution was famously appropriated by French filmmaker Jean-Luc Godard for the science fiction movie Alphaville, une étrange aventure de Lemmy Caution.
His other memorable creation is Slim Callaghan, a somewhat disreputable private detective most at home in the less savoury sections of London. Although his novels sold in the millions during his lifetime, he is almost forgotten today, and his works are mostly out of print.
Born in 1896, Peter Cheyney lived only 55 years until June 1951. For much of his early life Cheyney occupied himself as a police reporter and crime investigator Until he became successful as a crime novelist, he was often quite poor. This changed in 1936 when Cheyney wrote his first novel, the Lemmy Caution thriller This Man Is Dangerous and followed it with the first Slim Callaghan novel, The Urgent Hangman in 1938. The immediate success of these two novels assured a flourishing new career and Cheyney abandoned his work as a freelance investigator.
A meticulous researcher, Cheyney kept a massive set of files on criminal activity in London until they were destroyed during the Blitz in 1941; he soon began to replace his collection of clippings. Cheyney dictated his work although he did not (as did Edgar Wallace) dictate at a breakneck pace. Typically Cheyney would "act out" his stories for his secretary, who would copy them down in shorthand and type them up later.
The Slim Callaghan novels and short stories move along at a brisk and confident clip and his "Dark" series was widely praised during World War II for bringing more realism to espionage fiction. In their casual brutality and general "grubbiness," the "Dark" novels seem to have foreshadowed much of the Cold War fiction of the mid to late 1960s. Anthony Boucher placed these later works in the context of Graham Greene and Joseph Conrad.
The characterization of Ernest Guelvada in the "Dark" series is one of the high points of Cheyney's career. A cheerfully sadistic war operative whose objective is to deplete the ranks of opposing forces in a leisurely but thorough fashion, the loquacious Guelvada still finds the time to dress immaculately, drink immoderate amounts of alcohol and remain a counter agent.
From all accounts, Cheyney lived much like his characters, working too hard, living the fast and careless life with a breathtaking abandon that eventually caught up with him. A good deal of this tension and haste is found in his writing, often to good effect; one sometimes gets the feeling that Cheyney is dictating to fill up the page but even as he does so the attention he pays to mundane details in the process makes his characters and their world all the more real.
Cheyney published a semi-autobiographical volume, Making Crime Pay and after his death at least two biographical essays appeared in posthumous collections. An essay by Viola Garvin, "Peter Cheyney" appears in Velvet Johnnie a posthumous collection of Cheyney's short stories (London: Collins, 1952, pages 7—32). The other essay is anonymous.It appears in the Cheyney collection Calling Mr. Callaghan (London: Todd, 1953, pages 7—16). Cheyney published one volume of short stories, advice to critics and a few poems in No Ordinary Cheyney (London: Faber and Faber, 1948).
His Biography was "Peter Cheyney: Prince of Hokum" by Michael Harrison, (London: N. Spearman, 1954.)
